Ecclesiastes 12:4 Kommentar

The wise and penitent preacher is here closing his sermon; and he closes it, not only lie a good orator, but like a good preacher, with that which was likely to make the best impressions and which he wished might be powerful and lasting upon his hearers. Here is, I. An exhortation to young people to begin betimes to be religious and not to put it off to old age (Ecc 12:1), enforced with arguments taken from the calamities of old age (Ecc 12:1-5). and the great change that death will make upon us (Ecc 12:6, Ecc 12:7). II. A repetition of the great truth he had undertaken to prove in this discourse, the vanity of the world (Ecc 12:8). III. A confirmation and recommendation of what he had written in this and his other books, as worthy to be duly weighed and concluded, with a charge to all to be truly religious, in consideration of the judgment to come (Ecc 12:13, Ecc 12:14).

INTRODUCTION TO ECCLESIASTES 12 This chapter begins with advice to young men, which is continued from the preceding; and particularly to remember their Creator in the days of their youth; enforced from the consideration of the troubles and inconveniences of old age, Ecc 12:1; which, in an allegorical way, is beautifully described, Ecc 12:2; and from the certainty of death, when it would be too late, Ecc 12:7. And then the wise man returns to his first proposition, and which he kept in view all along, that all is vanity in youth or old age, Ecc 12:8; and recommends the reading of this book, from the diligence, pains and labour, he used in composing it; from the sententious matter in it; from the agreeable, acceptable, and well chosen words, in which he had expressed it; and from the wisdom, uprightness, truth, efficacy, and authority of the doctrines of it, Ecc 12:9; and from its preference to other books, which were wearisome both to author and reader, Ecc 12:12. And it is concluded with the scope and design, the sum and substance of the whole of it, reducible to these two heads; the fear of God, and obedience to him, Ecc 12:13; and which are urged from the consideration of a future judgment, into which all things shall be brought, Ecc 12:14.

And the doors shall be shut in the streets,.... The Midrash and Jarchi interpret these of the holes of the body; in which they are followed by our learned and ingenuous countryman, Dr. Smith; who, by them, understands the inlets and outlets of the body; and, by the "streets", the ways and passages through which the food goes, and nourishment is conveyed; and which may be said to be shut, when they cease from their use: but it seems much better, with Aben Ezra and others, to interpret them of the lips; which are sometimes called the doors of the mouth, or lips, Psa 141:3; which are opened both for speaking and eating; but, in aged persons, are much shut as to either; they do not choose to speak much, because of the disagreeableness of their voice, and difficulty of speech, through the shortness of breath, and the loss of teeth; nor do they open them much to eat, through want of appetite; and while eating, are obliged, for want of teeth, to keep their lips close, to retain their food from falling out; they mumble with their lips both in speaking and eating; and, particularly in public, aged persons care not to speak nor eat, for the reason following: though some understand it, more literally, of their having the doors of their houses shut, and keeping within, and not caring to go abroad in the streets, because of their infirmities so the Targum, "thy feet shall be bound from going in the streets;'' when the sound of the grinding is low; which the above Jewish writers, and, after them, Dr. Smith, understand of the stomach, grinding, digesting, and concocting food, and of other parts through which it is conveyed, and the offices they perform; but sound or voice does not seem so well to agree with that; rather therefore this is to be understood, as before, of the grinding of the teeth, through the loss of which so much noise is not heard in eating as in young men, and the voice in speaking is lower; the Targum is, "appetite of food shall depart from thee;'' and he shall rise up at the voice of the bird; that is, the aged person, the least noise awakes him out of sleep; and as he generally goes to bed soon, he rises early at cock crowing, or with the lark, as soon as the voice of that bird or any other, is heard; particularly the cock, which crows very early, and whose voice is heard the most early, and is by some writers (f) emphatically called the bird that calls men to their work; and all the daughters of music shall be brought low; either those that make music, and are the instruments of it, as the lungs, the throat, the teeth, mouth, and lips, so the Targum and Midrash; or those that receive music, as the ears, and the several parts of them, the cavities of them, particularly the tympanum and auditory nerve; all which, through old age, are impaired, and become very unfit to be employed in making music, or in attending to it: the voice of singing men and singing women could not be heard with pleasure by old Barzillai, Sa2 19:36. These clauses are expressive of the weakness which generally old age brings on men; very few instances are there to the contrary; such as of Caleb, who, at eighty five years of age, was as strong as at forty; and of Moses, whose natural force abated not at an hundred and twenty; nor indeed as of Cyrus, who, when seventy years of age, and near his death, could not perceive that he was weaker then than in his youth (g). (f) "Inque suum miseros excitat ales opus", Ovid. Amorum, l. 1. Eleg. 6. v. 66. "Cristatus ales", ib. Fast. l. 1. v. 455. (g) Cicero in Catone Majore, sive de Senectute, c. 8.

