Revelation 19:16 Komentář

In this chapter we have, I. A further account of the triumphant song of angels and saints for the fall of Babylon (Rev 19:1-4). II. The marriage between Christ and the church proclaimed and perfected (Rev 19:5-10). III. Another warlike expedition of the glorious head and husband of the church, with the success of it (Rev 19:10, etc.).

INTRODUCTION TO REVELATION 19 This chapter contains the triumph of the saints over Babylon, and their thanksgiving to God because of his judgments on her; the marriage of Christ and his church, and a battle between him and his and her enemies, with the success of it. The congratulations are first of a promiscuous multitude in the church, ascribing salvation, praise, honour, glory, and power to God, because of the righteousness of his judgments, and because of the perpetuity of them, Rev 19:1 and then of the four and twenty elders and four living creatures, who worship God, assent to what had been before said, and join in praising the Lord, Rev 19:4 and then another voice out of the throne is heard, calling upon all the servants of the Lord, and those that fear him, whether small or great, to praise our God, Rev 19:5 after which is heard the voice of a great multitude, stirring up one another to praise, because of the reign of the Lord God Almighty, and to rejoice and be glad because the time of the Lamb's marriage with his bride was come; who is described by her dress, the righteousness of the saints, comparable to fine linen, clean and white, Rev 19:6 upon which an angel bids John write those persons happy who are invited to the marriage supper of the Lamb, and affirms these to be the true sayings of God; wherefore John, in a transport of joy, was just going to worship the angel, had he not been forbidden by him; from which he dissuades him, by observing that he was his fellow servant, that God only is the object of worship, and that the testimony of Jesus is the spirit of prophecy, Rev 19:9 next follows a vision of a battle between Christ and his enemies; and first he the General is described, by the horse he sat upon, a white one; by the characters he bears, faithful and true; by what he did, judging and making war in righteousness; by his eyes, which were as a flame of fire; by his having many crowns on his head; by having a name, or names unknown, and particularly one, which is the Word of God; by his habit, a vesture dipped in blood; by the armies he was at the head of, riding on white horses, and clothed in fine linen; by a sharp sword coming out of his mouth, with which he should utterly destroy the nations; and by having a name on his vesture and thigh, King of kings, and Lord of lords, Rev 19:11 upon which an angel is seen standing in the sun, and calling to all the fowls of the heaven to come to the supper of the great God, and to eat the flesh of kings, captains, mighty men, horses and horsemen, of all ranks, and degrees, Rev 19:17 and next an account is given of the armies of the beast, and of the kings of the earth, that came to make war with the above warrior, Rev 19:19 the issue and success of which follow; the beast and false prophet are taken, and cast alive into a lake of fire and brimstone; and the rest are killed by the sword of the above General, and the fowls have a feast of their flesh, Rev 19:20.

And he hath on his vesture and on his thigh a name written,.... This name, afterwards expressed, is said to be written on his vesture, in allusion to the custom of persons of note and eminence having their names interwoven in their garments, and which was sometimes done in letters of gold, as Zeuxis had (t); and it is expressive of the conspicuousness of Christ's kingdom, which now will come with observation; his judgments, the administrations of his kingly office, will be manifest, and he will reign before his ancients gloriously: and its being said to be written on his thigh may mean either that it was upon that part of his garment which covered his thigh; or else that it was also on his sword, which he sometimes girt upon his thigh. Mr. Daubuz has given an instance out of Victor Vitensis, of Clementianus, a monk, who had written on his thigh, ""a manichee" disciple of Jesus Christ.'' And this being done in Africa, he supposes it to be a Phoenician custom continued. It may here denote the perpetuity of Christ's name, power, and dominion, which will continue to the latest posterity, Psa 72:17 which spring from the thigh; and it may denote the subjection of his people to him, signified by the putting the hand under the thigh, Gen 24:2. And this name is King of kings and Lord of lords; which will well suit him now when he shall be openly King over all the earth; See Gill on Rev 17:14. (t) Plin. Nat. Hist. l. 35. c. 9.

This is a name that the proud do not know. For by serving [Christ], the church reigns in Christ, and she is lord of lords, that is, she conquers vices and sins.

