Daniela 3:1 Komentarz

In the close of the foregoing chapter we left Daniel's companions, Shadrach, Meshach, and Abednego, in honour and power, princes of the provinces, and preferred for their relation to the God of Israel and the interest they had in him. I know not whether I should say. It were well if this honour had all the saints. No, there are many whom it would not be good for; the saints' honour is reserved for another world. But here we have those same three men as much under the king's displeasure as when they were in his favour, and yet more truly, more highly, honoured by their God than there they were honoured by their prince, both by the grace wherewith he enabled them rather to suffer than to sin and by the miraculous and glorious deliverance which he wrought for them out of their sufferings. It is a very memorable story, a glorious instance of the power and goodness of God, and a great encouragement to the constancy of his people in trying times. The apostle refers to it when he mentions, among the believing heroes, those who by faith "quenched the violence of fire," Heb 11:34. We have here, I. Nebuchadnezzar's erecting and dedicating a golden image, and his requiring all his subjects, of what rank or degree soever, to fall down and worship it, and the general compliance of his people with that command (Dan 3:1-7). II. Information given against the Jewish princes for refusing to worship this golden image (Dan 3:8-12). III. Their constant persisting in that refusal, notwithstanding his rage and menaces (Dan 3:13-18). IV. The casting of them into the fiery furnace for their refusal (Dan 3:19-23). V. Their miraculous preservation in the fire by the power of God, and their invitation out of the fire by the favour of the king, who was by this miracle convinced of his error in casting them in (Dan 3:24-27). VI. The honour which the king gave to God hereupon, and the favour he showed to those faithful worthies (Dan 3:28-30).

We have no certainty concerning the date of this story, only that if this image, which Nebuchadnezzar dedicated, had any relation to that which he dreamed of, it is probable that it happened not long after that; some reckon it to be about the seventh year of Nebuchadnezzar, a year before Jehoiachin's captivity, in which Ezekiel was carried away. Observe, I. A golden image set up to be worshipped. Babylon was full of idols already, yet nothing will serve this imperious prince but they must have one more; for those who have forsaken the one only living God, and begin to set up many gods, will find the gods they set up so unsatisfying, and their desire after them so insatiable, that they will multiply them without measure, wander after them endlessly, and never know when they have sufficient. Idolaters are fond of novelty and variety. They choose new gods. Those that have many will wish to have more. Nebuchadnezzar the king, that he might exert the prerogative of his crown, to make what god he thought fit, set up this image, Dan 3:1. Observe, 1. The valuableness of it; it was an image of gold, not all gold surely; rich as he was, it is probable that he could not afford that, but overlaid with gold. Note, The worshippers of false gods are not wont to mind charges in setting up images and worshipping them; they lavish gold out of the bag for that purpose (Isa 46:6), which shames our niggardliness in the worship of the true God. 2. The vastness of it; it was threescore cubits high and six cubits broad. It exceeded the ordinary stature of a man fifteen times (for that is reckoned but four cubits, or six feet), as if its being monstrous would make amends for its being lifeless. But why did Nebuchadnezzar set up this image? Some suggest that it was to clear himself from the imputation of having turned a Jew, because he had lately spoken with great honour of the God of Israel and had preferred some of his worshippers. Or perhaps he set it up as an image of himself, and designed to be himself worshipped in it. Proud princes affected to have divine honours paid them; Alexander did so, pretending himself to be the son of Jupiter Olympius. He was told that in the image he had seen in his dream he was represented by the head of gold, which was to be succeeded by kingdoms of baser metal; but here he sets up to be himself the whole image, for he makes it all of gold. See here, (1.) How the good impressions that were then made upon him were quite lost, and quickly. He then acknowledged that the God of Israel is of a truth a God of gods and a Lord of kings; and yet now, in defiance of the express law of that God, he sets up an image to be worshipped, not only continues in his former idolatries, but contrives new ones. Note, Strong convictions often come short of a sound conversion. Many a pang have owned the absurdity and dangerousness of sin, and yet have gone on in it. (2.) How that very dream and the interpretation of it, which then made such good impressions upon him, now had a quite contrary effect. Then it made him fall down as a humble worshipper of God; now it made him set up for a bold competitor with God. Then he thought it a great thing to be the golden head of the image, and owned himself obliged to God for it; but, his mind rising with his condition, now he thinks that too little, and, in contradiction to God himself and his oracle, he will be all in all. II. A general convention of the states summoned to attend the solemnity of the dedication of this image, Dan 3:2, Dan 3:3. Messengers are despatched to all parts of the kingdom to gather together the princes, dukes, and lords, all the peers of the realm, with all officers civil and military, the captains and commanders of the forces, the judges, the treasurers or general receivers, the counsellors, and the sheriffs, and all the rulers of the provinces; they must all come to the dedication of this image upon pain and peril of what shall fall thereon. He summons the great men, for the great honour of his idol; it is therefore mentioned to the glory of Christ that kings shall bring presents unto him. If he can bring them to pay homage to his golden image, he doubts not but the inferior people will follow of course. In obedience to the king's summons all the magistrates and officers of that vast kingdom leave the services of their particular countries, and come to Babylon, to the dedication of this golden image; long journeys many of them took, and expensive ones, upon a very foolish errand; but, as the idols are senseless things, such are the worshippers. III. A proclamation made, commanding all manner of persons present before the image, upon the signal given, to fall down prostrate, and worship the image, under the style and title of The golden image which Nebuchadnezzar the king has set up. A herald proclaims this aloud throughout this vast assembly of grandees, with their numerous train of servants and attendants, and a great crowd of people, no doubt, that were not sent for; let them all take notice, 1. That the king does strictly charge and command all manner of persons to fall down and worship the golden image; whatever other gods they worship at other times, now they must worship this. 2. That they must all do this just at the same time, in token of their communion with each other in this idolatrous service, and that, in order hereunto, notice shall be given by a concert of music, which would likewise serve to adorn the solemnity and to sweeten and soften the minds of those that were loth to yield and bring them to comply with the king's command. This mirth and gaiety in the worship would be very agreeable to carnal sensual minds, that are strangers to that spiritual worship which is due to God who is a spirit. IV. The general compliance of the assembly with this command, Dan 3:7. They heard the sound of the musical instruments, both wind-instruments and hand-instruments, the cornet and flute, with the harp, sackbut, psaltery, and dulcimer, the melody of which they thought was ravishing (and fit enough it was to excite such a devotion as they were then to pay), and immediately they all, as one man, as soldiers that are wont to be exercised by beat of drum, all the people, nations, and languages, fell down and worshipped the golden image. And no marvel when it was proclaimed, That whosoever would not worship this golden image should be immediately thrown into the midst of a burning fiery furnace, ready prepared for that purpose, Dan 3:6. Here were the charms of music to allure them into a compliance and the terrors of the fiery furnace to frighten them into a compliance. Thus beset with temptation, they all yielded. Note, That way that sense directs the most will go; there is nothing so bad which the careless world will not be drawn to by a concert of music, or driven to by a fiery furnace. And by such methods as these false worship has been set up and maintained.

