Psalm 8:7 Kommentar

This psalm is a solemn meditation on, and admiration of, the glory and greatness of God, of which we are all concerned to think highly and honourably. It begins and ends with the same acknowledgment of the transcendent excellency of God's name. It is proposed for proof (Psa 8:1) that God's name is excellent in all the earth, and then it is repeated as proved (with a "quod erat demonstrandum" - which was to be demonstrated) in the last verse. For the proof of God's glory the psalmist gives instances of his goodness to man; for God's goodness is his glory. God is to be glorified, I. For making known himself and his great name to us (Psa 8:1). II. For making use of the weakest of the children of men, by them to serve his own purposes (Psa 8:2). III. For making even the heavenly bodies useful to man (Psa 8:3, Psa 8:4). IV. For making him to have dominion over the creatures in this lower world, and thereby placing him but little lower then the angels (Psa 8:5-8). This psalm is, in the New Testament, applied to Christ and the work of our redemption which he wrought out; the honour given by the children of men to him (Psa 8:2, compared with Mat 21:16) and the honour put upon the children of men by him, both in his humiliation, when he was made a little lower then the angels, and in his exaltation, when he was crowned with glory and honour. Compare Psa 8:5, Psa 8:6, with Heb 2:6-8; Co1 15:27. When we are observing the glory of God in the kingdom of nature and providence we should be led by that, and through that, to the contemplation of his glory in the kingdom of grace. To the chief musician upon Gittith. A psalm of David.

INTRODUCTION TO PSALM 8 To the chief Musician upon Gittith, a Psalm of David. Some think this psalm was composed when the ark was brought to the house of Obededom the Gittite; and that it was delivered to him and his sons, as others were to Asaph, to Jeduthun, to the sons of Korah, &c. (l). But against this lies a strong objection, that Obededom and his sons were porters, and not singers, Ch1 26:4; and for the same reason "gittith" cannot be the name of a musical instrument which was kept in his family, and presided over by them (m). Some are of opinion this word had its name from Gath; and that this psalm was wrote by David when he was there (y); or that it is the name of a musical instrument invented and made there, and which was brought from thence (z): And so the Targum paraphrases it; "upon the harp which was brought from Gath.'' A word like this signifies "winepresses": and hence the Septuagint, Vulgate Latin, and Ethiopic versions, render it "for the winepresses": which Theodoret interprets of churches, where Christ the true vine is gathered by believers, and they prepare the mystic wine. Some think (a) the psalms which bear this name were composed for the feast of tabernacles: when, having got in their vintage, they filled their presses, and squeezed their grapes, and therefore gave thanks; it was usual, even with the Heathens (b), to make use of the harp, and other instruments of music, at the gathering of the grapes to be squeezed and pressed. Some of the Jewish writers (d) apply it to the times of Edom's destruction, who was to be trodden down as in a winepress, foretold in Isa 63:1; and others interpret it of the times of Gog and Magog, when the prophecy in Joe 3:13; shall be fulfilled (d) and some have thought this psalm to be a song of praise, like one of those sung by them that tread in the winepress; the time of vintage being a time of joy. The ancient Christian writers explain it of the sufferings of Christ, when he trod the winepress of his Father's wrath. But the word "gittith" is either the first word of some song, as Aben Ezra thinks; or the name of the tune, as Kimchi; or rather of the musical instrument to which this psalm was set and sung. Though the author of the epistle to the Hebrews, Heb 2:6; citing some passages from this psalm, only says, "one in a certain place testified"; without mentioning either the number of the psalm, or the name of the writer; yet it is certain that David was the penman of it: and both from the testimony of that writer, and from a citation of Christ himself, it is evident that the subject of this psalm is the Messiah, and that it belongs to his times; see Heb 2:6. So the Syriac scholiast; "the eighth psalm is concerning Christ our Redeemer.'' (l) Aben Ezra in loc. (m) R. Moses apud ibid. (y) Ben Melech in loc. vide Kimchi ibid. (z) Jarchi in loc. (a) Vide Godwin. Synops. Antiqu. Heb. l. 2. s. 1. c. G. (b) Phurnutus de Natura Deorum, p. 84. (d) Rabbini apud Jarchium in loc. (d) Midrash Tillim apud Viccars. in loc.

All sheep and oxen,.... The tame creatures, which are useful for food and clothing: yea, and the beasts of the field; the wild beasts, which he can make use of to destroy and devour his enemies, and whom he can restrain from harming his own people, Jer 15:8.

