อิสยาห์ 40:20 วิจารณ์

INTRODUCTION TO ISAIAH 40 This chapter treats of the comforts of God's people; of the forerunner and coming of the Messiah; of his work, and the dignity of his person; of the folly of making idols, and of the groundless complaints of the church of God. The consolations of God's people, by whom to be administered, and the matter, ground, and reason of them, Isa 40:1. John the Baptist, the harbinger of Christ, is described by his work and office, and the effects of it; it issuing in the humiliation of some, and the exaltation of others, and in the revelation of the glory of Christ, Isa 40:3, then follows an order to every minister of the Gospel what he should preach and publish; the weakness and insufficiency of men to anything that is spiritually good; their fading and withering goodliness, which is to be ascribed to the blowing of the Spirit of God upon it; and the firmness and constancy of the word of God is declared, Isa 40:6, next the apostles of Christ in Jerusalem are particularly exhorted to publish fervently and openly the good tidings of the Gospel; to proclaim the coming of Christ, the manner of it, and the work he came about; and to signify his faithful discharge of his office as a shepherd, Isa 40:9, the dignity of whose person is set forth by his almighty power, by his infinite wisdom, and by the greatness of his majesty, in comparison of which all nations and things are as nothing, Isa 40:12 and then the vanity of framing any likeness to God, and of forming idols for worship, is observed, Isa 40:18, and from the consideration of the divine power in creation and upholding all things, the church of God is encouraged to expect renewed strength and persevering grace, and is blamed for giving way to a distrustful and murmuring spirit, Isa 40:26.

He that is so impoverished that he hath no oblation,.... Who is so poor that he cannot bring an offering to his God, yet he will have one; and though he cannot purchase a golden or silver one, or one that is gilt, and adorned with either; yet he will have a wooden one, as follows. Some render it, "he that is set over the oblation", which Aben Ezra mentions; that was over the treasury, where the oblations were; the Heathen priest, whose business it was from thence to procure idols to worship. Jerom takes the word to be the name of a tree that will not rot; and so the Targum renders it, "he cuts down an ash:'' but the word is descriptive of an idol worshipper; and, according to Gussetius (x), signifies one that by custom and repeated acts has got skill in such things; and so Jarchi: hence he chooseth a tree that will not rot: he goes to the forest, and chooses the best tree for his purpose he can find, even one that will not rot, as the cypress; and though he cannot get an idol made of metal, but is forced to have one of wood, yet he will get the best he can, that will last longest, an incorruptible deity, as he fancies: he seeketh unto him a cunning workman, to prepare a graven image that shall not be moved: having decided upon his tree, and what sort of wood to make his god of, he looks out for an ingenious carpenter and carver, a good workman, to make it in the form of an image, and grave, or rather carve it, in the best manner he can, and then fasten it in a proper place, that it may not fall; a poor helpless deity, that cannot secure itself, and much less be of any service to its worshippers. (x) Ebr Comment. p. 558.

(Verse 18 and following) To whom then will you liken God, or what image will you set before Him? Can the craftsman make a graven image, or the goldsmith overlay it with gold, and the silversmith spread silver plates upon it? Or perhaps the skilled craftsman chooses a piece of wood that will not rot and seeks out a proficient artisan to fashion an image that will not move. Having described the greatness of God and shown His power in part, and having compared the nations and islands to a drop from a bucket and a speck of dust on the scales, and having refuted the use of ashes and sacrificial ceremonies, he teaches those who follow that all the nations before Him are as nothing and are counted by Him as less than nothing. To whom then will you liken God, or what image will you set before Him, who is a Spirit, who is in all things and is everywhere present, and who holds the earth in His hand as if it were a small container? At the same time, he derides the foolishness of nations, because the artisan, whether a blacksmith or a goldsmith or a silversmith, makes their own god and fastens it with nails and firmly establishes it so that it is not blown away by the gusts of wind. And this is what he introduces: a wise artisan has chosen a strong and incorruptible wood, which is called Amsuchan in Hebrew; this type of wood is incorruptible and is used especially for making idols. However, he says this so that, rejecting idols, the way of the Gospel may be followed, and all wrongs may be made right; the valleys may be lifted up, and the hills may be brought low; and the glory of the Lord may be revealed, so that all flesh may see the salvation of God. According to the tropology, we can say that the leaders of the heretics are rebuked for inventing diverse idols from their own hearts; either by the charm of eloquence, which is interpreted as silver; or by the brilliance of gold, which appeals to the senses; or by the incorruptibility of wood, which represents the baser doctrines: and they are considered permanent by the inventors, and are supported by dialectical skill, so that they may not be moved or fall, but may stand firm on a solid root.

