Giudici 5:29 Commento

This chapter contains the triumphal song which was composed and sung upon occasion of that glorious victory which Israel obtained over the forces of Jabin king of Canaan and the happy consequences of that victory. Probably it was usual then to publish poems upon such occasions, as now; but this only is preserved of all the poems of that age of the judges, because dictated by Deborah a prophetess, designed for a psalm of praise then, and a pattern of praise to after-ages, and it gives a great deal of light to the history of these times. I. It begins with praise to God (Jdg 5:2, Jdg 5:3). II. The substance of this song transmits the memory of this great achievement. 1. Comparing God's appearances for them on this occasion with his appearances to them on Mount Sinai (Jdg 5:4, Jdg 5:5). 2. Magnifying their deliverance from the consideration of the calamitous condition they had been in (Jdg 5:6-8). 3. Calling those to join in praise that shared in the benefits of the success (Jdg 5:9-13). 4. Reflecting honour upon those tribes that were forward and active in that war, and disgrace on those that declined the service (Jdg 5:14-19, Jdg 5:23). 5. Taking notice how God himself fought for them (Jdg 5:20-22). 6. Celebrating particularly the honour of Jael, that slew Sisera, on which head the song is very large (Jdg 5:24-30). It concludes with a prayer to God (Jdg 5:31).

INTRODUCTION TO JUDGES 5 This chapter contains a song of praise on account of the victories obtained over Jabin, and his kingdom; after an exhortation to praise is given, and kings excited to attend to it, the majestic appearance of God at Seir, on Sinai, is observed, to raise in the mind a divine veneration of him, Jdg 5:1; then the miserable state and condition Israel was in before these victories, and therefore had the more reason to be thankful, Jdg 5:6; the governors, and judges, and the people that were delivered, together with Deborah and Barak, are stirred up to rehearse the righteous acts of the Lord, and bless his name, Jdg 5:9; and those who willingly engaged in the war are praised, and such who were negligent reproved, and some even cursed, Jdg 5:14; but Jael, Heber's wife, is particularly commended for her exploit in slaying Sisera, Jdg 5:24; and the mother of Sisera, and her ladies, are represented as wondering at his long delay, and as assured of his having got the victory, Jdg 5:28; and the song is concluded with a prayer for the destruction, of the enemies of the Lord, and for the happiness and glory of them that love him, Jdg 5:31.

Her wise ladies answered her,.... Every one in their turn endeavouring to comfort her and make her easy. The Vulgate Latin version is,"one that was wiser than the rest of his wives;''but they seem rather to be her maids of honour, or ladies of her acquaintance, who were come to pay her a visit, and share in the pleasing sight they expected to have of Sisera: yea, she returned answer to herself; before they could well give theirs, she soon recollected herself what might be, and must be, the occasion of this delay; and this, according to the Targum, she made in her wisdom, what her great wisdom quickly suggested to her was certainly the case, and with which she comforted and quieted herself.

DEBORAH AND BARAK'S SONG OF THANKSGIVING. (Jdg. 5:1-31) Then sang Deborah and Barak . . . on that day--This noble triumphal ode was evidently the composition of Deborah herself.

her wise ladies--maids of honor.

