Jesaja 40:19 Kommentar

INTRODUCTION TO ISAIAH 40 This chapter treats of the comforts of God's people; of the forerunner and coming of the Messiah; of his work, and the dignity of his person; of the folly of making idols, and of the groundless complaints of the church of God. The consolations of God's people, by whom to be administered, and the matter, ground, and reason of them, Isa 40:1. John the Baptist, the harbinger of Christ, is described by his work and office, and the effects of it; it issuing in the humiliation of some, and the exaltation of others, and in the revelation of the glory of Christ, Isa 40:3, then follows an order to every minister of the Gospel what he should preach and publish; the weakness and insufficiency of men to anything that is spiritually good; their fading and withering goodliness, which is to be ascribed to the blowing of the Spirit of God upon it; and the firmness and constancy of the word of God is declared, Isa 40:6, next the apostles of Christ in Jerusalem are particularly exhorted to publish fervently and openly the good tidings of the Gospel; to proclaim the coming of Christ, the manner of it, and the work he came about; and to signify his faithful discharge of his office as a shepherd, Isa 40:9, the dignity of whose person is set forth by his almighty power, by his infinite wisdom, and by the greatness of his majesty, in comparison of which all nations and things are as nothing, Isa 40:12 and then the vanity of framing any likeness to God, and of forming idols for worship, is observed, Isa 40:18, and from the consideration of the divine power in creation and upholding all things, the church of God is encouraged to expect renewed strength and persevering grace, and is blamed for giving way to a distrustful and murmuring spirit, Isa 40:26.

The workman melteth a graven image,.... Or, "the founder"; he melts some sort of metal, as iron, brass, copper, or lead, which he casts into a mould for an image, and afterwards graves, or gets it graved: and the goldsmith spreadeth it over with gold; or, "the finer"; he stretches out plates of gold, and covers it with them, so that it looks as if it was made of solid gold, and deceives the eyes of men; such stupidity and vanity are there in mortals to believe that there can be deity in such a piece of workmanship! and casteth silver chains to put about the graven image, either for ornament, or rather to fasten it to some wall or pillar, that it may stand upright, and may not be taken down and stole away, or blown down with the wind, or fall of itself and be broken; thus ridiculing the weakness of these idols, and the folly of the makers and worshippers of them. The Targum is, "the silversmith joins silver chains to it.''

(Verse 18 and following) To whom then will you liken God, or what image will you set before Him? Can the craftsman make a graven image, or the goldsmith overlay it with gold, and the silversmith spread silver plates upon it? Or perhaps the skilled craftsman chooses a piece of wood that will not rot and seeks out a proficient artisan to fashion an image that will not move. Having described the greatness of God and shown His power in part, and having compared the nations and islands to a drop from a bucket and a speck of dust on the scales, and having refuted the use of ashes and sacrificial ceremonies, he teaches those who follow that all the nations before Him are as nothing and are counted by Him as less than nothing. To whom then will you liken God, or what image will you set before Him, who is a Spirit, who is in all things and is everywhere present, and who holds the earth in His hand as if it were a small container? At the same time, he derides the foolishness of nations, because the artisan, whether a blacksmith or a goldsmith or a silversmith, makes their own god and fastens it with nails and firmly establishes it so that it is not blown away by the gusts of wind. And this is what he introduces: a wise artisan has chosen a strong and incorruptible wood, which is called Amsuchan in Hebrew; this type of wood is incorruptible and is used especially for making idols. However, he says this so that, rejecting idols, the way of the Gospel may be followed, and all wrongs may be made right; the valleys may be lifted up, and the hills may be brought low; and the glory of the Lord may be revealed, so that all flesh may see the salvation of God. According to the tropology, we can say that the leaders of the heretics are rebuked for inventing diverse idols from their own hearts; either by the charm of eloquence, which is interpreted as silver; or by the brilliance of gold, which appeals to the senses; or by the incorruptibility of wood, which represents the baser doctrines: and they are considered permanent by the inventors, and are supported by dialectical skill, so that they may not be moved or fall, but may stand firm on a solid root.

According to the moral sense we can say that the leaders of the heretics flourish, inventing different idols from their heart or by the charm of speech, which is what silver means, or by the splendor of gold, which appeals to the senses, or by the fine wood—these are the more vile teachings and are thought everlasting by those who invent them and are strengthened by dialectical skill lest they move and decay. Instead, they “stand fast” with a solid root.

