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시편 77:21 주석

3명의 역사적 목소리

교회가 2천년에 걸쳐 Psalms 77:21를 어떻게 읽었는지 — 매튜 헨리, 존 칼빈, 히포의 어거스틴, 요한 크리소스토무스 및 기타 인물들의 공개 도메인 자료를 절별로 모았습니다.

VUL · la
Ideo audivit Dominus et distulit ; et ignis accensus est in Jacob, et ira ascendit in Israël :

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청교도들 2

Matthew Henry · 1662 Complete Commentary on the Whole Bible
Introduction
This psalm, according to the method of many other psalms, begins with sorrowful complaints but ends with comfortable encouragements. The complaints seem to be of personal grievances, but the encouragements relate to the public concerns of the church, so that it is not certain whether it was penned upon a personal or a public account. If they were private troubles that he was groaning under, it teaches us that what God has wrought for his church in general may be improved for the comfort of particular believers; if it was some public calamity that he is here lamenting, his speaking of it so feelingly, as if it had been some particular trouble of his own, shows how much we should lay to heart the interests of the church of God and make them ours. One of the rabbin says, This psalm is spoken in the dialect of the captives; and therefore some think it was penned in the captivity in Babylon. I. The psalmist complains here of the deep impressions which his troubles made upon his spirits, and the temptation he was in to despair of relief (Psa 77:1-10). II. He encourages himself to hope that it would be well at last, by the remembrance of God's former appearances for the help of his people, of which he gives several instances (Psa 77:11-20). In singing this psalm we must take shame to ourselves for all our sinful distrusts of God, and of his providence and promise, and give to him the glory of his power and goodness by a thankful commemoration of what he has done for us formerly and a cheerful dependence on him for the future. To the chief musician, to Jeduthun. A psalm of Asaph.
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John Gill · 1697 Exposition of the Entire Bible
Introduction
INTRODUCTION TO PSALM 77 To the chief Musician, to Jeduthun, A Psalm of Asaph. Jeduthun was the name of the chief musician, to whom this psalm was inscribed and sent; see Ch1 25:1, though Aben Ezra takes it to be the first word of some song, to the tune of which this was sung; and the Midrash interprets it of the subject of the psalm, which is followed by Jarchi, who explains it thus, "concerning the decrees and judgments which passed upon Israel;'' that is, in the time of their present captivity, to which, as he, Kimchi, and Arama think, the whole psalm belongs. Some interpreters refer it to the affliction of the Jews in Babylon, so Theodoret; or under Ahasuerus, or Antiochus; and others to the great and last distress of the church under antichrist; though it seems to express the particular case of the psalmist, and which is common to other saints.
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근대 1

Jamieson, Fausset & Brown · 1802 Critical and Explanatory Commentary o…
Introduction
This Psalm appears to have been occasioned by the removal of the sanctuary from Shiloh in the tribe of Ephraim to Zion in the tribe of Judah, and the coincident transfer of pre-eminence in Israel from the former to the latter tribe, as clearly evinced by David's settlement as the head of the Church and nation. Though this was the execution of God's purpose, the writer here shows that it also proceeded from the divine judgment on Ephraim, under whose leadership the people had manifested the same sinful and rebellious character which had distinguished their ancestors in Egypt. (Psa. 78:1-72) my people . . . my law--the language of a religious teacher (Psa 78:2; Lam 3:14; Rom 2:16, Rom 2:27; compare Psa 49:4). The history which follows was a "dark saying," or riddle, if left unexplained, and its right apprehension required wisdom and attention.
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