Introduction
We have already seen what occurred upon opening six of the seals; we now come to the opening of the seventh, which introduced the sounding of the seven trumpets; and a direful scene now opens. Most expositors agree that the seven seals represent the interval between the apostle's time and the reign of Constantine, but that the seven trumpets are designed to represent the rise of antichrist, some time after the empire became Christian. In this chapter we have, I. The preface, or prelude, to the sounding of the trumpets (Rev 8:1-6). II. The sounding of four of the trumpets (Rev 8:7, etc.).
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Introduction
INTRODUCTION TO REVELATION 8
This chapter contains the opening of the seventh seal, and the things that followed on it, and particularly the sounding of the first four trumpets. Upon the opening of the seventh seal there was silence in heaven for half an hour, Rev 8:1; then follows a vision of seven angels, who stood before God, and had seven trumpets given to them, Rev 8:2; then of another angel, described by his position, standing at the altar; by his having a golden censer, and by much incense being given him, the end of which was to offer up the prayers of all saints, which with it went up to God, and were acceptable to him; and by filling his censer with the fire of the altar, and casting it to the earth; the effects of which were voices, thunderings, lightnings, and an earthquake, Rev 8:3, after which the seven angels prepare to sound their trumpets, Rev 8:6; the first blows his, which brings hail and fire, mingled with blood, upon the earth, which burns up the third part of trees and all green grass, Rev 8:7; the second blows, upon which a burning mountain is cast into the sea, and a third part of it becomes blood, a third part of the creatures in it die, and a third part of the ships upon it are destroyed, Rev 8:8; the third angel blows; upon which a star, like a burning lamp, falls upon the third part of rivers and fountains, whose name is Wormwood, and embitters them, so that many men die of them, Rev 8:10; the fourth angel blows, and the third part of the sun, moon, and stars, is smitten, and becomes dark, so that there is no light for a third part of the day and night, Rev 8:12; and the chapter is concluded with the vision of another angel flying through the midst of heaven, proclaiming three times woe to the inhabitants of the earth, on account of what would be uttered by the three following angels, who were yet to blow their trumpets, Rev 8:13.
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And the second angel sounded,.... His trumpet:
and as it were a great mountain burning with fire was cast into the sea; by which is meant not the devil, as some think; called a "mountain" from his height of pride, a great one from his might and power, and a "burning" one from his great wrath and malice against Christ, his Gospel, and his people; and who may be said to be "cast into the sea" of this world, and the men of it, whom he instigates against the saints, and who are like a troubled sea that cannot rest: but rather some heresy, and, as some have thought, the Macedonian heresy, which was levelled against the deity of the Holy Spirit, as was the Arian heresy against the deity of the Son; the abettors of which looked big, and were supported by power, and showed great zeal for religion, and pretended to great light and knowledge; and which heresy much affected the sea of pure doctrine, particularly the third part of doctrine, in which the third Person, the Spirit of God, is more especially concerned; and was of so pernicious a nature, as to kill many that professed the Gospel, and had a name to live, and destroy many particular churches, comparable to ships; but, as before, it is best to understand this of another incursion of the Goths into the Roman empire, and of the effects of it; and it seems to have respect to the taking and sacking of Rome by Alaricus, king of the West Goths, in the year 410, or 412 (m). Rome is very fitly represented by a great mountain, as kingdoms and cities sometimes are; see Zac 4:7; seeing it was built on seven mountains; and its being taken and burnt by Alaricus is aptly expressed by a burning mountain, as the destruction of Babylon, which is another name for Rome, is by a burnt mountain in Jer 51:25; the "sea" into which this was cast may signify the great number of people and nations within its jurisdiction which suffered, and were thrown into confusion at this time; so distresses and calamities in nations are expressed by a like figure in Psa 46:2;
and the third part of the sea became blood; that is, a third part of the jurisdiction of Rome, signified by the sea, see Jer 51:36; was afflicted with wars and bloodshed by this same sort of people; for while these things were done in Italy, a like calamity fell on France and Spain; the Alans, Vandals, and Sueves, having depopulated France, passed over the Pyraenean mountains, and seized on Spain; the Vandals and Sueves on Gallaecia; the Alans on Portugal; and the Silingi, which was another sort of Vandals, invaded Andalusia (n); the Goths under Ataulphus entered France, and the Burgundians seized that part of it next the Rhine (o): see Exo 7:20.
(m) Cassiodor Chronicon in Honor. & Theodos. 43. Petav. ib. p. 276. Hist. Eccl. Magdeburg. cent. ib. p. 872. Vid. Hieron. ad Gaudentium, fol. 34. M. (n) Cassiodor. ib. Petav. ib. (o) Cassiodor. Chronicon. ib.
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