For if we consider the different nations in all the world, from ocean to ocean, that is, from the Indian Sea to Brittania, and from the Atlantic up to the northern ice cap where the waters congeal and fine amber is frozen, we see that every race of human being lives like locusts within it.… Are we not amazed at the relative smallness of human beings whose bodies are like locusts when you consider their minute movements in the grand scheme of things?… The Lord is the one who stretched out the heavens and increased them so that the multitude of angels could live above them and the human race could dwell below as a house fit to contain all the reasonable creatures he had made.… Greek and Roman history tells of so many kings. Where is that uncountable army of Xerxes? Where is the Israelite host in the desert? Where is the incredible power of kings? What shall I say about those long ago? For present examples teach us that leaders are next to nothing, and the rulers of the earth are considered empty. The princes and judges of the earth … are neither sown nor planted nor fixed with a stable root. They are carried off at the command of God in an instant and perish like the blade of grass taken by the wind and storm, just as it is written, “And I crossed over, and he was not there; I sought him, and his place was not found.”

At the moment when he gave the law, the God of the universe transmitted his commands in these terms: “You shall not make for yourself an image or likeness of any thing, whether of things in the heaven above, and in the earth beneath, and in the waters under the earth … for I am the Lord your God.” That is to say, of the God whose appearance you have not seen. Here also the prophetic text, while denouncing the lack of sense of those who fabricate idols and who worship them, strives to show the infinite character of divine capacity; but in [Isaiah’s] inability to teach people another way, he sets out the creation to indicate [its] extraordinary measure; that which, he says, is a drop in the bucket, a turning of a balance, or spittle, so much is all the human race in relation to that ineffable and unlimited power. Then [Isaiah] teaches that the collection of all kinds of beasts is a small thing and not enough for an offering in honor of the divine magnificence, and that [even] all the forests of Lebanon are incapable of satisfying the fire lit [on the altar of sacrifice]. What image could you, therefore, fashion that would be equivalent in nature?

What art can produce an imitation of him who precisely is boundless?

And as to the foolish work, that they wished to introduce the noblest form into base matter: has the workman cast a graven statue? They gave the incommunicable name to stones and wood (Wis 14:21).

This and the four following chapters contain a distinct account of what passed in the land of Judah from the taking of Jerusalem to the retreat of the remnant of the people to Egypt; together with the prophecies of Jeremiah concerning that place, whither he himself accompanied them. In this chapter we have an account of the enlargement of Jeremiah by Nebuzar-adan, the captain of the guard, who advises him to put himself under the jurisdiction of Gedaliah, the son of Ahikam, whom the king of Babylon had made governor over the land of Judea, Jer 40:1-5. The prophet and many of the dispersed Jews repair to Gedaliah, Jer 40:6-12. Johanan acquaints the governor of a conspiracy against him, but is not believed, Jer 40:13-16.

And casteth silver chains "And forgeth for it chains of silver" - For צורף tsoreph, the participle, twenty-seven MSS., five ancient, and three editions, read צרף tsaraph, pret. third person.

SECOND PART OF THE PROPHECIES OF ISAIAH. (Isa. 40:1-31) Comfort ye, comfort ye--twice repeated to give double assurance. Having announced the coming captivity of the Jews in Babylon, God now desires His servants, the prophets (Isa 52:7), to comfort them. The scene is laid in Babylon; the time, near the close of the captivity; the ground of comfort is the speedy ending of the captivity, the Lord Himself being their leader. my people . . . your God--correlatives (Jer 31:33; Hos 1:9-10). It is God's covenant relation with His people, and His "word" of promise (Isa 40:8) to their forefathers, which is the ground of His interposition in their behalf, after having for a time chastised them (Isa 54:8).

graven--rather, an image in general; for it is incongruous to say "melteth" (that is, casts out of metal) a graven image (that is, one of carved wood); so Jer 10:14, "molten image." spreadeth it over--(See on Isa 30:22). chains--an ornament lavishly worn by rich Orientals (Isa 3:18-19), and so transferred to their idols. Egyptian relics show that idols were suspended in houses by chains.

Least of all can an idol bear comparison with Him. "The idol, when the smith has cast it, the melter plates it with gold, and melteth silver chains for it." The object (happesel, the idol), which is here placed first as the theme in the accusative (lit. the image hewn out), denotes in this instance an idol generally. חרשׁ is as comprehensive as faber. בּזּהב רקּע signifies here to cover over with a זהב רקּע (laminâ auri), the verb being used in a denominative sense, and not in its primary meaning. As we must assume, according to Isa 40:20, that the prophet intends to carry us into the midst of the process of manufacturing the idol, the paratactic expression is to be pointed as above, viz., "after the (a) smith has cast it (compare Arab. nasik, a piece of cast metal), the (a) melter (goldsmith) covers it with gold plate;" and tsōrēph, which is palindromically repeated, according to Isaiah's custom, is not the third pers. poel (on the poel of strong stems, see at Job 9:15 and Psa 109:10), but a participle, equivalent to הוּא צורף (as in Isa 29:8, which see; and also, according to the accents, Isa 33:5), "and he melteth chains of silver," viz., to fasten the image.