"And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of music shall be brought low. "When the voice of the grinder is weak and the teaching of a tutor has stopped, then in turn all things will stop. Even the doors are closed in the streets, as according to the unwieldy virgins of the Gospel [Cfr. Matth. 25, 1-12.], and each one regards her doors as closed to her in the street, so that she can not buy oil. Or even, while the virgins are wandering in the streets, husbands close each room when they have entered into it. For if the road is thin and narrow, which leads to life and that which leads to death is wide and open, justly, the charity of most being cold, the door of teachings is closed in the streets. [Cfr. Matth. 7, 13.] But let us use the following verse, in which he says, "and he rises to the sound of a bird", (or of a sparrow), if we seem to be a sinner to the voice of the bishop or elder so to show that we are in repentance. But this could also be different again, if we do not follow the context of this chapter, it can be taken to mean the real resurrection, when the death will rise up to the voice of the arch-angel. And it is not surprising, if we compare the trumpet of an angel to a sparrow, when all night is compared to Christ, if it is clement. And also this is not too surprising, if my memory serves me right, when I have never read of a sparrow in a bad light. In the tenth Psalm a righteous man says, "I trust in God, just as you say to my spirit: fly to the mountain like a sparrow." [Ps. 10, 1.] And in another place: "I woke and I was made as a sparrow alone on a roof" [Ps. 101, 8.]. Nor is it seen in a bad light in another place: "and even the sparrow found a home for himself" [Ps. 83, 4.]. Differently: they want to see this as the closed doors in the street, as the weak steps of an old man, because he always sits and cannot walk. The weakness of the voice of the grinder is interpreted as in his jaws, because he cannot chew food, and scarcely reduced in spirit, his voice is heard only quietly. More precisely he shows him to rise to the sound of a bird, because now with cold blood and dry organs by which sleep is nourished, he wakes to a soft sound, and in the middle of the night, when the cock crows, he rises quickly; but he is not able to move his limbs from his bed. And he becomes silent too, or as it is better put in the Hebrew, the daughters of song become deaf, (meaning ears), because it is harder for old-men to hear noises and there is less distinction between voices, or enjoy songs. Also compare what Berzellai says to David, when he does not want to go to Jordan. [Cfr. II reg. 19, 32-39.]" "

“Bird” can here mean the Savior in his human nature.…But also the message of truth itself can be called “bird” for this time. It can be compared for this time with a bird that comes from on high, from where truth came to the listeners. Since, however, now even the perfect listeners are lifted up and strive for what is above the earth, the “bird on the roof” calls to them. Standing above the cosmos it has announced the perfect, the encounter with truth “from face to face.”

“The daughters of song” are false teachers, the daughters only of the voice but not of the spirit, not of wisdom, not of knowledge, not of light. Because of their unmanliness and their feminization in the treatment of the perishable they are called daughters.They will be brought low. Like darkness ends when light appears, they will be unveiled as nothing when the “call of the bird,” that is, of the “market” or the Savior or the divine teacher, the “rising” [human being], is here. It turns out that the teaching [of the daughters of song] is valid only for this present life and that—to say briefly what has been treated extensively by people elsewhere—human wisdom, which promises a program of nice speeches and good rhetoric, lasts only as long as the voice. Since, however, this voice will vanish, because no air is moving any more when they rise above the sphere of the air, they will be brought low. The “daughters of song” will be seen as nothing, since the wise teachers are not called daughters or daughters of song, but “sons of light,” and “sons of wisdom.”

(Ecc 12:1-14) As Ecc 11:9-10 showed what youths are to shun, so this verse shows what they are to follow. Creator--"Remember" that thou art not thine own, but God's property; for He has created thee (Psa 100:3). Therefore serve Him with thy "all" (Mar 12:30), and with thy best days, not with the dregs of them (Pro 8:17; Pro 22:6; Jer 3:4; Lam 3:27). The Hebrew is "Creators," plural, implying the plurality of persons, as in Gen 1:26; so Hebrew, "Makers" (Isa 54:5). while . . . not--that is, before that (Pro 8:26) the evil days come; namely, calamity and old age, when one can no longer serve God, as in youth (Ecc 11:2, Ecc 11:8). no pleasure--of a sensual kind (Sa2 19:35; Psa 90:10). Pleasure in God continues to the godly old (Isa 46:4).

doors--the lips, which are closely shut together as doors, by old men in eating, for, if they did not do so, the food would drop out (Job 41:14; Psa 141:3; Mic 7:5). in the streets--that is, toward the street, "the outer doors" [MAURER and WEISS]. sound of . . . grinding--The teeth being almost gone, and the lips "shut" in eating, the sound of mastication is scarcely heard. the bird--the cock. In the East all mostly rise with the dawn. But the old are glad to rise from their sleepless couch, or painful slumbers still earlier, namely, when the cock crows, before dawn (Job 7:4) [HOLDEN]. The least noise awakens them [WEISS]. daughters of music--the organs that produce and that enjoy music; the voice and ear.

