Psalm 149:3 Ulasan

The foregoing psalm was a hymn of praise to the Creator; this is a hymn of praise to the Redeemer. It is a psalm of triumph in the God of Israel, and over the enemies of Israel. Probably it was penned upon occasion of some victory which Israel was blessed and honoured with. Some conjecture that it was penned when David had taken the strong-hold of Zion, and settled his government there. But it looks further, to the kingdom of the Messiah, who, in the chariot of the everlasting gospel, goes forth conquering and to conquer. To him, and his graces and glories, we must have an eye, in singing this psalm, which proclaims, I. Abundance of joy to all the people of God (Psa 149:1-5). II. Abundance of terror to the proudest of their enemies (Psa 149:6-9).

INTRODUCTION TO PSALM 149 This psalm is thought by Calvin and others to have been written for the sake of the Jews that returned from the Babylonish captivity; and is a prediction of great and famous things done in the times of the Maccabees to Heathens and their princes, so Theodoret; the Syriac version entitles it, "concerning the new temple;'' that is, the second temple, built by Zerubbabel, and the things done under that; but it rather seems to have been written by David in the beginning of his reign, when he obtained victories over the Philistines, Edomites, Moabites, Ammonites, and Syrians; and refers to the times of the Messiah, as Kimchi, R. Obadiah Gaon, and others think; not of the Jews' vainly expected Messiah, but of the true Messiah, who is come, and will come again, spiritually and personally; and there are many things in it applicable both to the first and latter part of his days.

Let them praise his name in the dance,.... In a chorus of saints, joining together in their expressions of joy, by words and gestures; an ancient practice that went along with singing praises, Exo 15:20; or rather, "with the pipe" (k), as some render it; a musical instrument used in former times in the worship of God, in this part of it, praising his name, with those that follow; let them sing praises unto him with the timbrel and harp; the former of these was a vessel of brass, a drum or tabret, on which they beat, perhaps like one of our kettle drums; the other was a stringed instrument of music much used, and in playing on which David was very skilful: the music of these was typical of the spiritual melody made in the heart to the Lord in singing his praises, to which there are allusions in Gospel times; though the instruments themselves are now laid aside, being only suited to the church in her infant state, when under tutors and governors; see Psa 68:25. (k) "cum tibia", Tigurine version, Junius & Tremellius, Piscator, Amama.

"Let them praise His Name in chorus" [Psalm 149:3]. What means "chorus"? Many know what a "chorus" is: nay, as we are speaking in a town, almost all know. A "chorus" is the union of singers. If we sing "in chorus," let us sing in concord. If any one's voice is out of harmony in a chorus of singers, it offends the ear, and throwes the chorus into confusion. If the voice of one echoing discordantly troubles the harmony of them who sing, how does the discord of heresy throw into confusion the harmony of them who praise. The whole world is now the chorus of Christ. The chorus of Christ sounds harmoniously from east to west. "Let them sing a psalm unto Him with timbrel and psaltery." Wherefore takes he to him the "timbrel and psaltery"? That not the voice alone may praise, but the works too. When timbrel and psaltery are taken, the hands harmonize with the voice. So too do thou, whenever you sing, "Halleluia," deal forth your bread to the hungry, clothe the naked, take in the stranger: then does not only your voice sound, but your hand sounds in harmony with it, for your deeds agree with your words. You have taken to you an instrument, and your fingers agree with your tongue. Nor must we keep back the mystical meaning of the "timbrel and psaltery." On the timbrel leather is stretched, on the psaltery gut is stretched; on either instrument the flesh is crucified. How well did he "sing a psalm on timbrel and psaltery," who said, "the world is crucified unto me, and I unto the world"? [Galatians 6:14] This psaltery or timbrel He wishes you to take up, who loves a new song, who teaches you, saying to you, "Whosoever wills to be My disciple, let him deny himself, and take up his cross, and follow Me." [Matthew 16:24] Let him not set down his psaltery, let him not set down his timbrel, let him stretch himself out on the wood, and be dried from the lust of the flesh. The more the strings are stretched, the more sharply do they sound. The Apostle Paul then, in order that his psaltery might sound sharply, what said he? "Stretching forth unto those things which are before," etc. [Philippians 3:13] He stretched himself: Christ touched him; and the sweetness of truth sounded.

“Let them praise his name in the choir; let them play music for him on the timbrel and harp.” In an earlier verse he said that we must rejoice in the Lord Christ, but now he says that we must praise the name of the Lord in the choir. That is to say, in the choir that never suffers any scattering, boredom or scandal, but is gathered in the uprightness of merits and always exists with the dearest unity. But another psalm explains what this choir is like and how big it is: “From the rising of the sun to its setting, praise the name of the Lord.” The chorus that is gathered from the beginning of the world from the multitude of the heathen also cannot be gathered except in that heavenly homeland.

in the dance-- (Psa 30:11). The dance is connected with other terms, expressive of the great joy of the occasion. The word may be rendered "lute," to which the other instruments are joined. sing praises--or, sing and play.