อิสยาห์ 44:12 วิจารณ์

God, by the prophet, goes on in this chapter, as before, I. To encourage his people with the assurance of great blessings he had in store for them at their return out of captivity, and those typical of much greater which the gospel church, his spiritual Israel, should partake of in the days of the Messiah; and hereby he proves himself to be God alone against all pretenders (Isa 44:1-8). II. To expose the sottishness and amazing folly of idol-makers and idol-worshippers (Isa 44:9-20). III. To ratify and confirm the assurances he had given to his people of those great blessings, and to raise their joyful and believing expectations of them (Isa 44:21-28).

INTRODUCTION TO ISAIAH 44 In this chapter the Lord comforts his people with the promise of the effusion of his Spirit, and the blessings of his grace upon them; the consequence of which would be fruitfulness in them, and the conversion of others, who should profess themselves the Lord's people, Isa 44:1, he proves his deity in opposition to all false gods from his eternity, omniscience, and foretelling future events, Isa 44:6, exposes the stupidity of idol makers and the worshippers of them, Isa 44:9, makes gracious promises of the remembrance of his people, the remission of their sins, and their redemption by Christ, Isa 44:21, of which redemption from Babylon was a type; and of that assurance is given, from the Lord's creating all things by his power; from his frustrating and infatuating diviners and wise men; from his fulfilling his predictions delivered by his prophets; and from his mentioning by name the instrument of their redemption, Cyrus, Isa 44:24, which makes way for a particular prophecy concerning him in the next chapter.

The smith with the tongs,.... Or, "the worker of iron" (c); the blacksmith, who had a concern in making of idols, for some were made of iron, Dan 5:4, or in making plates to cover them, or nails to fasten them with, or instruments which the carpenter made use of in cutting down trees, and fitting the wood for an image; such as the axe or hatchet, or plane, and which some think is here meant, by the word translated "tongs", but is rendered an "axe", Jer 10:3 and is used for that, or an hatchet, or a plane, by the Misnic (d) writers; so the Targum renders it, "the smith out of iron makes an axe or hatchet:'' "both worketh in the coals"; he puts his iron in the coals, and blows upon them, and so makes it soft and malleable, and then takes it out: and fashioneth it with hammers: beats it with hammers upon the anvil, and puts it into what form he pleases: and worketh it with the strength of his arms; uses his utmost strength to bring it into a form he is desirous of: yea, he is hungry, and his strength faileth; he drinketh no water, and is faint; he works at it with all his might and main, is earnest at it, and is eagerly desirous of finishing his work; he works till he is hungry and thirsty, and for want of food is ready to faint and sink; and yet will not give himself time to eat and drink, being so intent upon his work: or the sense is, though he is hungry and thirsty, and faints for want of provisions, yet the god he is making, or has made, cannot supply him with any: this is said to expose the folly of idol making, and of idol worship. (c) "faber ferri", Pagninus, Montanus; "faber ferrarius", V. L. Vitringa. (d) Misn. Sabbat, c. 12. sect. 1. Celim, c. 29. 6.