From the eyes the allegory proceeds to the mouth, and the repugnance of the old man to every noise disturbing his rest: "And the doors to the street are closed, when the mill sounds low; and he rises up at the voice of a bird; and all the daughters of song must lower themselves." By the door toward the street the Talm. and Midrash understand the pores or the emptying members of the body, - a meaning so far from being ignoble, that even in the Jewish morning prayer a Beracha is found in these words: "Blessed art Thou, O Lord our God, King of the world, who hast wisely formed man, and made for him manifold apertures and cavities. It is manifest and well known before the throne of Thy Majesty, that if one of these cavities is opened, or one of these apertures closed, it is impossible for him to exist and to stand before Thee; blessed art Thou, O Lord, the Physician of the body, and who doest wondrous words!" The words which follow הטּ ... בּשׁ are accordingly to be regarded as assigning a reason for this closing: the non-appearance of excretion has its reason in defective digestion in this, that the stomach does not grind (Talm.: וגו בשרקבן (Note: Cf. Berachoth 61b: The stomach (קורקבן) grinds. As hamses is properly the caul of the ruminant, so this word קוּרקבן is the crop (bibl. מראה) of the bird.) בשביל). But the dual דּלתים suggests a pair of similar and related members, and בּשּׁוּק a pair of members open before the eyes, and not such as modesty requires to be veiled. The Targum therefore understands the shutting of the doors properly; but the mills, after the indication lying in הטּ grinding maids, it understands of the organs of eating and tasting, for it translates: "thy feet will be fettered, so that thou canst not go out into the street; and appetite will fail thee." But that is an awkward amalgamation of the literal with the allegorical, which condemns itself by this, that it separates the close connection of the two expressions required by בּשׁפל, which also may be said of the reference of dlt' to the ears, into which no sound, even from the noisy market, penetrates (Gurlitt, Grtz). We have for דלתים a key, already found by Aben Ezra, in Job 41:2, where the jaws of the leviathan are called פּניו דּלתי; and as Herzf. and Hitz. explain, so Samuel Aripol in his Commentary, which appeared in Constantinople, 1855, rightly: "He calls the jaws דלתים, to denote that not two דלתות in two places, but in one place, are meant, after the manner of a door opening out to the street, which is large, and consists of two folds or wings, דלתות, which, like the lips (השׂפתים, better: the jaws), form a whole in two parts; and the meaning is, that at the time of old age the lips are closed and drawn in, because the teeth have disappeared, or, as the text says, because the noise of the mill is low, just because he has no teeth to grind with." The connection of סגּרוּ and בּשׁפל is, however, closer still: the jaws of an old man are closed externally, for the sound of the mill is low; i.e., since, when one masticates his food with the jaws of a toothless mouth, there is heard only a dull sound of this chewing (Mumpfelns, vid., Wiegand's Deut. W.B.), i.e., laborious masticating. He cannot any more crack or crunch and break his food, one hears only a dull munching and sucking. - The voice of the mouth (Bauer, Hitz., Gurlitt, Zckl.) cannot be the meaning of קול הט; the set of teeth (Gurlitt indeed substitutes, Ecc 12:3, the cavity of the mouth) is not the organ of voice, although it contributes to the formation of certain sounds of words, and is of importance for the full sound of the voice. בּשּׁוּק, "to the street," is here = on the street side; שׁפל is, as at Pro 16:19, infin. (Symmachus: ἀχρειωθείσης τῆς φωνῆς; the Venet.: ἐν τῷ ταπεινῶσθαι τὴν φωνήν), and is to be understood after Isa 29:4; טחנה stands for רחים, as the vulgar Arab. tahûn and matḥana instead of the antiquated raḥâ. Winzer now supposes that the picture of the night is continued in 4b: et subsistit (vox molae) ad cantum galli, et submissius canunt cantatrices (viz., molitrices). Elster, with Umbreit, supposes the description of a storm continued: the sparrow rises up to cry, and all the singing birds sink down (flutter restlessly on the ground). And Taylor supposes the lament for the dead continued, paraphrasing: But the bird of evil omen [owl, or raven] raises his dirge, and the merry voice of the singing girls is silent. These three pictures, however, are mere fancies, and are also evidently here forced upon the text; for יקוט קול cannot mean subsistit vox, but, on the contrary (cf. Hos 10:14), surgit (tollitur) vox; and יקום לקול cannot mean: it (the bird) raises itself to cry, which would have