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Revelation 8:14 Komentář

4 historické hlasy

Jak Církev četla Revelation 8:14 napříč dvěma tisíciletími — Matthew Henry, Jan Kalvín, Augustin z Hipony, Jan Zlatoústý a další, shromážděno verš po verši z veřejné domény.

Hlasy napříč staletími

Puritáni 2

Matthew Henry · 1662 Complete Commentary on the Whole Bible
Introduction
We have already seen what occurred upon opening six of the seals; we now come to the opening of the seventh, which introduced the sounding of the seven trumpets; and a direful scene now opens. Most expositors agree that the seven seals represent the interval between the apostle's time and the reign of Constantine, but that the seven trumpets are designed to represent the rise of antichrist, some time after the empire became Christian. In this chapter we have, I. The preface, or prelude, to the sounding of the trumpets (Rev 8:1-6). II. The sounding of four of the trumpets (Rev 8:7, etc.).
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John Gill · 1697 Exposition of the Entire Bible
Introduction
INTRODUCTION TO REVELATION 8 This chapter contains the opening of the seventh seal, and the things that followed on it, and particularly the sounding of the first four trumpets. Upon the opening of the seventh seal there was silence in heaven for half an hour, Rev 8:1; then follows a vision of seven angels, who stood before God, and had seven trumpets given to them, Rev 8:2; then of another angel, described by his position, standing at the altar; by his having a golden censer, and by much incense being given him, the end of which was to offer up the prayers of all saints, which with it went up to God, and were acceptable to him; and by filling his censer with the fire of the altar, and casting it to the earth; the effects of which were voices, thunderings, lightnings, and an earthquake, Rev 8:3, after which the seven angels prepare to sound their trumpets, Rev 8:6; the first blows his, which brings hail and fire, mingled with blood, upon the earth, which burns up the third part of trees and all green grass, Rev 8:7; the second blows, upon which a burning mountain is cast into the sea, and a third part of it becomes blood, a third part of the creatures in it die, and a third part of the ships upon it are destroyed, Rev 8:8; the third angel blows; upon which a star, like a burning lamp, falls upon the third part of rivers and fountains, whose name is Wormwood, and embitters them, so that many men die of them, Rev 8:10; the fourth angel blows, and the third part of the sun, moon, and stars, is smitten, and becomes dark, so that there is no light for a third part of the day and night, Rev 8:12; and the chapter is concluded with the vision of another angel flying through the midst of heaven, proclaiming three times woe to the inhabitants of the earth, on account of what would be uttered by the three following angels, who were yet to blow their trumpets, Rev 8:13.
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Moderní 2

Adam Clarke · 1762 Commentary on the Bible
Introduction
The opening of the seventh seal, Rev 8:1. The seven angels with the seven trumpets, Rev 8:2-6. The first sounds, and there is a shower of hail, fire, and blood, Rev 8:7. The second sounds, and the burning mountain is cast into the sea, Rev 8:8, Rev 8:9. The third sounds, and the great star Wormwood falls from heaven, Rev 8:10, Rev 8:11. The fourth sounds, and the sun, moon, and stars are smitten; and a threefold wo is denounced against the inhabitants of the earth, because of the three angels who are yet to sound, Rev 8:12, Rev 8:13.
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Jamieson, Fausset & Brown · 1802 Critical and Explanatory Commentary o…
Introduction
SEVENTH SEAL. PREPARATION FOR THE SEVEN TRUMPETS. THE FIRST FOUR AND THE CONSEQUENT PLAGUES. (Rev 8:1-13) was--Greek, "came to pass"; "began to be." silence in heaven about . . . half an hour--The last seal having been broken open, the book of God's eternal plan of redemption is opened for the Lamb to read to the blessed ones in heaven. The half hour's silence contrasts with the previous jubilant songs of the great multitude, taken up by the angels (Rev 7:9-11). It is the solemn introduction to the employments and enjoyments of the eternal Sabbath-rest of the people of God, commencing with the Lamb's reading the book heretofore sealed up, and which we cannot know till then. In Rev 10:4, similarly at the eve of the sounding of the seventh trumpet, when the seven thunders uttered their voices, John is forbidden to write them. The seventh trumpet (Rev 11:15-19) winds up God's vast plan of providence and grace in redemption, just as the seventh seal brings it to the same consummation. So also the seventh vial, Rev 16:17. Not that the seven seals, the seven trumpets, and the seven vials, though parallel, are repetitions. They each trace the course of divine action up to the grand consummation in which they all meet, under a different aspect. Thunders, lightnings, an earthquake, and voices close the seven thunders and the seven seals alike (compare Rev 8:5, with Rev 11:19). Compare at the seventh vial, the voices, thunders, lightnings, and earthquake, Rev 16:18. The half-hour silence is the brief pause GIVEN TO JOHN between the preceding vision and the following one, implying, on the one hand, the solemn introduction to the eternal sabbatism which is to follow the seventh seal; and, on the other, the silence which continued during the incense-accompanied prayers which usher in the first of the seven trumpets (Rev 8:3-5). In the Jewish temple, musical instruments and singing resounded during the whole time of the offering of the sacrifices, which formed the first part of the service. But at the offering of incense, solemn silence was kept ("My soul waiteth upon God," Psa 62:1; "is silent," Margin; Psa 65:1, Margin), the people praying secretly all the time. The half-hour stillness implies, too, the earnest adoring expectation with which the blessed spirits and the angels await the succeeding unfolding of God's judgments. A short space is implied; for even an hour is so used (Rev 17:12; Rev 18:10, Rev 18:19).
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