And it is written upon his garment and on his thigh: King of kings and Lord of lords. The garment is understood to be the flesh of the Lord; it is interpreted spiritually as flesh and blood, according to the holy interpreters who cite Isaiah: "Why are your garments red, and your clothing like one who treads the fully trampled winepress?" (Isa. 63:2-3) But the thigh signifies the fleshly birth; for it is written in Genesis, "all the souls that went into Egypt with Jacob are those who came forth from his loins." (Gen. 46:26) This, then, shows the riddle written on the garment and on the thigh: that the King of all is Emmanuel. For although the Word was united to flesh in hypostasis and endured the fleshly birth from the Virgin, he nevertheless was established as King and Lord of all (Isa. 7:14), both of those in heaven and of those on earth, not diminished in worth by the incarnation; for he was and is and will be God.

[The name is inscribed] on his robe, that is, on the church with which Christ is clothed and which, according to the apostle, “he cleansed by the washing of water with the word, that he might present to himself a church glorious, without spot or wrinkle.” He cleansed the robe that it might have no spot, and he stretched it that it might have no wrinkle. The thigh symbolizes the posterity of his offspring, by which all nations will be blessed, according to the apostle who teaches, “It does not say, ‘and to offsprings,’ referring to many, but referring to one, ‘and to your offspring,’ which is Christ.” As though to a dead brother, according to ancient custom, the same apostle raises offspring spiritually, saying, “Lest any one should say that you were baptized in my name,” since he says that from Jerusalem as far as Illyricum he has done all things for the gospel, so that he might truthfully say to the Gentiles, “I became your father in Christ Jesus through the gospel.” Therefore, on this thigh, as though on children, the knowledge of Christ is written “not with ink but with the Spirit of the living God, not on tablets of stone but on tablets of human hearts,” which confess him to be the King of kings and the Lord of all lords.

Christ is the basis and the foundation on which Paul builds as an architect. Christ is the good Shepherd “who gives his life for the sheep.” Christ is the head of every dominion and power. He is himself the head of the church, wherefore it is said, “the head of man is Christ,” because he is the head of the church. He is the father, because by him through baptism all the nations of the earth are born again. His thigh, on which his name is written, are the believers whom the Son of God, that is, Christ, has willed to name “sons” through the adoption of faith. His robe is the assumed man, and because there is one person of two substances, we recognize his divinity in his robe, that is, in the sacrament of the Lord’s body. Upon the vestment of his body it is said that his name was written, “King of kings and Lord of lords.” Indeed, it is written on his thigh, because all who are called “sons” through faith witness with an unswerving confession that he is the King of kings and the Lord of lords.

This name reveals the unity of the divine incarnation. For in this unity he who is God suffered in the flesh, and although man, he is King of kings and Lord of lords. Those who have ruled the passions and in cooperation with Christ have possessed the authority and power over sin shall also rule with him in the coming age.

And he has on his robe and on his thigh a name written: King of kings and Lord of lords. This is the name that none of the proud know. But it is inscribed on the Church not with ink, but with the Spirit of the living God, on the tablets of the heart (2 Cor. 3). For the thigh signifies the progeny of the seed. Hence, Abraham used his thigh as a third witness between himself and his servant to ensure his progeny would not intermix with foreigners. About this, the Apostle, like raising seed to a deceased brother, says: For in Christ Jesus, I have begotten you through the Gospel (1 Cor. 4). It can also be understood that the Church reigns in Christ through service, and dominates the rulers. The same name is written on the garment because the majesty and kingdom are revealed to us through the mystery of his birth and the work of his passion. He explains in the following what this garment and the king’s army signify, namely the labor of the last battle and the glory of the ensuing kingdom.

The whole heavenly host give glory to God, because he has judged the great whore, and avenged the blood of his saints, Rev 19:1-6. The marriage of the Lamb and his bride, Rev 19:7-9. John offers to worship the angel, but is prevented, Rev 19:10. Heaven is opened, and Jesus the Word of God appears on a white horse; he and his armies described, Rev 19:11-16. An angel in the sun invites all the fowls of heaven to come to the supper of the great God, Rev 19:17, Rev 19:18. The beast, the false prophet, and the kings of the earth, gather together to make war with him who sits on the white horse; but they are all discomfited, and utterly destroyed, Rev 19:19-21.