INTRODUCTION TO DANIEL 3 In this chapter an account is given of a golden image made by Nebuchadnezzar; its size; and where placed, Dan 3:1, a summons to all his princes, governors, and officers, to attend the dedication of it, Dan 3:2, a proclamation commanding men of all nations to fall down and worship it, at hearing the sound of music, Dan 3:4, an accusation of the Jews to the king, particularly Shadrach, Meshach, and Abednego, for not worshipping it, Dan 3:8, the king's sending for them in rage, and threatening to cast them into a fiery furnace if they continued to disobey his will, Dan 3:13, their answer, which showed an inflexible resolution at all events not to comply with it, Dan 3:16 the king's order to heat the furnace seven times hotter than usual, and cast them into it, which was executed; the consequence of which was, they that cast them in were destroyed through the vehement heat of the furnace, but the three Jews were unhurt, Dan 3:19. Nebuchadnezzar's amazement at the sight of four persons, instead of three; and these loose, walking in the midst of the fire without hurt; and one of them like the Son of God, which he observed to his counsellors, Dan 3:24, upon which he called to Shadrach, Meshach, and Abednego, to come out of the furnace, which they did in the presence of his princes, governors, and officers, having received not the least harm in their persons or clothes, Dan 3:26 and then the king, praising the God of the Jews, published an edict that none should speak against him on pain of death; and restored the three men to their former dignity, Dan 3:28.

Nebuchadnezzar the king made an image of gold,.... Not of solid gold; but either of a plate of gold, and hollow within; or of wood overlaid with gold; for otherwise it must have took up a prodigious quantity of gold to make an image of such dimensions as follow; this be ordered his statuaries or workmen to make for him; whether this image was for himself, or his father Nabopolassar, or for his chief god Bel, or as a new deity, is not easy to say; however, it was made for religious worship: the reasons that moved him to it cannot be ascertained; it might be out of pride and vanity, and to set forth the glory and stability of his monarchy, as if be was not only the head of gold, but as an image all of gold; and to contradict the interpretation of his dream, and avert the fate of his empire signified by it; or to purge himself from the jealousies his subjects had entertained of him, of relinquishing the religion of his country, and embracing the Jewish religion, by his praise of the God of Israel, and the promotion of Jews to places of trust and honour; or this might be done by the advice of his nobles, to establish an uniformity of religion in his kingdom, and to prevent the growth of Judaism; and it may be to lay a snare for Daniel and his companions; of which we have an instance of the like kind in chapter six. When this image was made is not certain; some think in a short time after his dream before related; if so, he soon forgot it, and the God that had revealed it. The Septuagint and Arabic versions place it in the eighteenth year of his reign; and some are of opinion that it was after his victories over the Jews, Tyre, Egypt, and others; and that being flushed therewith, in the pride of his heart, ordered this image to be made; and out of the spoils he brought with him from the various countries he had conquered. Mr. Whiston (u) places this fact in the year of the world 3417 A.M., and before Christ 587; and so Dr. Prideaux (w), who makes it to be in the eighteenth year of Nebuchadnezzar, agreeably to the above versions. Mr. Bedford (x) puts it in the year before Christ 585: whose height was threescore cubits, and the breadth thereof six cubits; a common cubit being half a yard, it was thirty yards high, and three yards broad; but Herodotus (y) says the king's cubit in Babylon was three fingers larger than the usual one; and, according to that, this image must be thirty five yards high, and three yards and a half broad; but since there is so great a disproportion between the height and breadth, some have thought that the height includes the pedestal on which it stood; and, allowing twelve cubits for that, the height of the image was forty six cubits. Diodorus Siculus (z) makes mention of a statue of gold in the temple of Belus, which Xerxes demolished, which was forty feet high, and contained a thousand Babylonish talents of gold, which, at the lowest computation, amounts to three millions and a half of our money; which image Doctor Prideaux (a) conjectures was this image of Nebuchadnezzar's; but this seems not likely, since the one was between thirty and forty yards high, the other but thirteen or fourteen; the one in the plain of Dura, the other in the temple of Bel: he set it up in the plain of Dura, in the province of Babylon; that so it might be seen of all, and there might be room enough for a vast number of worshippers together. The Septuagint version calls this place the plain of Deeira, which some take to be the Deera of Ptolemy (b); but that is in the province of Susiana; rather this is Duraba (c), which he places near the river Euphrates, in the province of Babylon. Aben Ezra says, this is the place where the children of Ephraim fell, and where the Chaldeans slew the Jews when they came into captivity. In the Talmud (d) it is said, "from the river Eshal unto Rabbath is the valley of Dura;'' in Arabic, "dauro" signifies "round"; it was a round valley. The Jews have a notion that this was the valley in the land of Shinar where the tower of Babel was built; and observe, that "although the design of that generation was not accomplished, yet after their times their punishment was made manifest, in that they said, "let us make us a name", Gen 11:4 for Nebuchadnezzar having wasted and subverted many kingdoms, and destroyed the sanctuary, thought it possible to put in execution the wicked design of the age of the dispersion; hence it is said, Dan 3:1, "King Nebuchadnezzar made an image, &c. and set it up", , "in the valley of generation", in the province of Babylon, which is the valley spoken of in Gen 11:2 what therefore they could not do, he attempted to do; hence he gathered all the people to worship the image, which agrees with Gen 11:4, for he put a certain vessel of the vessels of the temple on the mouth of it (the image), on which was engraven the divine name, that he might render ineffectual the intention of the dispersed generation but the Scripture says, Jer 51:44, "and I will punish Bel in Babylon, and I will bring forth out of his mouth that which he hath swallowed up, and the nations shall not flow together any more unto him"; for Daniel came and caused that vessel that was swallowed to be taken out of the mouth of the image, whence it fell, and was broke to pieces, which is the same as that in Gen 11:4 (e).'' (u) Chronological Tables, cent. 10. (w) Connexion, &c. par 1. B. 2. p. 87. (x) Scripture Chronology, p. 709. (y) Clio, sive l. 1. c. 178. (z) Bibliothec. Hist. I. 2. p. 98. Ed. Rhod. (a) Connexion, &c. par. 1. B. 2. p. 103. (b) Geograph. l. 6. c. 3. (c) lbid. l. 5. c. 20. (d) T. Bab. Sanhedrin, fol. 92. 2. (e) Kabala Denudata, par. 1. p. 671.

