Introduction
David seems to have been in a great strait when he penned this psalm, and, upon some account or other, very uneasy; for it is with some difficulty that he conquers his passion, and composes his spirit himself to take that good counsel which he had given to others (37) to rest in the Lord, and wait patiently for him, without fretting; for it is easier to give the good advice than to give the good example of quietness under affliction. What was the particular trouble which gave occasion for the conflict David was now in does not appear. Perhaps it was the death of some dear friend or relation that was the trial of his patience, and that suggested to him these meditations of morality; and at the same time, it should seem too, he himself was weak and ill, and under some prevailing distemper. His enemies likewise were seeking advantages against him, and watched for his halting, that they might have something to reproach him for. Thus aggrieved, I. He relates the struggle that was in his breast between grace and corruption, between passion and patience (Psa 39:1-3). II. He meditates upon the doctrine of man's frailty and mortality, and prays to God to instruct him in it (Psa 39:4-6). III. He applies to God for the pardon of his sons, the removal of his afflictions, and the lengthening out of his life till he was ready for death (Psa 39:7-13). This is a funeral psalm, and very proper for the occasion; in singing it we should get our hearts duly affected with the brevity, uncertainty, and calamitous state of human life; and those on whose comforts God has, by death, made breaches, will find this psalm of great use to them, in order to their obtaining what we ought much to aim at under such an affliction, which is to get it sanctified to us for our spiritual benefit and to get our hearts reconciled to the holy will of God in it
To the chief musician, even to Jeduthun. A psalm of David.
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Introduction
INTRODUCTION TO PSALM 39
To the chief Musician, even to Jeduthun, a Psalm of David. Some take Jeduthun to be the name of a musical instrument, as Jarchi, on which, and others the first word of a song, to the tune of which, this psalm was sung, as Aben Ezra; though it seems best, with Kimchi and others, to understand it as the name of the chief musician, to whom this psalm was sent to be made use of in public service; since Jeduthun was, with his sons, appointed by David to prophesy with harps and psalteries, and to give praise and thanks unto the Lord, Ch1 16:41; he is the same with Ethan (s). The occasion of it is thought, by some, to be the rebellion of his son Absalom; so Theodoret thinks it was written when he fled from Absalom, and was cursed by Shimei; or rather it may be some sore affliction, which lay upon David for the chastisement of him; see Psa 39:9; and the argument of the psalm seems to be much the same with that of the preceding one, as Kimchi observes.
(s) Vid. Hiller. Onomastic. Sacr. p. 513, 805.
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Surely every man walketh in a vain show,.... Or "in an image" (z); not "in the image of the Lord", as the Targum; in the image in which God created man, for that is lost; nor in that which is stamped on men in regeneration; for every man does not walk in that; rather in the image of fallen man, in which every man is born and walks: or "in a shadow" (a); or like one; to which the days of man's life are often compared, Ch1 29:15; and who, for the most part, busies himself in shadowy and imaginary things; agreeably to all which the poet says (b),
"I see that we who live are nothing else but images, and a vain shadow.''
Some (c) interpret it of "the shadow of death"; and others (d) of "darkness" itself; and it fitly expresses the state of unregeneracy and darkness in which every man walks without the grace of God; and which will end in utter darkness, if that does not prevent it; and which is called "a walking in the vanity of the mind", Eph 4:17. Here it seems rather to intend the outward show, pomp, and grandeur of every great man; of emperors, kings, princes, nobles, and the great men of the world; which is all a vain show, a glittering appearance for a while, a glory that passeth away, and will not descend after them when laid in the grave, and oftentimes lasts not so long;
surely they are disquieted in vain; about vain things, as riches and honours, which are fickle and unstable; and sometimes in vain are all the carking cares and disquietude of the mind, and toil and labour of the body, which are here referred to, to obtain these things; some rise early, and sit up late, and yet eat the bread of sorrow; and if they gain their point, yet do not find the pleasure and satisfaction in them they promised themselves and expected;
he heapeth up riches, and knoweth not who shall gather them: according to Jarchi, the metaphor seems to be taken from a man that has been ploughing and sowing, and reaping and laying up the increase of the field in heaps, and yet knows not who shall gather it into the barn, seeing he may die before it is gathered in; compare with this Luk 12:16; or the meaning is, when a man has amassed a prodigious deal of wealth together, he knows not who shall enjoy it, whether a son or a servant, a friend or a foe, a good man or a bad man, a wise man or a fool, Ecc 2:18.
(z) "in imagine", V. L. Pagninus, Montanus, Tigurine version, Piscator, Cocceius, Michaelis. (a) "In umbra", Gejerus; "instar umbrae", Musculus; vid. Hackman. Praecidan. Sacr. tom. 1. p. 82. (b) Sophoclis Ajax, v. 125, 126. (c) Donesh in Jarchi in loc. (d) Jarchi & Kimchi in loc. & R. Jonah in Miclol Yophi in loc.
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