On the subject of the God of the universe, [Isaiah] has expressed himself in the following manner: “Lebanon is not enough to burn,” while here, to mock the feebleness of idols, he makes it obvious that the artisan has a need for wood to give form to the pretended god. Not only, [Isaiah] says, does he borrow its essence and its appearance from an outside source, but he even calls for much artfulness in order to obtain an image and to keep it from being moved.

This and the four following chapters contain a distinct account of what passed in the land of Judah from the taking of Jerusalem to the retreat of the remnant of the people to Egypt; together with the prophecies of Jeremiah concerning that place, whither he himself accompanied them. In this chapter we have an account of the enlargement of Jeremiah by Nebuzar-adan, the captain of the guard, who advises him to put himself under the jurisdiction of Gedaliah, the son of Ahikam, whom the king of Babylon had made governor over the land of Judea, Jer 40:1-5. The prophet and many of the dispersed Jews repair to Gedaliah, Jer 40:6-12. Johanan acquaints the governor of a conspiracy against him, but is not believed, Jer 40:13-16.

Chooseth a tree that will not rot - For what? To make a god out of it! The rich we find made theirs of gold and silver; the poor man was obliged to put up with a wooden god! From the words "he that hath no oblation chooseth a tree," we may learn that the gold and silver necessary to make the graven image was first dedicated, and then formed into a god! How stupid is idolatry! Strange that these people did not perceive that there could be no help in these molten and wooden idols!

SECOND PART OF THE PROPHECIES OF ISAIAH. (Isa. 40:1-31) Comfort ye, comfort ye--twice repeated to give double assurance. Having announced the coming captivity of the Jews in Babylon, God now desires His servants, the prophets (Isa 52:7), to comfort them. The scene is laid in Babylon; the time, near the close of the captivity; the ground of comfort is the speedy ending of the captivity, the Lord Himself being their leader. my people . . . your God--correlatives (Jer 31:33; Hos 1:9-10). It is God's covenant relation with His people, and His "word" of promise (Isa 40:8) to their forefathers, which is the ground of His interposition in their behalf, after having for a time chastised them (Isa 54:8).

impoverished--literally, "sunk" in circumstances. no oblation--he who cannot afford to overlay his idol with gold and silver (Isa 40:19). tree . . . not rot--the cedar, cypress, oak, or ash (Isa 44:14). graven--of wood; not a molten one of metal. not be moved--that shall be durable.

This is the origin of a metal idol. The wooden idol is described in Isa 40:20 : "The man who is impoverished in oblations, he chooseth a block of wood that will not rot; he seeketh for himself a skilful smith, to prepare an idol that will not shake." He who has fallen into such poverty that he can only offer to his God a poor oblation (terūmâh, accusative, according to Ewald, 284, c), has an idol cut for himself out of a block of wood. That sâkhan (Arab. sakana or sakuna) (Note: Both forms occur in this sense, according to the evidence of original sources, with the common imperative yaskunu, the infinitive sukūne passed over by Freytag, the verbal substantive maskane, and the adjective miskin or meskin, primarily to be forced to inactivity through weakness, destitution, or outward influences, not to be able to move and exert one's self; or, more particularly, not to be able to defend one's self (as it were to be obliged to sit still or keep still). Hence more especially opibus et facultatibus carens, being in distress, destitute, poor.) is an ancient word, is evident from Deu 8:9. The verb yimmōt, like yittōl in Isa 40:15, is a fut. niphal, to be made to shake. A wooden image, which is planed at the bottom, and made heavier below than above, to prevent its falling over with every shock, is to be a god! The thing carries its own satire, even when described with the greatest seriousness.