Salmi 137:3 Commento

There are divers psalms which are thought to have been penned in the latter days of the Jewish church, when prophecy was near expiring and the canon of the Old Testament ready to be closed up, but none of them appears so plainly to be of a late date as this, which was penned when the people of God were captives in Babylon, and there insulted over by these proud oppressors; probably it was towards the latter end of their captivity; for now they saw the destruction of Babylon hastening on apace (Psa 137:8), which would be their discharge. It is a mournful psalm, a lamentation; and the Septuagint makes it one of the lamentations of Jeremiah, naming him for the author of it. Here I. The melancholy captives cannot enjoy themselves (Psa 137:1, Psa 137:2). II. They cannot humour their proud oppressors (Psa 137:3, Psa 137:4). III. They cannot forget Jerusalem (Psa 137:5, Psa 137:6). IV. They cannot forgive Edom and Babylon (Psa 137:7-9). In singing this psalm we must be much affected with the concernments of the church, especially that part of it that is in affliction, laying the sorrows of God's people near our hearts, comforting ourselves in the prospect of the deliverance of the church and the ruin of its enemies, in due time, but carefully avoiding all personal animosities, and not mixing the leaven of malice with our sacrifices.

INTRODUCTION TO PSALM 137 The occasion of this psalm was the captivity of the Jews in Babylon, and the treatment they met with there; either as foreseen, or as now endured. Aben Ezra ascribes this psalm to David; and so the Syriac version, which calls it, "a psalm of David; the words of the saints, who were carried captive into Babylon.'' The Septuagint, Vulgate Latin, and Ethiopic versions, make it to be David's, and yet add the name of Jeremiah; and the Arabic version calls it David's, concerning Jeremiah: but, as Theodoret observes, Jeremiah was not carried into Babylon, but, after some short stay in or near Jerusalem, was forced away into Egypt; and could neither be the writer nor subject of this psalm: and though it might be written by David under a spirit of prophecy; who thereby might foresee and foretell the Babylonish captivity, and what the Jews would suffer in it; as the prophets Isaiah and Jeremiah did, many years before it came to pass; yet it seems rather to have been written by one of the captivity, either while in it, or immediately after it.

For there they that carried us away captive required of us a song,.... Or, "words of a song" (z). To repeat the words of one of the songs of Zion, as it is afterwards expressed: this the Babylonians did, as the Targum; who were they that carried the Jews into captivity; and this is given as a reason why they hung their harps on willows, and were so sorrowful, because such a request as this was made; and they that wasted us required of us mirth: the Chaldeans, who plundered them of their substance, and reduced their city and temple to heaps of rubbish, as the word (a) used signifies; or who heaped reproaches upon them, as Jarchi: these insisted not only on having the words of a song repeated to them, but that they should be set to some tune and sung in a manner expressing mirth, or would provoke unto it: or "our lamentations", according to Kimchi; that is, the authors of them (b), so barbarous were they; saying, sing us one of the songs of Zion; which used to be sung in Zion in the temple, called the songs of the temple, Amo 8:3; this demand they made either out of curiosity, that they might know something of the temple songs and music they had heard of; or rather as jeering at and insulting the poor Jews in their miserable and melancholy circumstances; as if they had said, now sing your songs if you can: or in order to make themselves sport and diversion with them, as the Philistines with Samson. The spiritual songs of Zion are the songs of electing, redeeming, calling, pardoning, and justifying grace; which natural men neither understand, nor can learn, but scoff at and despise. (z) "verba cantici", Pagninus, Montanus, Musculus, Piscator, Gejerus, Michaelis; "verba earminis", Cocceius. (a) "qui veluti in acervos nos redegerunt", Tigurine version, Grotius. (b) Vid. Stockium, p. 447.

"For there they that led us captive demanded of us words of songs, and they that led us away, an hymn" [Psalm 137:3]. They demanded of us words of songs and an hymn, who led us captive....We are tempted by the delights of earthly things, and we struggle daily with the suggestions of unlawful pleasures; scarce do we breathe freely even in prayer: we understand that we are captives. But who led us captive? What men? What race? What king? If we are redeemed, we once were captives. Who has redeemed us? Christ. From whom has He redeemed us? From the devil. The devil then and his angels led us captive: and they would not lead us, unless we consented....

The style of this Psalm resembles those of David in the former part of the book, presenting the usual complaint, prayer, and confident hope of relief. (Psa 140:1-13) evil man--Which of David's enemies is meant is not important.

Whether the request was in curiosity or derision, the answer intimates that a compliance was incongruous with their mournful feelings (Pro 25:20).