"In the eighteenth year," etc. (These words are wanting in the Vulgate, etc.) A considerable space of time having elapsed, therefore, and the eighteenth year being now in its course, the king, calling to mind his vision, "made an image of gold, whose height was threescore cubits, and the breadth thereof six cubits." For as the blessed Daniel, in interpreting the vision, had answered the king, saying, "Thou art this head of gold in the image," the king, being puffed up with this address, and elated in heart, made a copy of this image, in order that he might be worshipped by all as God.

Verse 1. "Nebuchadnezzar the king made a golden statue seventy cubits in height and six cubits in breadth." How soon he forgot the truth, when he had just been worshipping a servant of God as if he had been God Himself, but now commanded a statue to be made for himself in order that he personally might be worshipped in the statue! Now if this statue was of gold, and was of incalculable weight, it was intended to arouse amazement in the beholders and to be worshipped as God even though a mere inanimate object, whilst everyone would be consecrating his own avarice to it. On the other hand an opportunity of salvation was afforded to the barbarian nations through the opportune presence of the captive Jews (Col. iii), with the result that after they had first come to know the power of the one true God through Daniel's revelation of the dream, they might then learn from the brave example of the three youths to despise death, and to eschew the worship of idols. "And he set it up in the plain of Dura in the province of Babylon." Instead of "Dura" Theodotion has "Deira," and Symmachus has "Durau," whereas the Septuagint renders it as the common noun peribolon, a word which we might render as "game-preserve" or "enclosure."

Our Lord is good and loves humankind, so the creator and ruler desires “all to be saved and to know the truth” and “does not seek the death of the wicked but that they should turn and live.” Indeed, for that reason he died for our salvation. So truly he [the king] acts like a fool; being enslaved to arrogance, he derives no benefit from the divine remedy, but like the one who lives with illness, he rejects the cure from those who practice medicine. Thus, the awful disease tends to grow day by day. Such a man is this boastful king, who the God of all bestowed on him kindness without bounds, applying the cure for countless transgressions and acts of impiety. So also God revealed that the bringing of peace is fragile and passing, as he held aloft the ones made captive by war and who bore by compulsion the yoke of slavery. They shined splendidly and steadfastly and were admired for the wisdom of their prophecy. And thereby the God of all was indeed confessed to be the true God. But after a short time, the king came back into his true nature, just “as a dog returns to his vomit.”

Nebuchadnezzar, having erected an image, whose height (including probably a very high pedestal) was sixty cubits, and the breadth six, ordered a numerous assembly, which he had convened, to fall down and worship it; threatening, at the same time, that whosoever refused should be cast into a fiery furnace, Dan 3:1-7; a punishment not uncommon in that country, (see Jer 29:22.) Daniel's three companions, Shadrach, Meshach, and Abed-nego, who were present, being observed to refrain from this idolatrous worship, were accused before the king; who, in great wrath, commanded them to comply with his orders on pain of death, Dan 3:8-15. But these holy men, with the greatest composure and serenity, expressed their firm resolution not to worship his gods or his images, whatever might be the consequence, Dan 3:16-18. Upon which the king, unaccustomed to have his will opposed, in the height of his wrath, ordered the furnace to be made seven times hotter than usual, and these men to be cast into it, bound by the most mighty of his army, who were killed by the flame in the execution of this service, Dan 3:19-23. On this occasion God literally performed his promise by Isaiah, (Isa 43:2 ): "When thou walkest through the fire, thou shalt not be burnt; neither shall the flame kindle upon thee;" for an angel of God, appearing in the furnace, protected these young men, and counteracted the natural violence of the fire; which, only consuming the cords with which they were bound, left them to walk at liberty, and in perfect safety, in the midst of the furnace. The king, astonished at this prodigy, called to them to come out of the furnace, and blessed God for sending an angel to deliver his servants; and commanded all his subjects, upon pain of death, not to speak irreverently of the God of Shadrach, Meshach, and Abed-nego, who were promoted to great power and honor, Dan 3:24-30. A striking example of the interposition of Providence in favor of true and inflexible piety.