(Verse 6 and following) This is what the Lord, the king of Israel and his redeemer, the Lord of hosts, says: I am the first and I am the last, and there is no God besides me. Who is like me? Let him call and declare, and lay out the order for me, since I established the ancient people: what is coming and what will happen, let them declare to them. Do not be afraid, nor be troubled: from that time I have made you hear and announced it; you are my witnesses. Is there any God besides me, and a creator whom I do not know? All the idols of the nations are worthless, and the things they love do not profit them. They themselves are witnesses to their own worthlessness, for they do not see or understand, so that they may be put to shame. Who formed a god or cast an idol that is profitable for nothing? Look, all his companions shall be put to shame; the craftsmen are mere men. Let them all assemble, let them stand forth. They shall be terrified; they shall be put to shame together. The blacksmith takes a tool and works it with the coals; he fashions it with hammers and works it with his strong arm. He will be hungry and will become weak, he will not drink water, and he will grow weary. The carpenter extends the rule (or the form), he shapes it on the plane, he forms it with angles, and rounds it off with a compass. And he makes an image of a man, like a handsome man dwelling in a house. He cuts down cedars, he takes an oak, and a tree that stood among the woods. He plants a pine, which the rain nourishes, and it becomes fuel for men. He takes from them, and warms himself; he kindles it, and bakes bread. But the rest of it he made into a god and worshipped; he made an idol and bowed down to it. He burned half of it in the fire and cooked meat on it; he roasted a stew and ate it, and then he was satisfied. He warmed himself and said, 'Ah! I am warm; I see the fire.' The rest of the wood he made into a god, his idol. He bows down to it and worships; he prays to it and says, 'Save me, for you are my god.' They do not know, nor do they understand; for their eyes are too dim to see, and their hearts too dull to perceive. They do not recognize in their mind, nor do they know, nor do they feel to say: I burnt its middle with fire, and I baked bread on its coals. I cooked meat, and I ate, and from the rest of it I will make an idol, I will prostrate before the trunk of a tree, a part of it is ashes: the foolish heart worshipped it: and it did not save its soul, nor will it say: perhaps there is a lie in my right hand. After the preaching of the Apostles, the calling of the Gentiles, the coming of the Savior, and the outpouring of the Holy Spirit, which he promised to give to all who believe, when another will say, I belong to the Lord: another will call himself in the name of Jacob: another will write with his own hand that he belongs to the Lord, and when he has arisen from the unbelieving crowd of the Gentiles, he will be likened to Israel, so that having abandoned idols, he may be a worshipper of one God: it begins another section, which we have presented in its entirety, so as not to divide the unity of its meaning. And because the Septuagint in this chapter, with the exception of a few words, does not differ from the Hebrew, we are satisfied with our edition, by understanding which, the others will be understood as well. And this is a discourse against the idolaters of that time, to whom the prophet Isaiah proclaimed the coming things for the people, and he reproves those who, despising the religion of Almighty God, incline to wooden idols and worship the works of their own hands. Let us therefore run through each point. Thus says the Lord, the king of Israel, who is to be believed in me, and his redeemer, who will receive the coming of my Son: The Lord of hosts and virtues, and Almighty. For in Hebrew, it means Sabaoth (). I am the first and the last, I am Α and Ω; and there is no God without me, for the child whom I have chosen is God in me. Of whom I said above: Behold my child, whom I have chosen: my chosen one, whom my soul has received: he will bring judgment to the nations: and in his name the nations will hope. He does not say that he alone exists, but that apart from his own virtue and wisdom there is no external God, and condemns the belief in many gods and images: Who, he says, is like me? Let him call those things which are not as though they were, and explain the order of my creation, which I have balanced with reason, since I made man upon the earth. And not only do I desire this, but I also seek knowledge of the future. Therefore, you, Israel, of whom I am both king and redeemer, do not fear the images that you have learned are nothing on Mount Sinai. Is there perhaps another Creator, whom I do not know? Or is there another world beyond this one, which reveals the power of an unknown God? And not only the things that are made, but also those who make them, will be considered worthless. And when the time of vengeance comes, they will not be able to free themselves from the works of their own hands, which blind and senseless artisans confuse. For who can believe that God is formed by an axe, file, drill, or hammer? And are there statues made of thorns; or do the plumb-line, plow, and corner-squares, and the compass suddenly rise up into gods? Especially since the poverty of the artist is shown by hunger and thirst. For a wooden statue is made, representing human form, and the more beautiful it is, the narrower is the God thought to be. It is placed in a shrine, and is enclosed in eternal prison, which grew for a long time in the woods, and depending on the variety of trees, was either a cedar or an oak or a pine. And in a wondrous manner, its segments and scratches are thrown into the hearth, so that they may warm the artisan of God and cook different dishes. But the other part is fashioned into a god, so that, with the work complete, the creator may adore it and seek assistance from his own creation. Yet he does not understand or consider, indeed, he does not even look upon it with the eyes of the flesh or the mind, that it cannot be God, whose part has been consumed by fire, nor can the divine majesty be made by the hand of man. Moreover, the prophetic language is more fully covered with ridicule, which is easily understood and does not require a verbose, rather superfluous commentary. This is what Horace also writes about in his Satire, mocking the idols of the nations (Satire VIII, Book I). Once I was a fig tree trunk, useless wood: When a craftsman was unsure whether to make a bench or Priapus. He preferred it to be a god: I became a god, the greatest fear of thieves and birds. . . . . . . . . . . . . Whatever is said about idols can also be applied to the leaders of heresies, who create images of their doctrines and lies with cunning hearts and worship things that they know are made by themselves. And their own error is not enough for them, unless they deceive even the simplest of their followers with their worship. Those who think that gain is godliness and devour the homes of widows (I Tim. VI), taking advantage of the ignorance of the common people, in this way, with dialectic art, as if with an axe and drill, they shape their own god, and they forge with a hammer, and they gild with the elegance of rhetorical language: of whom their god is their belly, and their glory is in their shame (Philipp. III).