required יקום לתת קולו, or at least לקּול, after למלחמה קום, etc.; besides, it is to be presumed that צפור is genit., like קול עוגב and the like, not nom. of the subj. It is natural, with Hitz., Ewald, Heiligst., Zck., to refer qol tsippor to the peeping, whispering voice ("Childish treble" of Shakespeare) of the old man (cf. stiphtseph, Isa 29:4; Isa 38:14; Isa 10:14; Isa 8:19). But the translation: "And it (the voice) approaches a sparrow's voice," is inadmissible, since for ל קום the meaning, "to pass from one state to another," cannot be proved from Sa1 22:13; Mic 2:8; קום signifies there always "to rise up," and besides, qol tahhanah is not the voice of the mouth supplied with teeth, but the sound of the chewing of a toothless mouth. If leqol is connected with a verb of external movement, or of that of the soul, it always denotes the occasion of this movement, Num 16:34; Eze 27:28; Job 21:12; Hab 3:16. Influenced by this inalienable sense of the language, the Talm. explains צף ... ויקום by "even a bird awakes him." Thus also literally the Midrash, and accordingly the Targ. paraphrasing: "thou shalt awaken out of thy sleep for a bird, as for thieves breaking in at night." That is correct, only it is unnecessary to limit ויקוּם (or rather ויקום, (Note: Vav with Cholem in H. F. Thus rightly, according to the Masora, which places it in the catalogue of those words which occur once with a higher (יקום) and once with a lower vowel (yקוּם), Mas. fin. 2a b, Ochlaweochla, No. 5; cf. also Aben Ezra's Comm. under Psa 80:19; Zachoth 23a, Safa berura 21b (where Lipmann is uncertain as to the meaning).) which accords with the still continued subordination of Ecc 12:4 to the eo die quo of Ecc 12:3) to rising up from sleep, as if it were synonymous with ויעור: the old man is weak (nervously weak) and easily frightened, and on account of the deadening of his senses (after the figure of Ecc 12:2, the darkening of the five stars) is so liable to mistake, that if even a bird chirps, he is frightened by it out of his rest (cf. hēkim, Isa 14:9). Also in the interpretation of the clause haשׁיר ... וישּׁחוּ, the ancients are in the right track. The Talm. explains: even all music and song appear to him like common chattering (שׂוּחה or, according to other readings, שׂיחה); the proper meaning of ychsw is thus Haggad. twisted. Less correctly the Midrash: בנות השיר are his lips, or they are the reins which think, and the heart decides (on this curious psychol. conception, cf. Chullin 11a, and particularly Berachoth 61a, together with my Psychol. p. 269). The reference to the internal organs if priori improbable throughout; the Targ. with the right tact decides in favour of the lips: "And thy lips are untuned, so that they can no more say (sing) songs." In this translation of the Talm. there are compounded, as frequently, two different interpretations, viz., that interpretation of בן השׁ, which is proved by the כל going before to be incorrect, because impossible; and the interpretation of these "daughters of song" of "songs," as if these were synonymous designations, as when in Arab. misfortunes are called banatu binasan, and the like (vid., Lane's Lex. I p. 263); בּת קול, which in Mish. denotes a separate voice (the voice of heaven), but in Syr. the separate word, may be compared. But ישׁחוּ (fut. Niph. of שׁחח) will not accord with this interpretation. For that בן השׁ denotes songs (Hitz., Heiligst.), or the sound of singing (Bttch.), or the words (Ewald) of the old man himself, which are now softened down so as to be scarcely audible, is yet too improbable; it is an insipid idea that the old man gives forth these feeble "daughters of song" from his mouth. We explain ישׁחו of a being bowed down, which is external to the old man, and accordingly understand benoth hashshir not of pieces of music (Aq. πάντα τὰ τῆς ᾠδῆς) which must be lowered to pianissimo, but according to the parallel already rightly acknowledge by Desvoeux, Sa2 19:36, where the aged Barzillai says that he has now no longer an ear for the voice of singing men and singing women, of singing birds (cf. בּר זמירא of a singing bird in the Syrian fables of Sophos, and banoth of the branches of a fruit tree, Gen 49:22), and, indeed, so that these are a figure of all creatures skilled in singing, and taking pleasure in it: all beings that are fond of singing, and to which it has become as a second nature, must lower themselves, viz., the voice of their song (Isa 29:4) (cf. the Kal, Psa 35:14, and to the modal sense of the fut. Ecc 10:10, יגּבּר, and Ecc 10:19, ישׂמּח), i.e., must timidly retire, they dare not make themselves heard, because the old man, who is terrified by the twittering of a little bird, cannot bear it.