Nebuchadnezzar the king made an image of gold - It is supposed that the history given here did not occur till the close, or near the end, of Nebuchadnezzar's reign. For it was after his insanity, as we see Dan 4:33-36, and this happened near the close of his reign. The authorized version, which is followed in the margin, fixes the date of this event seventeen years earlier, and ten years before the king's insanity. A few observations on this image may be necessary: - 1. It is not likely that this image was in human form - the dimensions show the improbability of this; for what proportion is there between sixty cubits (ninety feet) in length, and six cubits (nine feet) in breadth? 2. It is not likely that this image was all of gold; for this would have required more of this precious metal than the whole province of Babylon could produce; for as I suppose the sixty cubits apply to the perpendicular altitude, so I take it for granted that the six cubits intend the diameter. Now a column of gold of this height in diameter, upon the supposition that the pillar was circular, contains five thousand seven hundred and twenty-five and a half cubic feet; and as there are nineteen thousand avoirdupois ounces in a cubic foot, the weight of the whole pillar would be eight million two hundred and sixty-two thousand eight hundred and six pounds, ten ounces of gold. 3. It might have been a pillar on which an image of the god Bel was erected. The image itself might be of gold, or more probably gilt, that is, covered with thin plates of gold, and on this account it might be called the golden image; and most probably the height of the image may be confounded with the height of the pillar. Or perhaps it was no more than a pillar, on the sides of which their gods and sacred emblems were engraven, surmounted with Bel on the top. The plain of Dura - The situation of this place is not exactly known; there was a town or city called Dura, or Doura, in Mesopotamia, near the Tigris.

NEBUCHADNEZZAR'S IDOLATROUS IMAGE; SHADRACH, MESHACH, AND ABED-NEGO ARE DELIVERED FROM THE FURNACE. (Dan. 3:1-30) image--Nebuchadnezzar's confession of God did not prevent him being a worshipper of idols, besides. Ancient idolaters thought that each nation had its own gods, and that, in addition to these, foreign gods might be worshipped. The Jewish religion was the only exclusive one that claimed all homage for Jehovah as the only true God. Men will in times of trouble confess God, if they are allowed to retain their favorite heart-idols. The image was that of Bel, the Babylonian tutelary god; or rather, Nebuchadnezzar himself the personification and representative of the Babylonian empire, as suggested to him by the dream (Dan 2:38), "Thou art this head of gold." The interval between the dream and the event here was about nineteen years. Nebuchadnezzar had just returned from finishing the Jewish and Syrian wars, the spoils of which would furnish the means of rearing such a colossal statue [PRIDEAUX]. The colossal size makes it likely that the frame was wood, overlaid with gold. The "height," sixty cubits, is so out of proportion with the "breadth," exceeding it ten times, that it seems best to suppose the thickness from breast to back to be intended, which is exactly the right proportion of a well-formed man [AUGUSTINE, The City of God, 15.20]. PRIDEAUX thinks the sixty cubits refer to the image and pedestal together, the image being twenty-seven cubits high, or forty feet, the pedestal thirty-three cubits, or fifty feet. HERODOTUS [1.183] confirms this by mentioning a similar image, forty feet high, in the temple of Belus at Babylon. It was not the same image, for the one here was on the plain of Dura, not in the city.

Daniel's Three Friends in the Fiery Furnace - Daniel 3:1-30 Nebuchadnezzar commanded a colossal golden image to be set up in the plain of Dura at Babylon, and summoned all his high officers of state to be present at its consecration. He caused it to be proclaimed by a herald, that at a given signal all should fall down before the image and do it homage, and that whosoever refused to do so would be cast into a burning fiery furnace (Dan 3:1-7). This ceremony having been ended, it was reported to the king by certain Chaldeans that Daniel's friends, who had been placed over the province of Babylon, had not done homage to the image; whereupon, being called to account by the king, they refused to worship the image because they could not serve his gods (Dan 3:8-18). For this opposition to the king's will they were cast, bound in their clothes, into the burning fiery furnace. They were uninjured by the fire; and the king perceived with terror that not three, but four men, were walking unbound and uninjured in the furnace (Dan 3:19-27). Then he commanded them to come out; and when he found them wholly unhurt, he not only praised their God who had so wonderfully protected them, but also commanded, on the pain of death, all the people of his kingdom not to despise this God (Dan 3:28-30). The lxx and Theodotion have placed the date of this event in the eighteenth year of Nebuchadnezzar, apparently only because they associated the erection of this statue with the taking of Jerusalem under Zedekiah, although that city was not taken and destroyed till the nineteenth year of Nebuchadnezzar (Kg2 25:8.). But though it is probable that Nebuchadnezzar, after he had firmly established his world-kingdom by the overthrow of all his enemies, first felt himself moved to erect this image as a monument of his great exploits and of his world-power; yet the destruction of the capital of Judea, which had been already twice destroyed, can hardly be regarded as having furnished a sufficient occasion for this. This much, however, is certain, that the event narrated in this chapter occurred later than that of the 2nd chapter, since Dan 3:12 and Dan 3:30 refer to Dan 2:49; and on the other hand, that they occurred earlier than the incident of the 4th chapter, in which there are many things which point to the last half of the reign of Nebuchadnezzar, while the history recorded in the chapter before us appertains more to the middle of his reign, when Nebuchadnezzar stood on the pinnacle of his greatness. The circumstance that there is no longer found in the king any trace of the impression which the omnipotence and infinite wisdom of the God of the Jews, as brought to view in the interpretation of his dream by Daniel, made upon his mind (Daniel 2), affords no means of accurately determining the time of the occurrence here narrated. There is no need for our assuming, with Jerome, a velox oblivio veritatis, or with Calvin, the lapse of a considerable interval between the two events. The deportment of Nebuchadnezzar on this occasion does not stand in opposition to the statements made at the close of Daniel 2. The command that all who were