Salmi 150:4 Commento

The first and last of the psalms have both the same number of verses, are both short, and very memorable. But the scope of them is very different: the first psalm is an elaborate instruction in our duty, to prepare us for the comforts of our devotion; this is all rapture and transport, and perhaps was penned on purpose to be the conclusion of these sacred songs, to show what is the design of them all, and that is to assist us in praising God. The psalmist had been himself full of the praises of God, and here he would fain fill all the world with them: again and again he calls, "Praise the Lord, praise him, praise him," no less than thirteen times in these six short verses. He shows, I. For what, and upon what account, God is to be praised (Psa 150:1, Psa 150:2), II. How, and with what expressions of joy, God is to be praised (Psa 150:3-5). III. Who must praise the Lord; it is every one's business (Psa 150:6). In singing this psalm we should endeavour to get our hearts much affected with the perfections of God and the praises with which he is and shall be for ever attended, throughout all ages, world without end.

INTRODUCTION TO PSALM 150 This psalm is of the same kind and upon the same subject with the two preceding ones; and very probably was written by the same hand, and about the same time; and is a very proper psalm to conclude this book with, being all praise. Some say (q) this psalm was sung by the Israelites, when they came with their firstfruits into the sanctuary, with the basket on their shoulders. "Thirteen" times in this short psalm is the word "praise" used; not on account of thirteen properties or perfections in God, as Kimchi thinks: but it is so frequently and in every clause used, to show the vehement desire of the psalmist that the Lord might be praised; and to express his sense of things, how worthy he is of praise; and that all ways and means to praise him should be made use of, all being little enough to set forth his honour and glory. And not the Levites only, whose business it was in the temple service to praise the Lord with musical instruments, are here exhorted to it, as R. Judah the Levite thinks, but all people; not the people of Israel only, as Kimchi; but the Gentiles also, even all that have breath, Psa 150:6. For, as R. Obadiah Gaon observes, this psalm belongs to the times of the Messiah; to the Gospel dispensation, to the latter part of it, especially when Jews and Gentiles shall be converted; and when all will praise the Lord, as they will have reason for it. (q) Weemse's Christ. Synagog. l. 1. c. 6. s. 4. p. 145.

Praise him with the timbrel and dance,.... Or "pipe" (u); See Gill on Psa 149:3; praise him with stringed instruments; or divers "kinds" (w) of instruments not named, as R. Saadiah Gaon; and which, as Aben Ezra says, had all one sound or note; what they were is not known, as also many of them that are particularly mentioned; and organs; which have their name from the loveliness of their sound; these are of ancient original and use, Gen 4:21; but were not of the same kind with those now in use, which are of much later invention. (u) "et tibia", Tigurine version, Junius & Tremellius, Piscator, Gejerus. (w) "varia symphonia", Cocceius.

The timbrel represents the death of fleshly desire because of honesty itself. Dancing is the agreement of reasonable spirits all saying the same thing and in which there are no divisions. The stringed instruments suggest the unison of the voices of moral excellence and the unity of the organ which is the church of God resting on reflective and active minds.

"Praise Him in the timbrel and choir" [Psalm 150:4]. The "timbrel" praises God when the flesh is now changed, so that there is in it no weakness of earthly corruption. For the timbrel is made of leather dried and strengthened. The "choir" praises God when society made peaceful praises Him. "Praise Him on the strings and organ." Both psaltery and harp, which have been mentioned above, have strings. But "organ" is a general name for all instruments of music, although usage has now obtained that those are specially called organ which are inflated with bellows: but I do not think that this kind is meant here. For since organ is a Greek word, applied generally, as I have said, to all musical instruments, this instrument, to which bellows are applied, is called by the Greeks by another name: but it being called organ is rather a Latin and conversational usage. When then he says, "on the strings and organ," he seems to me to have intended to signify some instrument which has strings. For it is not psalteries and harps only that have strings: but, because in the psaltery, and harp, on account of the sound from things below and things above, somewhat has been found which can be understood after this distinction, he has suggested to us to seek some other meaning in the strings themselves: for they too are flesh, but flesh now set free from corruption. And to those, it may be, he added the organ, to signify that they sound not each separately, but sound together in most harmonious diversity, just as they are arranged in a musical instrument. For even then the saints of God will have their differences, accordant, not discordant, that is, agreeing, not disagreeing, just as sweetest harmony arises from sounds differing indeed, but not opposed to one another.

Let us praise on timbrel and with dance, when we, firmly set upon a restored way of life, adorn the timbrel of our body with the models of best behavior. Let us praise him on stringed instruments and on the organ as we play the fresh strings that are on our harp, let us also, as with the narrow needs of modesty make melodious sounds to God, cleansing ourselves from all the blight of sin.

organs--or pipe, a wind instrument, and the others were used in worship.