อพยพ 26:29 วิจารณ์

Moses here receives instructions, I. Concerning the inner curtains of the tent or tabernacle, and the coupling of those curtains (Exo 26:1-6). II. Concerning the outer curtains which were of goats' hair, to strengthen the former (Exo 26:7-13). III. Concerning the case or cover which was to secure it from the weather (Exo 26:14). IV. Concerning the boards which were to be reared up to support the curtains, with their bars and sockets (v. 15-30). V. The partition between the holy place and the most holy (Exo 26:31-35). VI. The veil for the door (Exo 26:36, Exo 26:37). These particulars, thus largely recorded, seem of little use to us now; yet, having been of great use to Moses and Israel, and God having thought fit to preserve down to us the remembrance of them, we ought not to overlook them. Even the antiquity renders this account venerable.

INTRODUCTION TO EXODUS 26 In this chapter a description is given of the tabernacle itself, and first of its inward curtains, of their number, matter, length, and breadth, and the manner of coupling them together, Exo 26:1, and then of the outward curtains of it, their number, matter, length, and breadth, and coupling, and how disposed of, Exo 26:7, and next of the two coverings of the tabernacle, of rams' skins and badgers' skins, Exo 22:14, the boards for the tabernacle are also described, with their tenons and sockets, Exo 26:15 and the bars and rings for it, by which it was kept firm together, Exo 26:26, an account is given of the vail between the holy and the most holy place, Exo 26:31, and of the hanging for the door of the tabernacle, Exo 26:36.

And thou shalt make a vail,.... The use of this, as follows, was to divide the holy place from the most holy place in the tabernacle; it has its name from hardness, it being very stiff and strong, for it was made of thread six times doubled, and was four fingers thick, as the Jewish writers say: this vail may represent the sin of man, which separates between God and man, was removed by the death of Christ when the vail was rent, and so the way to heaven opened; or the obscurity of the legal dispensation, the Gospel being veiled under the shadows of the law, and the way into the holiest of all then not so manifest, and particularly the ceremonial law, which separated between Jew and Gentile, and is now abolished by the death of Christ; or rather it was typical of the human nature of Christ, his flesh, called in allusion to it the vail of his flesh, Heb 10:20. This vail was made of blue, and purple, and scarlet, of fine twined linen of cunning work; it seems to have been made of the same materials, and in the same curious manner of workmanship with the curtains of the tabernacle, Exo 26:1, and was itself no other than a curtain, and so it is interpreted by some Jewish writers (x). It being made of "fine linen" denotes the purity of Christ, of his nature, life, and righteousness; of "twined linen", his strength, courage and steadiness; "of blue, purple, and scarlet", the several graces of the Spirit, with which his human nature was adorned, his flaming zeal for his Father's glory and the good of his people, his bloody wounds, sufferings, and death, the preciousness of his blood, the dignity of his person, and his glorious exaltation, purple and scarlet being the colours wore by kings: with cherubim shall it be made; signifying either the ministration of angels to him in his incarnate state, or the mission of Gospel ministers by him, see Psa 139:15. (x) Vid. R. Sol. Urbin. Ohel Moed, fol. 37. 2.

The ten curtains of the tabernacle, and of what composed, Exo 26:1. Their length, Exo 26:2, Exo 26:3; their loops, Exo 26:4, Exo 26:5; their taches, Exo 26:6. The curtains of goats' hair for a covering, Exo 26:7; their length and breadth, Exo 26:8. Coupled with loops, Exo 26:9, Exo 26:10, and taches, Exo 26:11. The remnant of the curtains, how to be employed, Exo 26:12, Exo 26:13. The covering of rams' skins, Exo 26:14. The boards of the tabernacle for the south side, Exo 26:15; their length, Exo 26:16, tenons, Exo 26:17, number, Exo 26:18, sockets, Exo 26:19. Boards, etc., for the north side, Exo 26:20, Exo 26:21. Boards, etc., for the west side, Exo 26:22; for the corners, Exo 26:23; their rings and sockets, Exo 26:24, Exo 26:25. The bars of the tabernacle, Exo 26:26-30. The veil, its pillars, hooks, and taches, Exo 26:31-33. How to place the mercy-seat, Exo 26:34. The table and the candlestick, Exo 26:35. The hanging for the door of the tent, Exo 26:36; and the hangings for the pillars, Exo 26:37.

Thou shalt overlay the boards with gold - It is not said how thick the gold was by which these boards, etc., were overlaid; it was no doubt done with gold plates, but these must have been very thin, else the boards, etc., must have been insupportably heavy. The gold was probably something like our gold leaf, but not brought to so great a degree of tenuity.

TEN CURTAINS (Exo. 26:1-37) cunning work--that is, of elegant texture, richly embroidered. The word "cunning," in old English, is synonymous with "skilful."

(cf. Ex 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth (Exo 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first (Exo 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche, pieces of tapestry, i.e., of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the Egyptians were so celebrated, were made (vid., Hengstenberg, Egypt, pp. 139ff.). The byssus yarn was of a clear white, and this was woven into mixed cloth by combination with dark blue, and dark and fiery red. It was not to be in simple stripes or checks, however; but the variegated yarn was to be woven (embroidered) into the white byssus, so as to form artistic figures of cherubim ("cherubim, work of the artistic weaver, shalt thou make it"). חשׁב מעשׂה (lit., work or labour of the thinker) is applied to artistic weaving, in which either figures or gold threads (Exo 28:6, Exo 28:8, Exo 28:15) are worked into the cloth, and which is to be distinguished from רקם מעשׂה variegated weaving (Exo 26:36).