Introduction
For the expounding of this psalm we may borrow a great deal of light from the apostle's discourse, Heb. 3 and 4, where it appears both to have been penned by David and to have been calculated for the days of the Messiah; for it is there said expressly (Heb 4:7) that the day here spoken of (Psa 95:7) is to be understood of the gospel day, in which God speaks to us by his Son in a voice which we are concerned to hear, and proposes to us a rest besides that of Canaan. In singing psalms it is intended, I. That we should "make melody unto the Lord;" this we are here excited to do, and assisted in doing, being called upon to praise God (Psa 95:1, Psa 95:2) as a great God (Psa 95:3-5) and as our gracious benefactor (Psa 95:6, Psa 95:7). II. That we should teach and admonish ourselves and one another; and we are here taught and warned to hear God's voice (Psa 95:7), and not to harden our hearts, as the Israelites in the wilderness did (Psa 95:8, Psa 95:9), lest we fall under God's wrath and fall short of his rest, as they did (Psa 95:10, Psa 95:11). This psalm must be sung with a holy reverence of God's majesty and a dread of his justice, with a desire to please him and a fear to offend him.
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Introduction
INTRODUCTION TO PSALM 95
This psalm, though without a title, was written by David, as appears from Heb 4:7, and to him the Septuagint, Vulgate Latin, Syriac, Arabic, and Ethiopic versions ascribe it. It belongs to the times of the Messiah, as Kimchi observes; the apostle applies it to the Jews of his time, and bespeaks them in the language of it, Heb 3:7, and in which time Israelites, believers in Christ, are called upon to serve and worship him, in consideration of his greatness in himself, and his goodness to them. Theodoret thinks that David spoke prophetically of King Josiah and his times; and wrote it in the person of him, and the priests of God.
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Let us come before his presence with thanksgiving,.... Come with the sacrifice of praise, there being no other in the days of the Messiah, all ceremonial sacrifices being put an end to when his sacrifice was offered up; so Arama observes, that the offering of thanksgiving shall remain, or be left in the days of the Messiah; come with this to Christ as a priest, to offer it by him to God his Father, to whom it is acceptable through him, and with this to himself for the great salvation he has wrought out: "to come before his presence", or "face" (b), supposes his being come in the flesh, his being God manifest in it, and also as clear and free from the veil of types and shadows; these all being gone now he is come, and to be beheld with open face; and likewise his having done his work as a Saviour, and now upon his throne as a King; into whose presence chamber saints are admitted to make their acknowledgments to him, and profess their allegiance and subjection to him, and their gratitude for favours received. It signifies an attendance on him in his house and ordinances, where he shows his face, and grants his presence; and intends not merely bodily exercise, or a presentation of our bodies only to him, but a drawing nigh to him with true hearts, and serving him in a spiritual manner:
and make a joyful noise unto him with psalms; with a melodious voice, and grace in the heart, with psalms, hymns, and spiritual songs; this belonging to Gospel times shows that singing of psalms vocally in a musical way is an ordinance of Christ, to be performed to him under the Gospel dispensation, Eph 5:19.
(b) "faciem ejus", V. L. Pagninus, Montanus, Tigurine version, &c.
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