assembled at the consecration of the image should all down before it and worship it, is to be viewed from the standpoint of the heathen king. It had no reference at all to the oppression of those who worshipped the God of the Jews, nor to a persecution of the Jews on account of their God. It only demanded the recognition of the national god, to whom the king supposed he owed the greatness of his kingdom, as the god of the kingdom, and was a command which the heathen subjects of Nebuchadnezzar could execute without any violence to their consciences. The Jews could not obey it, however, without violating the first precept of their law. But Nebuchadnezzar did not think on that. Disobedience to his command appeared to him as culpable rebellion against his majesty. As such also the conduct of Daniel's friends is represented to him by the Chaldean informers in Dan 3:12. The words of the informers, "The Jews whom thou hast set over the affairs of the province of Babylon have not regarded thee, O king; they serve not thy gods," etc., clearly show that they were rightly named (Dan 3:8) "accusers of the Jews," and that by their denunciation of them they wished only to expel the foreigners from their places of influence; and for this purpose they made use of the politico-national festival appointed by Nebuchadnezzar as a fitting opportunity. Hence we can understand Nebuchadnezzar's anger against those who disregarded his command; and his words, with which he pronounced sentence against the accused - "who is that God that shall deliver you out of my hand?" - are, judged of from the religious point of view of the Israelites, a blaspheming of God, but considered from Nebuchadnezzar's heathen standpoint, are only an expression of proud confidence in his own might and in that of his gods, and show nothing further than that the revelation of the living God in Daniel 2 had not permanently impressed itself on his heart, but had in course of time lost much of its influence over him. The conduct of Nebuchadnezzar toward the Jews, described in this chapter, is accordingly fundamentally different from the relation sustained by Antiochus Epiphanes towards Judaism; for he wished entirely to put an end to the Jewish form of worship. In the conduct of Daniel's friends who were accused before the king there is also not a single trace of the religious fanaticism prevalent among the Jews in the age of the Maccabees, who were persecuted on account of their fidelity to the law. Far from trusting in the miraculous help of God, they regarded it as possible that God, whom they served, would not save them, and they only declare that in no case will they reverence the heathen deities of the king, and do homage to the image erected by him (Dan 3:16.). The right apprehension of the historical situation described in this chapter is at complete variance with the supposition of the modern critics, that the narrative is unhistorical, and was invented for the purpose of affording a type for the relation of Antiochus Epiphanes to Judaism. The remarkable circumstance, that Daniel is not named as having been present at this festival (and he also would certainly not have done homage to the image), can of itself alone furnish no argument against the historical accuracy of the matter, although it cannot be explained on the supposition made by Hgstb., that Daniel, as president over the wise men, did not belong to the class of state-officers, nor by the assertion of Hitz., that Daniel did not belong to the class of chief officers, since according to Dan 2:49 he had transferred his office to his friends. Both suppositions are erroneous; cf. under Dan 2:49. But many other different possibilities may be thought of to account for the absence of all mention of Daniel's name. Either he may have been prevented for some reason from being present on the occasion, or he may have been present and may have refused to bow down before the image, but yet may only not have been informed against. In the latter case, the remark of Calvin, ut abstinuerint a Daniele ad tempus, quem sciebant magnifieri a Rege, would scarcely suffice, but we must suppose that the accusers had designed first only the overthrow of the three rulers of the province of Babylon. (Note: Kran.'s supposition also (p. 153), that Daniel, as president over the class of the wise men, claimed the right belonging to him as such, while in his secular office he could be represented by his Jewish associates, and thus was withdrawn from the circle of spectators and from the command laid upon them of falling down before the image, has little probability; for although it is not said that this command was laid upon the caste of the wise men, and even though it should be supposed that the priests were present at this festival as the directors of the religious ceremonial, and thus were brought under the command to fall down before the image, yet this can scarcely be supposed of the whole caste. But Daniel could not in conscience take part in this idolatrous festival, nor associate himself with the priests, nor as president of all the Magi withdraw into the background, so as to avoid the ceremony of doing homage of the image.) But the circumstance that Daniel, if he were present, did not employ himself in behalf of his friends, may be explained from the quick execution of Babylonish justice, provided some higher reason did not determine him confidently to commit the decision of the matter to the Lord his God. (Note: We have already in part noticed the arguments against the historical accuracy of the narrative presented by the opponents of the genuineness of the book, such as the giving of Greek names to the musical instruments, and the conduct of Antiochus Epiphanes in placing an idol-image on the altar of burnt-offering (pp. 34, 50). All the others are dealt with in the Exposition. The principal objection adduced is the miracle, on account of which alone Hitz. thinks himself warranted in affirming that the narrative has no historical reality.)

