Psalm 150:5 Kommentar

The first and last of the psalms have both the same number of verses, are both short, and very memorable. But the scope of them is very different: the first psalm is an elaborate instruction in our duty, to prepare us for the comforts of our devotion; this is all rapture and transport, and perhaps was penned on purpose to be the conclusion of these sacred songs, to show what is the design of them all, and that is to assist us in praising God. The psalmist had been himself full of the praises of God, and here he would fain fill all the world with them: again and again he calls, "Praise the Lord, praise him, praise him," no less than thirteen times in these six short verses. He shows, I. For what, and upon what account, God is to be praised (Psa 150:1, Psa 150:2), II. How, and with what expressions of joy, God is to be praised (Psa 150:3-5). III. Who must praise the Lord; it is every one's business (Psa 150:6). In singing this psalm we should endeavour to get our hearts much affected with the perfections of God and the praises with which he is and shall be for ever attended, throughout all ages, world without end.

INTRODUCTION TO PSALM 150 This psalm is of the same kind and upon the same subject with the two preceding ones; and very probably was written by the same hand, and about the same time; and is a very proper psalm to conclude this book with, being all praise. Some say (q) this psalm was sung by the Israelites, when they came with their firstfruits into the sanctuary, with the basket on their shoulders. "Thirteen" times in this short psalm is the word "praise" used; not on account of thirteen properties or perfections in God, as Kimchi thinks: but it is so frequently and in every clause used, to show the vehement desire of the psalmist that the Lord might be praised; and to express his sense of things, how worthy he is of praise; and that all ways and means to praise him should be made use of, all being little enough to set forth his honour and glory. And not the Levites only, whose business it was in the temple service to praise the Lord with musical instruments, are here exhorted to it, as R. Judah the Levite thinks, but all people; not the people of Israel only, as Kimchi; but the Gentiles also, even all that have breath, Psa 150:6. For, as R. Obadiah Gaon observes, this psalm belongs to the times of the Messiah; to the Gospel dispensation, to the latter part of it, especially when Jews and Gentiles shall be converted; and when all will praise the Lord, as they will have reason for it. (q) Weemse's Christ. Synagog. l. 1. c. 6. s. 4. p. 145.

Praise him upon the loud cymbals,.... Or "cymbals of hearing" (x); that were heard with pleasure and delight, and afar off: the Septuagint and Vulgate Latin versions render it, "well sounding cymbals", which give a grateful sound to the ear; these were made of brass, Ch1 15:19; to which the apostle alludes, Co1 13:1; praise him upon the high sounding, cymbals; or "cymbals of shouting" (y), ovation or triumph; which were used on joyful occasions, as victories, deliverances, and the like; and were used also in the temple service, see Ch1 16:5; according to the Targum and Septuagint version, these were three stringed instruments; for so they render the word them in Sa1 18:6. Now these several instruments of music are named, not as to be used in Gospel times; but, being expressive of the highest praise and joy shown in former times, are mentioned to set forth the highest strains and notes of praise in New Testament saints; as well as to denote their heartiness, agreement, and unanimity in this service, Rom 15:6. (x) "in cymbalis auditus", Montanus, Vatablus. (y) "in cymbalis jubilationis", V. L. Musculus, Cocceius; "in cymbalis ovationis", Montanus.

The melodious cymbal reflects the active mind affixed on its desire for Christ; the joyous cymbal the purified mind inspired by the salvation of Christ.

"Praise Him on the well-sounding cymbals, praise Him on cymbals of jubilation" [Psalm 150:5]. Cymbals touch one another in order to sound, and therefore are by some compared to our lips. But I think it better to understand that God is in a manner praised on the cymbal, when each is honoured by his neighbour, not by himself, and then honouring one another, they give praise to God. But lest any should understand such cymbals as sound without life, therefore I think he added, "on cymbals of jubilation." For "jubilation" that is, unspeakable praise, proceeds not, save from life. Nor do I think that I should pass over what musicians say, that there are three kinds of sounds, by voice, by breath, by striking: by voice, uttered by throat and windpipe, when man sings without any instrument; by breath, as by pipe, or anything of that sort: by striking, as by harp, or anything of that kind. None then of these kinds is omitted here: for there is voice in the choir, breath in the trumpet, striking in the harp, representing mind, spirit, body, but by similitudes, not in the proper sense of the words. When then he proposed, "Praise God in His saints," to whom said he this, save to themselves? And in whom are they to praise God, save in themselves? For you, says he, are "His saints;" you are "His strength," but that which He wrought in you; you are "His mighty works, and the multitude of His greatness," which He has wrought and set forth in you. You are "trumpet, psaltery, harp, timbrel, choir, strings, and organ, cymbals of jubilation sounding well," because sounding in harmony. All these are you: let nought that is vile, nought that is transitory, nought that is ludicrous, be here thought of.

cymbals--suited to loud praise (Neh 12:27).