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Psalm 87:8 Komentář

3 historické hlasy

Jak Církev četla Psalms 87:8 napříč dvěma tisíciletími — Matthew Henry, Jan Kalvín, Augustin z Hipony, Jan Zlatoústý a další, shromážděno verš po verši z veřejné domény.

VUL · la
Super me confirmatus est furor tuus, et omnes fluctus tuos induxisti super me.

Hlasy napříč staletími

Puritáni 2

Matthew Henry · 1662 Complete Commentary on the Whole Bible
Introduction
The foregoing psalm was very plain and easy, but in this are things dark and hard to be understood. It is an encomium of Zion, as a type and figure of the gospel-church, to which what is here spoken is very applicable. Zion, for the temple's sake, is here preferred, I. Before the rest of the land of Canaan, as being crowned with special tokens of God's favour (Psa 87:1-3). II. Before any other place or country whatsoever, as being replenished with more eminent men and with a greater plenty of divine blessings (Psa 87:4-7). Some think it was penned to express the joy of God's people when Zion was in a flourishing state; others think it was penned to encourage their faith and hope when Zion was in ruins and was to be rebuilt after the captivity. Though no man cared for her (Jer 30:17, "This is Zion whom no man seeketh after"), yet God had done great things for her, and spoken glorious things of her, which should all have their perfection and accomplishment in the gospel-church; to that therefore we must have an eye in singing this psalm. A psalm or song for the sons of Korah.
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John Gill · 1697 Exposition of the Entire Bible
Introduction
INTRODUCTION TO PSALM 87 A Psalm or Song for the sons of Korah. Whether this psalm was composed by David, in a view of the temple to be built by his son Solomon; or whether by one that returned from the Babylonish captivity, who wrote it for the comfort of those that wept at the laying of the foundation of the second temple; it seems evident that the subject matter of it is the church of God in Gospel times, and especially in the latter day glory: the title in the Syriac version is, "concerning the redemption of Jerusalem.''.
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Moderní 1

Jamieson, Fausset & Brown · 1802 Critical and Explanatory Commentary o…
Introduction
Upon Mahalath--either an instrument, as a lute, to be used as an accompaniment (Leannoth, "for singing") or, as others think, an enigmatic title (see on Psa 5:1, Psa 22:1, and Psa 45:1, titles), denoting the subject--that is, "sickness or disease, for humbling," the idea of spiritual maladies being often represented by disease (compare Psa 6:5-6; Psa 22:14-15, &c.). On the other terms, see on Psa 42:1 and Psa 32:1. Heman and Ethan (see on Psa 89:1, title) were David's singers (Ch1 6:18, Ch1 6:33; Ch1 15:17), of the family of Kohath. If the persons alluded to (Kg1 4:31; Ch1 2:6), they were probably adopted into the tribe of Judah. Though called a song, which usually implies joy (Psa 83:1), both the style and matter of the Psalm are very despondent; yet the appeals to God evince faith, and we may suppose that the word "song" might be extended to such compositions. (Psa. 88:1-18) Compare on the terms used, Psa 22:2; Psa 31:2.
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