The erection and consecration of the golden image, and the accusation brought against Daniel's friends, that they had refused to obey the king's command to do homage to this image. Dan 3:1 Nebuchadnezzar commanded a golden image to be erected, of threescore cubits in height and six cubits in breadth. צלם is properly an image in human likeness (cf. Dan 2:31), and excludes the idea of a mere pillar or an obelisk, for which מצּבה would have been the appropriate word. Yet from the use of the word צלם it is not by any means to be concluded that the image was in all respects perfectly in human form. As to the upper part - the head, countenance, arms, breast - it may have been in the form of a man, and the lower part may have been formed like a pillar. This would be altogether in accordance with the Babylonian art, which delighted in grotesque, gigantic forms; cf. Hgstb. Beitr. i. p. 96f. The measure, in height threescore cubits, in breadth six cubits, is easily explained, since in the human figure the length is to be breadth in the proportion of about six to one. In the height of threescore cubits the pedestal of the image may be regarded as included, so that the whole image according to its principal component part (a potiori) was designated as צלם; although the passage Jdg 18:30-31, adduced by Kran., where mention is made of the image alone which was erected by Micah, without any notice being taken of the pedestal belonging to it (cf. Jdg 18:17 and Jdg 18:18), furnishes no properly authentic proof that פּסל in Jdg 18:30 and Jdg 18:31 denotes the image with the pedestal. The proportion between the height and the breadth justifies, then, in no respect the rejection of the historical character of the narrative. Still less does the mass of gold necessary for the construction of so colossal an image, since, as has been already mentioned, according to the Hebrew modes of speech, we are not required to conceive of the figure as having been made of solid gold, and since, in the great riches of the ancient world, Nebuchadnezzar in his successful campaigns might certainly accumulate an astonishing amount of this precious metal. The statements of Herodotus and Diodorus regarding the Babylonian idol-images, (Note: According to Herod. i. 183, for the great golden image of Belus, which was twelve cubits high, and the great golden table standing before it, the golden steps and the golden chair, only 800 talents of gold were used; and according to Diod. Sic. ii. 9, the golden statue, forty feet high, placed in the temple of Belus consisted of 1000 talents of gold, which would have been not far from sufficient if these objects had been formed of solid gold. Diod. also expressly says regarding the statue, that it was made with the hammer, and therefore was not solid. Cf. Hgstb. Beitr. i. p. 98, and Kran. in loco.) as well as the description in Isa 40:19 of the construction of idol-images, lead us to think of the image as merely overlaid with plates of gold. The king commanded this image to be set up in the plain of Dura in the province of Babylon. The ancients make mention of two places of the name of Dura, the one at the mouth of the Chaboras where it empties itself into the Euphrates, not far from Carchemish (Polyb. v. 48; Ammian. Marc. xxiii. 5, 8, xxiv. 1, 5), the other beyond the Tigris, not far from Apollonia (Polyb. v. 52; Amm. Marc. xxv. 6, 9). Of these the latter has most probability in its favour, since the former certainly did not belong to the province of Babylon, which according to Xenophon extended 36 miles south of Tiphsach (cf. Nieb. Gesch. Assurs, S. 421). The latter, situated in the district of Sittakene, could certainly be reckoned as belonging to the province of Babylon, since according to Strabo, Sittakene, at least in the Old Parthian time, belonged to Babylon (Nieb. p. 420). But even this place lay quite too far from the capital of the kingdom to be the place intended. We must, without doubt, much rather seek for this plain in the neighbourhood of Babylon, where, according to the statement of Jul. Oppert (Expd. Scientif. en Msopotamie, i. p. 238ff.), there are at present to be found in the S.S.E. of the ruins representing the former capital a row of mounds which bear the name of Dura, at the end of which, along with two larger mounds, there is a smaller one which is named el Mokattat (=la colline aligne), which forms a square six metres high, with a basis of fourteen metres, wholly built en briques crues (Arab. lbn), which shows so surprising a resemblance to a colossal statue with its pedestal, that Oppert believes that this little mound is the remains of the golden statue erected by Nebuchadnezzar. (Note: "On seeing this mound," Oppert remarks (l. c. p. 239), "one is immediately struck with the resemblance which it presents to the pedestal of a colossal statue, as, for example, that of Bavaria near Mnich, and everything leads to the belief that the statue mentioned in the book of Daniel (Dan 3:1) was set up in this place. The fact of the erection by Nebuchadnezzar of a colossal statue has nothing which can cause astonishment, however recent may have been the Aramean form of the account of Scripture." Oppert, moreover, finds no difficulty in the size of the statue, but says regarding it: "There is nothing incredible in the existence of a statue sixty cubits high and six cubits broad; moreover the name of the plain of Dura, in the province (מדינה) of Babylon, agrees also with the actual conformation of the ruin.") There is a difference of opinion as to the signification of this image. According to the common view (cf. e.g., Hgstb. Beitr. i. p. 97), Nebuchadnezzar wished to erect a statue as an expression of his thanks to his god Bel for his great victories, and on that account also to consecrate it with religious ceremonies. On the other hand, Hofm. (Weiss. u. Erf. i. p. 277) remarks, that the statue was not the image of a god, because a distinction is made between falling down to it and the service to his god which Nebuchadnezzar required (Dan 3:12, Dan 3:14, Dan 3:18) from his officers of state. This distinction, however, is not well supported; for in these verses praying to the gods of Nebuchadnezzar is placed on an equality with falling down before the image. But on the other hand, the statue is not designated as the image of a god, or the image of Belus; therefore we agree with Klief. in his opinion, that the statue was a symbol of the world-power established by Nebuchadnezzar, so that falling down before it was a manifestation of reverence not only to the world-power, but also to its gods; and that therefore the Israelites could not fall down before the image, because in doing so they would have rendered homage at the same time also to the god or gods of Nebuchadnezzar, in the image of the world-power. But the idea of representing the world-power founded by him as a צלם was probably suggested to Nebuchadnezzar by the tselem seen (Daniel 2) by him in a dream, whose head of gold his world-kingdom was described to him as being. We may not, however, with Klief., seek any sanction for the idea that the significance off the image is in its size, 6, 10, and six multiplied by ten cubits, because the symbolical significance of the number 6 as the signature of human activity, to which the divine completion (7) is wanting, is not a Babylonian idea. Still less can we, with Z׬ndel (p. 13), explain the absence of Daniel on this occasion as arising from the political import of the statue, because the supposition of Daniel's not having been called to be present is a mere conjecture, and a very improbable conjecture; and the supposition that Daniel, as being chief of the Magi, would not be numbered among the secular officers of state, is decidedly erroneous. Dan 3:2-7 Nebuchadnezzar commanded all the chief officers of the kingdom to be present at the solemn dedication of the image. שׁלח, he sent, viz., מלאכים or רצים messengers, Sa1 11:7; Ch2 30:6, Ch2 30:10; Est 3:15. Of the great officers of state, seven classes are named: - 1. אחשׁדּרפּניּא, i.e., administrators of the Khshatra, in Old Pers. dominion, province, and pâvan in Zend., guardians, watchers, in Greek Σατράπης, the chief representatives of the king in the provinces. 