[Isaiah] has demonstrated that the production of these so-called gods relies on contributions. Their creator needs the blacksmith to prepare the tools and the whetstone for sharpening them; for his part, the bronzesmith needs coal and fire, while the constructor of the objects needs food and drink! It takes all this to prepare a god who is worshiped by these ignorant people. Isaiah is not finished mocking them. After choosing a log, the artisan immediately measures the so-called god. whereas the true God is immeasurable. He then shapes it with the appropriate tools, whereas the real God has no form or shape.… He does not copy divine characteristics but human ones; he shapes his human image and adores his own image as if it were divine.

“He becomes hungry, and his strength fails.” The first reason for the making of idols is the need of their makers. They are hungry and thirsty and have no food, and, therefore, they make idols, so that their need may be satisfied, thanks to what they themselves do. According to Henana, it is with regard to the weakness of the idols that the prophet says that they cannot deliver anybody from these needs, when they hunger and thirst, not even the person who makes them and believes he has made a god.

The smith. Here he shows their worthlessness, that not only are they not gods, but even worthless things. And first, he sets out the manner of their formation as to idols made from metal: with the strength of his arm, that is, striking strong blows; he shall hunger and faint, as if to say: the god which he is making cannot help him, although it is especially bound to its maker, above: the coppersmith striking with the hammer (Isa 41:7).

Jeremiah reproves the Jews in Egypt for continuing in idolatry after the exemplary judgments indicted by God on their nation for that sin, Jer 44:1-14; and, upon their refusing to reform, denounces destruction to them, and to that kingdom wherein they sought protection, vv. 15-30.

The smith with the tongs, etc. "The smith cutteth off a portion of iron" - מעצד meatstsed, Participium Pihel of עצד atsad, to cut; still used in that sense in the Arabic. See Simonis Lex. Hebrews The Septuagint and Syriac take the word in this form: but they render it sharpeneth the iron. See Castell. Lex. in voce. The sacred writers are generally large and eloquent upon the subject of idolatry; they treat it with great severity, and set forth the absurdity of it in the strongest light. But this passage of Isaiah, Isa 44:12-20, far exceeds any thing that ever was written upon the subject, in force of argument, energy of expression, and elegance of composition. One or two of the apocryphal writers have attempted to imitate the prophet, but with very ill success; Wisd. 13:11-19; 15:7, etc.; Baruch 6, NAB (editor's note: some translations treat this as Letter to Jeremiah), especially the latter, who, injudiciously dilating his matter, and introducing a number of minute circumstances, has very much weakened the force and effect of his invective. On the contrary a heathen author, in the ludicrous way, has, in a line or two, given idolatry one of the severest strokes it ever received: - Olim truncus eram ficulnus, inutile lignum, Cum faber incertus, scamnum faceretne Priapum, Maluit esse Deum. Deus inde ego. Horat. Satyr, lib. 1. sat. viii. "Formerly I was the stump of a fig tree, a useless log; when the carpenter, after hesitating whether to make me a god or a stool, at last determined to make me a god. Thus I became a god!" From the tenth to the seventeenth verse, a most beautiful strain of irony is carried on against idolatry. And we may naturally think that every idolater, who either read or heard it, must have been for ever ashamed of his own devices. - L.

