Introduction
If the book of Psalms be, as some have styled it, a mirror or looking-glass of pious and devout affections, this psalm in particular deserves, as much as any one psalm, to be so entitled, and is as proper as any to kindle and excite such in us: gracious desires are here strong and fervent; gracious hopes and fears, joys and sorrows, are here struggling, but the pleasing passion comes off a conqueror. Or we may take it for a conflict between sense and faith, sense objecting and faith answering. I. Faith begins with holy desires towards God and communion with him (Psa 42:1, Psa 42:2). II. Sense complains of the darkness and cloudiness of the present condition, aggravated by the remembrance of the former enjoyments (Psa 42:3, Psa 42:4). III. Faith silences the complaint with the assurance of a good issue at last (Psa 42:5). IV. Sense renews its complaints of the present dark and melancholy state (Psa 42:6, Psa 42:7). V. Faith holds up the heart, notwithstanding, with hope that the day will dawn (Psa 42:8). VI. Sense repeats its lamentations (Psa 42:9, Psa 42:10) and sighs out the same remonstrance it had before made of its grievances. VII. Faith gets the last word (Psa 42:11), for the silencing of the complaints of sense, and, though it be almost the same with that (Psa 42:5) yet now it prevails and carries the day. The title does not tell us who was the penman of this psalm, but most probably it was David, and we may conjecture that it was penned by him at a time when, either by Saul's persecution or Absalom's rebellion, he was driven from the sanctuary and cut off from the privilege of waiting upon God in public ordinances. The strain of it is much the same with Psa 63:1-11, and therefore we may presume it was penned by the same hand and upon the same or a similar occasion. In singing it, if we be either in outward affliction or in inward distress, we may accommodate to ourselves the melancholy expressions we find here; if not, we must, in singing them, sympathize with those whose case they speak too plainly, and thank God it is not our own case; but those passages in it which express and excite holy desires towards God, and dependence on him, we must earnestly endeavour to bring our minds up to.
To the chief musician, Maschil, for the sons of Korah.
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Introduction
INTRODUCTION TO PSALM 42
To the chief Musician, Maschil, for the sons of Korah. Of the word "Maschil", See Gill on Psa 32:1, title. Korah was he who was at the head of a conspiracy against Moses and Aaron, for which sin the earth opened its mouth, and swallowed alive him and his company, and fire devoured two hundred and fifty more; the history of which is recorded in Num 16:1; yet all his posterity were not cut off, Num 26:11; some were in David's time porters, or keepers of the gates of the tabernacle, and some were singers; see Ch1 6:33; and to the chief musician was this psalm directed for them to sing, for they were not the authors of it, as some (b) have thought; but most probably David himself composed it; and it seems to have been written by him, not as representing the captives in Babylon, as Theodoret, but on his own account, when he was persecuted by Saul, and driven out by men from abiding in the Lord's inheritance, and was in a strange land among the Heathen, where he was reproached by them; and everything in this psalm agrees with his state and condition; or rather when he fled from his son Absalom, and was in those parts beyond Jordan, mentioned in this psalm; see Sa2 17:24; so the Syriac inscription, the song which David sung in the time of his persecution, desiring to return to Jerusalem.
(b) So R. Moses in Muis, Gussetius, Ebr. Comment. p. 918, & others.
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Yet the Lord will command his lovingkindness in the daytime,.... Which is a tender affection in God towards his people, springs from his sovereign will and pleasure, is from everlasting, is ever the same, never removes from them, and is better than life; the effects of which are all spiritual blessings, grace, and glory: and this the Lord "commands" when he sends it forth with power, makes a clear manifestation and home application of it to them; when he commands his covenant, or bestows covenant blessings on them; when he commands his strength, or gives them strength to bear up under afflictions; when he commands deliverances for Jacob, or works salvation for them; and when he commands blessings temporal and spiritual on them, especially life for evermore: see Psa 111:9; and this is done in "the daytime"; either, as some interpret it, in a fit and seasonable time, in God's appointed time, who has his set time to favour his people, and show his lovingkindness to them; or openly and publicly, so as themselves and others may see the salvation of the Lord; or continually; for mercy, goodness, and lovingkindness, follow them all the days of their lives; yea, are from everlasting to everlasting: and these words may be read either in the past tense, as some do, "yet the Lord hath commanded" (m), &c. and so respect what had been, and relate to the former experiences and manifestations of the love of God, with which the psalmist encourages himself under his present afflictions; or in the future, as in our version; and so they are an expression of faith as to what would be hereafter, that the Lord would appear again, and show him his face and favour;
and in the night his song shall be with me; signifying hereby, that he strongly believed he should have occasion of singing praise to God in the night season, though he was now in such mournful circumstances: he calls it "his song"; that is, the Lord's song; because the matter of it are his lovingkindness, and the blessings springing from it; because the Lord himself is the subject of it; his perfections, his works, his salvation and glory; and because he gives songs in the night, and puts them into the mouths of his people; see Isa 12:2; and the psalmist says it would be with him, in his heart, and in his mouth, and be his constant companion wherever he was, lying down, or rising up; and that "in the night"; either figuratively understood of affliction and distress, out of which he would be delivered, and so be compassed about with songs of deliverance; or literally, it being a time of leisure to call to mind the salvation and mercies of the day, and be thankful for them; see Psa 77:6;
and my prayer unto the God of my life: natural, spiritual, and eternal; being the author, giver, and preserver of each; and this is no inconsiderable mercy, to have such a God to pray unto in a time of distress; as well as in a time of salvation, to go to, and make known requests with thanksgiving; which seems to be intended here, since it is joined with a song. Prayer and praise go together, the object of which are not lifeless idols, that cannot save; but the living God, who is a God hearing and answering prayer, and does not despise the prayer of the destitute. The prayer of the psalmist follows.
(m) "praecepit", Tigurine version; "mandavit", Hammond; so Aben Ezra and others.
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