Psalm 137:5 Komentář

There are divers psalms which are thought to have been penned in the latter days of the Jewish church, when prophecy was near expiring and the canon of the Old Testament ready to be closed up, but none of them appears so plainly to be of a late date as this, which was penned when the people of God were captives in Babylon, and there insulted over by these proud oppressors; probably it was towards the latter end of their captivity; for now they saw the destruction of Babylon hastening on apace (Psa 137:8), which would be their discharge. It is a mournful psalm, a lamentation; and the Septuagint makes it one of the lamentations of Jeremiah, naming him for the author of it. Here I. The melancholy captives cannot enjoy themselves (Psa 137:1, Psa 137:2). II. They cannot humour their proud oppressors (Psa 137:3, Psa 137:4). III. They cannot forget Jerusalem (Psa 137:5, Psa 137:6). IV. They cannot forgive Edom and Babylon (Psa 137:7-9). In singing this psalm we must be much affected with the concernments of the church, especially that part of it that is in affliction, laying the sorrows of God's people near our hearts, comforting ourselves in the prospect of the deliverance of the church and the ruin of its enemies, in due time, but carefully avoiding all personal animosities, and not mixing the leaven of malice with our sacrifices.

INTRODUCTION TO PSALM 137 The occasion of this psalm was the captivity of the Jews in Babylon, and the treatment they met with there; either as foreseen, or as now endured. Aben Ezra ascribes this psalm to David; and so the Syriac version, which calls it, "a psalm of David; the words of the saints, who were carried captive into Babylon.'' The Septuagint, Vulgate Latin, and Ethiopic versions, make it to be David's, and yet add the name of Jeremiah; and the Arabic version calls it David's, concerning Jeremiah: but, as Theodoret observes, Jeremiah was not carried into Babylon, but, after some short stay in or near Jerusalem, was forced away into Egypt; and could neither be the writer nor subject of this psalm: and though it might be written by David under a spirit of prophecy; who thereby might foresee and foretell the Babylonish captivity, and what the Jews would suffer in it; as the prophets Isaiah and Jeremiah did, many years before it came to pass; yet it seems rather to have been written by one of the captivity, either while in it, or immediately after it.

If I forget thee, O Jerusalem,.... This was said by one or everyone of the Levites; or singers, as Aben Ezra and Kimchi; or by the congregation of Israel, as Jarchi; by one of them, in the name of the rest; or by the composer of the psalm. The Targum is, "the voice of the Spirit of God answered and said, "if I forget", &c.'' that is, to weep over the calamities of Jerusalem; which might be thought, if the songs of Zion were sung; or to pray for the restoration of her prosperity and peace; as the church of Christ may be said to be forgotten, when men forget to mourn over its breaches, and show no concern for the reparation of them; or at the death of principal persons, which they lay not to heart; or at the great decay of religion in those that survive; or at the sins of professors, and their disregard to the word and ordinances: also when they forget to pray for her happiness in general; for the good of her members in particular; and especially for her ministers, that they may have assistance and success; and for a blessing on the word and ordinances, and for the conversion of sinners; and when they forget the worship of the Lord in it, and forsake the assembling of themselves together; let my right hand forget her cunning; her skill in music, particularly in playing on the harp; see Sa1 16:16; the harp was held in the left hand, and struck with the right; and that more softly or hardly, as the note required, in which was the skill or cunning of using it. Or let this befall me, should I so far forget Jerusalem as to strike the harp to one of the songs of Zion in a strange land: or let it forget any of its works; let it be disabled from working at all; let it be dry and withered, which, Aben Ezra says, is the sense of the word according to some; and Schultens (d), from the use of it in Arabic, renders it, let it be "disjointed", or the nerve loosened; see Job 31:22. Or the sense is, let everything that is as dear as my right hand he taken from me: or, as it may be rendered, "my right hand is forgotten" (e); that is, should I forget Jerusalem, it would; for that is as my right hand; so Arama. Some choose to translate the words thus, "may thou (O God) forget my right hand" (f); that is, to be at my right hand; to be a present help to me in time of need; to hold me by it, and to be the shade of it. (d) Animadv. Philol. p. 181. (e) "oblita est nostra dextra", Castalio. (f) "Oblivisceris (O Domine) dexterae meae", Gejerus; so some in Michaelis.

But take heed how you dwell among them, O people of God, O body of Christ, O high-born band of wanderers (for your home is not here, but elsewhere), lest when you love them, strivest for their friendship, and fearest to displease such men, Babylon begin to delight you and thou forget Jerusalem. In fear then of this, see what the Psalmist subjoins, see what follows. "If I forget you, O Jerusalem" [Psalm 137:5], amid the speeches of those who hold me captive, amid the speeches of treacherous men, amid the speeches of men who ask with ill intent, asking, yet unwilling to learn....What then? "If I forget you, O Jerusalem, let my right hand forget me."

The style of this Psalm resembles those of David in the former part of the book, presenting the usual complaint, prayer, and confident hope of relief. (Psa 140:1-13) evil man--Which of David's enemies is meant is not important.

For joyful songs would imply forgetfulness of their desolated homes and fallen Church. The solemn imprecations on the hand and tongue, if thus forgetful, relate to the cunning or skill in playing, and the power of singing.