Deborah's Song of Victory - Judges 5 This highly poetical song is so direct and lively an utterance of the mighty force of the enthusiasm awakened by the exaltation of Israel, and its victory over Sisera, that its genuineness if generally admitted now. After a general summons to praise the Lord for the courage with which the people rose up to fight against their foes (Jdg 5:2), Deborah the singer dilates in the first section (Jdg 5:3-11) upon the significance of the victory, picturing in lively colours (1) the glorious times when Israel was exalted to be the nation of the Lord (Jdg 5:3-5); (2) the disgraceful decline of the nation in the more recent times (Jdg 5:6-8); and (3) the joyful turn of affairs which followed her appearance (Jdg 5:9-11). After a fresh summons to rejoice in their victory (Jdg 5:12), there follows in the second section (Jdg 5:13-21) a lively picture of the conflict and victory, in which there is a vivid description (a) of the mighty gathering of the brave to battle (Jdg 5:13-15); (b) of the cowardice of those who stayed away from the battle, and of the bravery with which the braver warriors risked their lives in the battle (Jdg 5:15-18); and (c) of the successful result of the conflict (Jdg 5:19-21). To this there is appended in the third section (Jdg 5:22-31) an account of the glorious issue of the battle and the victory: first of all, a brief notice of the flight and pursuit of the foe (Jdg 5:22-24); secondly, a commemoration of the slaying of Sisera by Jael (Jdg 5:24-27); and thirdly, a scornful description of the disappointment of Sisera's mother, who was counting upon a large arrival of booty (Jdg 5:28-30). The song then closes with the hope, founded upon this victory, that all the enemies of the Lord might perish, and Israel increase in strength (Jdg 5:31). The whole song, therefore, is divided into three leading sections, each of which again is arranged in three somewhat unequal strophes, the first and second sections being introduced by a summons to the praise of God (Jdg 5:2, Jdg 5:12), whilst the third closes with an expression of hope, drawn from the contents of the whole, with regard to the future prospects of the kingdom of God (Jdg 5:31).

The princesses in attendance upon Sisera's mother sought to console her with the remark, that Sisera would have to gather together rich booty, and that his return was delayed in consequence. In the expression "the wisest of her princesses" (see Ges. 119, 2), the irony is very obvious, as the reality put all their wise conjectures to shame. תּעננּה, third pers. plur. fem. for תּענינה. The second hemistich of Jdg 5:29 contains a clause inserted as a parenthesis. אף־היא is adversative: "but she;" אף is only an emphatic copula; the antithesis lies in the emphatic change of subject indicated by היא. אמריה השׁיב, lit. to bring back her words, i.e., to repeat. להּ is used in a reflective sense, "to herself." The meaning is: But Sisera's mother did not allow herself to be quieted by the words of her wise princesses; on the contrary, she kept repeating the anxious question, Why does Sisera delay his coming? In Jdg 5:30 there follows the answer of the wise princesses. They imagine that Sisera has been detained by the large amount of booty which has to be divided. הלא, nonne, is he not, in the sense of lively certainty. They will certainly discover rich booty, and divide it. רחם, uterus, for puella. "A girl (or indeed probably) two girls to the head of the man," i.e., for each man. צבעים, coloured things, cloths or clothes. רקמה, worked stuff, or garments worked in divers colours (see the remarks on Exo 26:36), is attached without the vav cop. to צבעים, and is also dependent upon שׁלל. The closing words, שׁלל לצוּארי, "for the necks," or (as the plural is also frequently used to signify a single neck, e.g., Gen 27:16; Gen 45:14) "for the neck of the booty," do not give any appropriate sense, as שׁלל neither signifies animals taken as booty nor the taker of booty. The idea, however, that שׁלל is used for שׁלל אישׁ, like הלך in Sa2 12:4 for הלך אישׁ, viator, and חתף in Pro 23:28 for חתף אישׁ, seems inadmissible, since שׁלל ecni has just before been used three times in its literal sense. There is just the same objection to the application of שׁלל to animals taken as booty, not to mention the fact that they would hardly have thought of having valuable clothes upon the necks of animals taken as booty. Consequently the only explanation that remains, is either to alter לצוּארי into לצוּארו or לצוּאריו, or else to change שׁלל into שׁגל, the royal spouse. In the former case, שׁלל would have to be taken as in apposition to רקמתים צבע: a variegated cloth, two worked in divers colours for his (Sisera's) neck as booty, as the lxx have rendered it (τῷ τραχήλῳ αὐτοῦ σκῦλα). Ewald and Bertheau decide in favour of the second alteration, and defend it on the ground that שׁלל might easily find its way into the text as a copyist's error for שׁגל, on account of שׁלל having been already written three times before, and that we cannot dispense with some such word as שׁגל here, since the repetition of שׁלל three times, and the threefold use of ל, evidently show that there were three different kinds of people among whom the booty was to be distributed; and also that it was only a fitting thing that Sisera should set apart one portion of the booty to adorn the neck of his wife, and that the wisest of the noble ladies, when mentioning the booty, should not forget themselves.