2. סגניּא, Hebr. סגנים, from the Old Pers. (although not proved) akana, to command (see under Dan 2:48), commanders, probably the military chiefs of the provinces. 3. פּחותא, Hebr. פּחה, פחות, also an Old Pers. word, whose etymon and meaning have not yet been established (see under Hag 1:1), denotes the presidents of the civil government, the guardians of the country; cf. Hag 1:1, Hag 1:14; Neh 5:14, Neh 5:18. 4. אדרגּזריּא, chief judges, from the Sem. גזר, to distinguish, and אדר, dignity (cf. אדרמּלך), properly, chief arbitrators, counsellors of the government. 5. גּדבריּא, a word of Aryan origin, from גּדבר, identical with גּזבּר, masters of the treasury, superintendents of the public treasury. 6. דּתבריּא, the Old Pers. dâta-bara, guardians of the law, lawyers (cf. דּת, law). 7. תּפתּיּא, Semitic, from Arab. fty IV to give a just sentence, thus judges in the narrower sense of the word. Finally, all שׁלטני, rulers, i.e., governors of provinces, prefects, who were subordinate to the chief governor, cf. Dan 2:48-49. All these officers were summoned "to come (מתא from אתא, with the rejection of the initial )א to the dedication of the image." The objection of v. Leng. and Hitz., that this call would "put a stop to the government of the country," only shows their ignorance of the departments of the state-government, and by no means makes the narrative doubtful. The affairs of the state did not lie so exclusively in the hands of the presidents of the different branches of the government, as that their temporary absence should cause a suspension of all the affairs of government. חנכּה is used of the dedication of a house (Deu 20:5) as well as of the temple (Kg1 8:63; Ch2 7:5; Ezr 6:16), and here undoubtedly denotes an act connected with religious usages, by means of which the image, when the great officers of the kingdom fell down before it, was solemnly consecrated as the symbol of the world-power and (in the heathen sense) of its divine glory. This act is described (Dan 3:3-7) in so far as the object contemplated rendered it necessary. When all the great officers of state were assembled, a herald proclaimed that as soon as the sound of the music was heard, all who were present should, on pain of death by being cast into the fire, fall down before the image and offer homage to it; which they all did as soon as the signal was given. The form קאמין, Dan 3:3, corresponds to the sing. קאם (Dan 2:31) as it is written in Syr., but is read קימין. The Masoretes substitute for it in the Talm. The common form קימין; cf. Frst, Lehrgb. der aram. Idiom. p. 161, and Luzzatto, Elem. Gram. p. 33. The expression לקבל, Dan 3:3, and Ezr 4:16, is founded on קבל, the semi-vowel of the preceding sound being absorbed, as in the Syr. l-kebel. On כּרוזא, herald, and on the form לכון, see under Dan 2:5. אמרין, they say, for "it is said to you." The expression of the passive by means of a plural form of the active used impersonally, either participially or by 3rd pers. perf. plur., is found in Hebr., but is quite common in Chald.; cf. Ewald, Lehr. d. hebr. Spr. 128, b, and Winer, Chald. Gram. 49, 3. The proclamation of the herald refers not only to the officers who were summoned to the festival, but to all who were present, since besides the officers there was certainly present a great crowd of people from all parts of the kingdom, as M. Geier has rightly remarked, so that the assembly consisted of persons of various races and languages. אמּיּא denotes tribes of people, as the Hebr. אמּה, אמּות Gen 25:16, denotes the several tribes of Ishmael, and Num 25:15 the separate tribes of the Midianites, and is thus not so extensive in its import as עמּין, peoples. לשּׁניּא, corresponding to הלּשׁות, Isa 66:18, designates (vide Gen 10:5, Gen 10:20, Gen 10:31) communities of men of the same language, and is not a tautology, since the distinctions of nation and of language are in the course of history frequently found. The placing together of the three words denotes all nations, however they may have widely branched off into tribes with different languages, and expresses the sense that no one in the whole kingdom should be exempted from the command. It is a mode of expression (cf. Dan 3:7, Dan 3:29, 31[4:1], and Dan 6:26[25]) specially characterizing the pathetic style of the herald and the official language of the world-kingdom, which Daniel also (Dan 5:19; Dan 7:14) makes use of, and which from the latter passage is transferred to the Apocalypse, and by the union of these passages in Daniel with Isa 66:18 is increased to ἔθνη (גּוים in Isa.), φυλλαι,́ λαοὶ καὶ γλῶσσαι (Rev 5:9; Rev 7:9; Rev 13:7; Rev 14:6; Rev 17:15). In the same passage זמנא בּהּ, Dan 3:7 (cf. also Dan 3:8), is interchanged with בּעדּנא, at the time (Dan 3:5 and Dan 3:15); but it is to be distinguished from בּהּ־שׁעתּא, at the same moment, Dan 3:6 and Dan 3:15; for שׁעא or שׁעה has in the Bib. Chald. only the meaning instant, moment, cf. Dan 4:16, Dan 4:30; Dan 5:5, and acquires the signification short time, hour, first in the Targ. and Rabbin. In the enumeration also of the six names of the musical instruments with the addition: and all kinds of music, the pompous language of the world-ruler and of the herald of his power is well expressed. Regarding the Greek names of three of these instruments see p. 507. The great delight of the Babylonians in music and stringed instruments appears from Isa 14:11 and Psa 137:3, and is confirmed by the testimony of Herod. i. 191, and Curtius, Dan 3:3. קרנא, horn, is the far-sounding tuba of the ancients, the קרן or שׁופר of the Hebr.; see under Jos 6:5. משׁרוקיתא, from שׁרק, to hiss, to whistle, is the reed-flute, translated by the lxx and Theodot. σύριγξ, the shepherd's or Pan's pipes, which consisted of several reeds of different thicknesses and of different lengths bound together, and, according to a Greek tradition (Pollux, iv. 9, 15), was invented by two Medes. קיתתס (according to the Kethiv; but the Keri and the Targ. and Rabbin. give the form קתרס) is the Greek κιθάρα or κίθαρις, harp, for the Greek ending ις becomes ος in the Aramaic, as in many similar cases; cf. Ges. Thes. p. 1215. סבּכא, corresponding to the Greek σαμβύκη, but a Syrian invention, is, according to Athen. iv. p. 175, a four-stringed instrument, having a sharp, clear tone; cf. Ges. Thes. p. 935. פּסנמּרין (in Dan 