Introduction
The ten curtains of the tabernacle, and of what composed, Exo 26:1. Their length, Exo 26:2, Exo 26:3; their loops, Exo 26:4, Exo 26:5; their taches, Exo 26:6. The curtains of goats' hair for a covering, Exo 26:7; their length and breadth, Exo 26:8. Coupled with loops, Exo 26:9, Exo 26:10, and taches, Exo 26:11. The remnant of the curtains, how to be employed, Exo 26:12, Exo 26:13. The covering of rams' skins, Exo 26:14. The boards of the tabernacle for the south side, Exo 26:15; their length, Exo 26:16, tenons, Exo 26:17, number, Exo 26:18, sockets, Exo 26:19. Boards, etc., for the north side, Exo 26:20, Exo 26:21. Boards, etc., for the west side, Exo 26:22; for the corners, Exo 26:23; their rings and sockets, Exo 26:24, Exo 26:25. The bars of the tabernacle, Exo 26:26-30. The veil, its pillars, hooks, and taches, Exo 26:31-33. How to place the mercy-seat, Exo 26:34. The table and the candlestick, Exo 26:35. The hanging for the door of the tent, Exo 26:36; and the hangings for the pillars, Exo 26:37.
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Introduction
TEN CURTAINS (Exo. 26:1-37)
cunning work--that is, of elegant texture, richly embroidered. The word "cunning," in old English, is synonymous with "skilful."
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Introduction
(cf. Ex 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth (Exo 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first (Exo 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche, pieces of tapestry, i.e., of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the Egyptians were so celebrated, were made (vid., Hengstenberg, Egypt, pp. 139ff.). The byssus yarn was of a clear white, and this was woven into mixed cloth by combination with dark blue, and dark and fiery red. It was not to be in simple stripes or checks, however; but the variegated yarn was to be woven (embroidered) into the white byssus, so as to form artistic figures of cherubim ("cherubim, work of the artistic weaver, shalt thou make it"). חשׁב מעשׂה (lit., work or labour of the thinker) is applied to artistic weaving, in which either figures or gold threads (Exo 28:6, Exo 28:8, Exo 28:15) are worked into the cloth, and which is to be distinguished from רקם מעשׂה variegated weaving (Exo 26:36).
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