CONTINUATION OF THE PREVIOUS CHAPTER. (Isa. 44:1-28) Yet--Though thou hast sinned, yet hear God's gracious promise as to thy deliverance. chosen-- (Isa 41:8).

tongs--rather, "prepareth (to be supplied) an axe," namely, with which to cut down the tree designed as the material of the idol. The "smith" (Hebrew, "workman in iron") here answers to the "carpenter" (Hebrew, "workman in wood"). "He worketh it (the axe, not the idol, which was wood, not metal) in the coals," &c. The axe was wrought, not cast. The smith makes the axe for the carpenter. hungry . . . drinketh no water--so eager is he to expedite his work while the iron is hot. If the god were worth anything, it would not let him grow "faint" with hunger and thirst. Williams, the missionary, states that the South Sea islanders when they make an idol abstain from food and drink.

The prophet now conducts us into the workshops. "The iron-smith has a chisel, and works with red-hot coals, and shapes it with hammers, and works it with his powerful arm. He gets hungry thereby, and his strength fails; if he drink no water, he becomes exhausted. The carpenter draws the line, marks it with the pencil, carries it out with planes, and makes a drawing of it with the compass, and carries it out like the figure of a man, like the beauty of a man, which may dwell in the house." The two words chârash barzel are connected together in the sense of faber ferrarius, as we may see from the expression chârash ‛ētsı̄m (the carpenter, faber lignarius), which follows in Isa 44:13. Chârash is the construct of chârâsh (= charrâsh), as in Exo 28:11. The second kametz of this form of noun does indeed admit of contraction, but only to the extent of a full short vowel; consequently the construct of the plural is not חרשׁי, but חרשׁי (Isa 45:16, etc.). Hence Isa 44:12 describes how the smith constructs an idol of iron, Isa 44:13 how the carpenter makes one of wood. But the first clause, מעצד בּרזל חרשׁ, is enigmatical. In any case, מעצד is a smith's tool of some kind (from עצד, related to חצד). And consequently Gesenius, Umbreit, and others, adopt the rendering, "the smith an axe, that does he work ... ;" but the further account of the origin of an idol says nothing at all about this axe, which the smith supplies to the carpenter, that he may hew out an idol with it. Hitzig renders it, "The smith, a hatchet does he work, and forms it (viz., into an idol);" but what a roundabout way! first to make a hatchet and then make it into an idol, which would look very slim when made. Knobel translates it, "As for the cutting-smith, he works it;" but this guild of cutting-smiths certainly belongs to Utopia. The best way to render the sentence intelligible, would be to supply לו: "The smith has (uses) the ma‛ătsâd." But in all probability a word has dropped out; and the Septuagint rendering, ὅτι ὤξυνεν τέκτων σίδηρον σκεπάρνω εἰργάσατο κ.τ.λ, shows that the original reading of the text was מעצד ברזל חרס חדד, and that חדד got lost on account of its proximity to יחץ. The meaning therefore is, "The smith has sharpened, or sharpens (chiddēd, syn. shinnēn) the ma‛ătsâd," possibly the chisel, to cut the iron upon the anvil; and works with red-hot coals, making the iron red-hot by blowing the fire. The piece of iron which he cuts off is the future idol, and this he shapes with hammers (יצרהוּ the future of יצר). And what of the carpenter? He stretches the line upon the block of wood, to measure the length and breadth of the idol; he marks it upon the wood with red-stone (sered, rubrica, used by carpenters), and works it with planes (maqtsu‛ōth, a feminine form of מקצוע, from קצע, to cut off, pare off, plane; compare the Arabic mikta‛), and with the compasses (mechūgâh, the tool used, lâchūg, i.e. for making a circle) he draws the outline of it, that is to say, in order that the different parts of the body may be in right proportion; and he constructs it in such a manner that it acquires the shape of a man, the beautiful appearance of a man, to be set up like a human inmate in either a temple or private house. The piel תּאר (תּאר), from which comes yetāărēhū, is varied here (according to Isaiah's custom; cf., Isa 29:7; Isa 26:5) with the poelתּאר, which is to be understood as denoting the more exact configuration. The preterites indicate the work for which both smith and carpenter have made their preparations; the futures, the work in which they are engaged.