3:7 written with a טinstead of תand in Dan 3:10 and Dan 3:15 pointed with a Tsere under the )ת is the Greek ψαλτήριον, of which the Greek ending ιον becomes abbreviated in the Aram. into ין (cf. Ges. Thes. p. 1116). The word has no etymology in the Semitic. It was an instrument like a harp, which according to Augustin (on Psa 33:2 [32:2] and Psa 43:4 [42:4) was distinguished from the cithara in this particular, that while the strings of the cithara passed over the sounding-board, those of the psalterium (or organon) were placed under it. Such harps are found on Egyptian (see Rosellini) and also on Assyrian monuments (cf. Layard, Ninev. and Bab., Table xiii. 4). סוּמפּניה, in Dan 3:10 סיפניה, is not derived from ספן, contignare, but is the Aramaic form of συμφωνία, bag-pipes, which is called in Italy at the present day sampogna, and derives its Greek name from the accord of two pipes placed in the bag; cf. Ges. Thes. p. 941. זמרא signifies, not "song," but musical playing, from reemaz, to play the strings, ψάλλειν; and because the music of the instrument was accompanied with song, it means also the song accompanying the music. The explanation of זמרא by singing stands here in opposition to the זני כּל, since all sorts of songs could only be sung after one another, but the herald speaks of the simultaneous rise of the sound. The limiting of the word also to the playing on a stringed instrument does not fit the context, inasmuch as wind instruments are also named. Plainly in the words זמרא זני כּל all the other instruments not particularly named are comprehended, so that זמרא is to be understood generally of playing on musical instruments. בּהּ־שׁעתּא, in the same instant. The frequent pleonastic use in the later Aramaic of the union of the preposition with a suffix anticipating the following noun, whereby the preposition is frequently repeated before the noun, as e.g., בּדּניּאל בּהּ, Dan 5:12, cf. Dan 5:30, has in the Bibl. Chald. generally a certain emphasis, for the pronominal suffix is manifestly used demonstratively, in the sense even this, even that. Homage was commanded to be shown to the image under the pain of death to those who refused. Since "the dominion of Nebuchadnezzar was founded not by right, but by the might of conquest" (Klief.), and the homage which he commanded to be shown to the image was regarded not only as a proof of subjection under the power of the king, but comprehended in it also the recognition of his gods as the gods of the kingdom, instances of refusal were to be expected. In the demand of the king there was certainly a kind of religious oppression, but by no means, as Bleek, v. Leng., and other critics maintain, a religious persecution, as among heathen rulers Antiochus Epiphanes practised it. For so tolerant was heathenism, that it recognised the gods of the different nations; but all heathen kings required that the nations subdued by them should also recognise the gods of their kingdom, which they held to be more powerful than were the gods of the vanquished nations. A refusal to yield homage to the gods of the kingdom they regarded as an act of hostility against the kingdom and its monarch, while every one might at the same time honour his own national god. This acknowledgement, that the gods of the kingdom were the more powerful, every heathen could grant; and thus Nebuchadnezzar demanded nothing in a religious point of view which every one of his subjects could not yield. To him, therefore, the refusal of the Jews could not but appear as opposition to the greatness of his kingdom. But the Jews, or Israelites, could not do homage to the gods of Nebuchadnezzar without rejecting their faith that Jehovah alone was God, and that besides Him there were no gods. Therefore Nebuchadnezzar practised towards them, without, from his polytheistic standpoint, designing it, an intolerable religious coercion, which, whoever, is fundamentally different from the persecution of Judaism by Antiochus Epiphanes, who forbade the Jews on pain of death to serve their God, and endeavoured utterly to destroy the Jewish religion. - Regarding the structure of the fiery furnace, see under Dan 3:22. Dan 3:8-12 The Chaldeans immediately denounced Daniel's three friends as transgressors of the king's command. דּנה כּל־קבל, therefore, viz., because the friends of Daniel who were placed over the province of Babylon had not, by falling down before the golden image, done it homage. That they did not do so is not expressly said, but is expressed in what follows. כּשׂדּאין גּברין are not Chaldeans as astrologers of magi (כּשׂדּים), but members of the Chaldean nation, in contrast to יהוּדיא, the Jews. קרבוּ, they came near to the king. דּי קרצי אכל, literally, to eat the flesh of any one, is in Aramaic the common expression for to calumniate, to denounce. That which was odious in their report was, that they used this instance of disobedience to the king's command on the part of the Jewish officers as an occasion of removing them from their offices, - that their denunciation of them arose from their envying the Jews their position of influence, as in Dan 6:5 (4)f. Therefore they give prominence to the fact that the king had raised these Jews to places of rule in the province of Babylon. With this form of address in Dan 3:9, cf. Dan 2:4. טעם שׂים signifies in Dan 3:12 rationem reddere, to attend to, to have regard for. In Dan 3:10, as frequently, the expression signifies, on the contrary, to give an opinion, a judgment, i.e., to publish a command. The Keth. לאלהיך (Dan 3:12), for which the Keri prefers the sing. form לאלהך, in sound the same as the contracted plur., is to be maintained as correct; for the Keri here, as in Dan 3:18, supporting itself on לאלהי, Dan 3:14, rests on the idea that by the honouring of his god only the doing of homage to the image is meant, while the not doing homage to the image only gives proof of this, that they altogether refused to honour the gods of Nebuchadnezzar. This is placed in the foreground by the accusers, so as to arouse the indignation of the king. "These Chaldeans," Hitz. remarks quite justly, "knew the three Jews, who were so placed as to be well known, and at the same time envied, before this. They had long known that they did not worship idols; but on this occasion, when their religion made it necessary for the Jews to disobey the king's command, they make use of their knowledge." Dan 3:13 That they succeeded in their object, Nebuchadnezzar shows in the command given in anger and fury to bring the rebels before him. היתיוּ, notwithstanding its likeness to the Hebr. Hiphil form התיוּ, Isa 21:14, is not the Hebraizing Aphel, but, as היתית, Dan 6:18, shows, is a Hebraizing passive from of the Aphel, since the active form is היתיו, Dan 5:3, and is a passive formation peculiar to the Bib. Chald, for which in the Targg. Ittaphal is used.