Esodo 15:19 Commento

In this chapter, I. Israel looks back upon Egypt with a song of praise for their deliverance. Here is, I. The song itself (v. 1-19). 2. The solemn singing of it (Exo 15:20, Exo 15:21). II. Israel marches forward in the wilderness (Exo 15:22), and there, 1. Their discontent at the waters of Marah (Exo 15:23, Exo 15:24), and the relief granted them (Exo 15:25, Exo 15:26). 2. Their satisfaction in the waters of Elim (Exo 15:27).

INTRODUCTION TO EXODUS 15 This chapter contains the song of Moses, and of the children of Israel, on the banks of the Red sea; in which they celebrate their passage through it, the destruction of Pharaoh and his host in it, and the glory of the divine perfections displayed therein, interspersed with prophetic hints of things future, Exo 15:1 which same song was sung by the women, with Miriam at the head of them, attended with timbrels and dances, Exo 15:20, an account is given of the march of the children of Israel from the Red sea to the wilderness of Shur, and of the bitter waters found at Marah, which occasioned a murmuring, and of their being made sweet by casting a tree into them, Exo 15:22 when they were told by the Lord, that if they would yield obedience to his commandments, they should be free from the diseases the Egyptians had been afflicted with, Exo 15:26, and the chapter is concluded with their coming to Elim, where they found twelve wells of water, and seventy palm trees, and there encamped, Exo 15:27.

And Miriam the prophetess, the sister of Aaron,.... The same, it is highly probable, that is called the sister of Moses, Exo 2:3, her name Miriam is the same as Mary with us, and signifies bitterness; and, as the Hebrews (x) observe, had it from the bitterness of the times, and the afflictions the Israelites endured and groaned under when she was born; which is a much more probable signification and reason of her name than what is given by others, that it is the same with Marjam, which signifies a drop of the sea; from whence, they fancy, came the story of Venus, and her name of Aphrodite, the froth of the sea: Miriam was a prophetess, and so called, not from this action of singing, here recorded of her, for so all the women that sung with her might be called prophetesses, though sometimes in Scripture prophesying intends singing; but rather from her having a gift of teaching and instructing, and even of foretelling things to come; for the Lord spoke by her as well as by Moses and Aaron, and she, with them, were the leaders of the people of Israel, sent to them of the Lord, see Num 12:2, she is particularly called the sister of Aaron, though she was likewise the sister of Moses; the reason is, that being older than Moses, she was Aaron's sister before his, and having lived all her days with Aaron almost, and very little with Moses, was best known by being the sister of Aaron; and it is possible she might be his own sister by father and mother's side, when Moses was by another woman; however, it is said of her, she took a timbrel in her hand; and all the women went out after her with timbrels and with dances; timbrels were a sort of drums or tabrets, which being beat upon gave a musical sound, somewhat perhaps like our kettledrums; and though dances were sometimes used in religious exercises, yet the word may signify another kind of musical instruments, as "pipes" or "flutes" (y), as it is by some rendered; and by the Syriac and Arabic versions, "sistrums"; which were musical instruments much used by the Egyptians, and from whom the Israelitish women had these; and as they were going to keep a feast in the wilderness, they lent them to them, it is very probable, on that account; otherwise it is not easy to conceive what use the Israelites could have for them, and put them to during their hard bondage and sore affliction in Egypt: now with these they went out of the camp or tents into the open fields, or to the shore of the Red sea, and sung as Moses and the men of Israel did: to this the psalmist seems to refer in Psa 68:25. (x) Seder Olam Rabba, c. 3. p. 9. Dibre Hayamim, fol. 2. 2. (y) "cum fistulis", Junius & Tremellius, Piscator; "cum tibiis", Drusius; so Ainsworth.

Moses and the Israelites sing a song of praise to God for their late deliverance, in which they celebrate the power of God, gloriously manifested in the destruction of Pharaoh and his host, Exo 15:1; express their confidence in him as their strength and protector, Exo 15:2, Exo 15:3; detail the chief circumstances in the overthrow of the Egyptians, Exo 15:4-8; and relate the purposes they had formed for the destruction of God's people, Exo 15:9, and how he destroyed them in the imaginations of their hearts, Exo 15:10. Jehovah is celebrated for the perfections of his nature and his wondrous works, Exo 15:11-13. A prediction of the effect which the account of the destruction of the Egyptians should have on the Edomites, Moabites, and Canaanites, Exo 15:14-16. A prediction of the establishment of Israel in the promised land, Exo 15:17. The full chorus of praise, Exo 15:18. Recapitulation of the destruction of the Egyptians, and the deliverance of Israel, Exo 15:19. Miriam and the women join in and prolong the chorus, Exo 15:20, Exo 15:21. The people travel three days in the wilderness of Shur, and find no water, Exo 15:22. Coming to Marah, and finding bitter waters, they murmur against Moses, Exo 15:23, Exo 15:24. In answer to the prayer of Moses, God shows him a tree by which the waters are sweetened, Exo 15:25. God gives them statutes and gracious promises, Exo 15:26. They come to Elim, where they find twelve wells of water and seventy palm trees, and there they encamp, Exo 15:27.

SONG OF MOSES. (Exo. 15:1-27) Then sang Moses and the children of Israel--The scene of this thanksgiving song is supposed to have been at the landing place on the eastern shore of the Red Sea, at Ayoun Musa, "the fountains of Moses." They are situated somewhat farther northward along the shore than the opposite point from which the Israelites set out. But the line of the people would be extended during the passage, and one extremity of it would reach as far north as these fountains, which would supply them with water on landing. The time when it was sung is supposed to have been the morning after the passage. This song is, by some hundred years, the oldest poem in the world. There is a sublimity and beauty in the language that is unexampled. But its unrivalled superiority arises not solely from the splendor of the diction. Its poetical excellencies have often drawn forth the admiration of the best judges, while the character of the event commemorated, and its being prompted by divine inspiration, contribute to give it an interest and sublimity peculiar to itself. I will sing unto the Lord, for he hath triumphed gloriously--Considering the state of servitude in which they had been born and bred, and the rude features of character which their subsequent history often displays, it cannot be supposed that the children of Israel generally were qualified to commit to memory or to appreciate the beauties of this inimitable song. But they might perfectly understand its pervading strain of sentiment; and, with the view of suitably improving the occasion, it was thought necessary that all, old and young, should join their united voices in the rehearsal of its words. As every individual had cause, so every individual gave utterance to his feelings of gratitude.