"You have put," he says, "all things in subjection under His feet." When he says, "all things," he excepts nothing. And that he might not be allowed to understand it otherwise, the Apostle enjoins it to be believed thus, when he says, "He being excepted which put all things under Him." [1 Corinthians 15:27] And to the Hebrews he uses this very testimony from this Psalm, when he would have it to be understood that all things are in such sort put under our Lord Jesus Christ, as that nothing should be excepted. [Hebrews 2:8] And yet he does not seem, as it were, to subjoin any great thing, when he says, "All sheep and oxen, yea, moreover, the beasts of the field, birds of the air, and the fish of the sea, which walk through the paths of the sea" [Psalm 8:7]. For, leaving the heavenly excellencies and powers, and all the hosts of Angels, leaving even man himself, he seems to have put under Him the beasts merely; unless by sheep and oxen we understand holy souls, either yielding the fruit of innocence, or even working that the earth may bear fruit, that is, that earthly men may be regenerated unto spiritual richness. By these holy souls then we ought to understand not those of men only, but of all Angels too, if we would gather from hence that all things are put under our Lord Jesus Christ. For there will be no creature that will not be put under Him, under whom the pre-eminent spirits, that I may so speak, are put. But whence shall we prove that sheep can be interpreted even, not of men, but of the blessed spirits of the angelical creatures on high? May we from the Lord's saying that He had left ninety and nine sheep in the mountains, that is, in the higher regions, and had come down for one? For if we take the one lost sheep to be the human soul in Adam, since Eve even was made out of his side, [Genesis 2:21-22] for the spiritual handling and consideration of all which things this is not the time, it remains that, by the ninety and nine left in the mountains, spirits not human, but angelical, should be meant. For as regards the oxen, this sentence is easily dispatched; since men themselves are for no other reason called oxen, but because by preaching the Gospel of the word of God they imitate Angels, as where it is said, "You shall not muzzle the ox that treads out the grain." How much more easily then do we take the Angels themselves, the messengers of truth, to be oxen, when Evangelists by the participation of their title are called oxen? "You have put under" therefore, he says, "all sheep and oxen," that is, all the holy spiritual creation; in which we include that of holy men, who are in the Church, in those wine-presses to wit, which are intimated under the other similitude of the moon and stars.

So, then, in accordance with the simile of the winepresses, not only the grapes but also the husks are trodden under his feet. This means not only sheep and cattle, that is to say, the holy souls of the faithful, either in the people or among the clergy, but, what is more, beasts of pleasure also and birds of pride and fish of inquisitiveness. All these types of sinners we see here and now in the churches mixed up with the good and the holy. Let God work, then, in his churches and separate wine from grapeskins. Let us cooperate with God so that we may be wine or sheep or cattle, rather than husks or beasts of the field or fish that weave their way through the pathways of the deep. This is not to say that these words can be understood and explained only in this way, but this is what the present context dictates. Somewhere else they may have a different meaning. This rule of thumb is to be upheld in every allegory, that what is expressed through a simile should be judged in the light of the immediate context. Such is the teaching of our Lord and the apostles.

Third, when he says "the sheep and the oxen," etc., he enumerates the subjects: and he lists animals so that plants may be understood as well. Among the animals, some are subject according to their whole kind, namely the tame and domestic animals by their nature, that is, sheep and oxen: and he says this in the feminine, "all of them," because herds are made up especially of cows and sheep. Others are those not subject according to their whole kind: and of these some are walking creatures: and regarding this he says "moreover the beasts of the field," etc., that is, boars, deer, and the like. And in the judgment some are good: and of these some subjects are signified by sheep: 2 Kgs. 24: "These who are sheep, what have they done?" Some are prelates, and these are signified by oxen: Prov. 14: "Where there are many harvests, there the strength of the ox is manifest." Some are wicked: and of these there are three kinds: 1 Jn. 2: "Everything that is in the world is either the concupiscence of the eyes, or the concupiscence of the flesh, or the pride of life." And first he sets forth the lustful: and these are the sheep and oxen and beasts of the field, because they delight in bestial things: Joel 1: "The beasts have rotted in their dung, and the storehouses of the field are demolished." He says this because they go by the broad way, Mt. 7.

Upon [or according to the] Gittith, probably means that the musical performance was directed to be according to a tune of that name; which, derived from Gath, a "wine-press," denotes a tune (used in connection with gathering the vintage) of a joyous character. All the Psalms to which this term is prefixed [Psa 8:1; Psa 81:1; Psa 84:1] are of such a character. The Psalmist gives vent to his admiration of God's manifested perfections, by celebrating His condescending and beneficent providence to man as evinced by the position of the race, as originally created and assigned a dominion over the works of His hands. (Psa 8:1-9) thy name--perfections (Psa 5:11; Psa 7:17). who hast set--literally, "which set Thou Thy glory," &c., or "which glory of Thine set Thou," &c., that is, make it more conspicuous as if earth were too small a theater for its display. A similar exposition suits the usual rendering.