On his vesture and on his thigh a name written - Dr. Dodd has well observed on this passage, that "it appears to have been an ancient custom among several nations to adorn the images of their deities, princes, victors at public games, and other eminent persons, with inscriptions, expressing either the character of the persons, their names, or some other circumstance which might contribute to their honor; and to that custom the description here given of Christ may possibly have some allusion. "There are several such images yet extant, with an inscription written either on the garment, or on one of the thighs, or on that part of the garment which was over the thigh; and probably this is the meaning of the apostle. And as these inscriptions are placed on the upper garment, Grotius seems very justly to have explained the words επι το ἱματιον, by his imperial robe, that his power in this victory might be conspicuous to all. But as a farther confirmation of this sense of the passage it may not be improper here to describe briefly several remarkable figures of this sort, which are still extant." This description I shall give from my own examination. 1. Herodotus, Euterpe, lib. ii. p. 127, edit. Gale, speaking of the actions of Sesostris, and of the images he set up in the countries which he conquered, has the following words: Εισι δε περι Ιωνιην δυο τυποι εν πετρῃσι εγκεκολαμμενοι τουτου του ανδρος, κ. τ. λ. "Two images likewise of this man are seen in Ionia, on the way that leads from Ephesus to Phocaea, and from Sardis to Smyrna. The figure is five palms in height; in his right hand he holds a dart, in his left a bow, armed after the manner of the Egyptians and Ethiopians. On a line drawn across the breast, from one shoulder to the other, are these words, written in Egyptian hieroglyphics: Εγω τηνδε την χωρην ωμοισι τοισι εμοισι εκτησαμην· 'I obtained this country by these my shoulders;'" i.e., by my own power. 2. In the Etruria Regalis of Dempster, in the appendix at the end of vol. ii., there is a beautiful female figure of brass, about twelve inches high, the hair gracefully plaited, and the head adorned with a diadem. She has a tunic without sleeves, and over that a sort of pallium. On the outside of the right thigh, close to the tunic, and probably on it, in the original, is an inscription in Etruscan characters. What these import I cannot say. Dempster has given a general explanation of the image in the appendix to the above volume, p. 108. The plate itself is the eighty-third of the work. 3. There are two other images found in the same author, vol. i., p. 91, tab. xxiv.; the first is naked, with the exception of a short loose jupe, or petticoat, which goes round the loins, and over the left arm. On the left thigh of this image there is an inscription in Etruscan characters. The second has a similar jupe, but much longer, which extends to the calf of the leg, and is supported over the bended left arm. Over the right thigh, on this vesture, there is an Etruscan inscription in two lines. 4. Montfaucon, Antiquite Expliquee, vol. iii., part 2, p. 268, has introduced an account of two fine images, which are represented tab. CLVII. The first is a warrior entirely naked, except a collar, one bracelet, and boots. On his left thigh, extending from the groin to a little below the knee, is an inscription in very ancient Etruscan characters, in two lines, but the import is unknown. The second is a small figure of brass, about six inches long, with a loose tunic, which is suspended from the left shoulder down to the calf of the legs. On this tunic, over the left thigh, is an inscription (perhaps) in very ancient Latin characters, but in the Etruscan language, as the learned author conjectures. It is in one line, but what it means is equally unknown. 5. In the same work, p. 269, tab. CLVIII., another Etruscan warrior is represented entirely naked; on the left thigh is the following words in uncial Greek letters, ΚΑΦΙΣΟΔΩΡΟΣ, and on the right thigh, ΑΙΣΧΛΑΜΙΟΥ, i.e., "Kaphisodorus, the son of Aischlamius." All these inscriptions are written longitudinally on the thigh. 6. Gruter, vol. iii., p. DCCCCLXXXIX, sub. tit. Affectus Servorum et Libertinorum inter se, et in suos, gives us the figure of a naked warrior, with his left hand on an axe, the end of whose helve rests on the ground, with the following inscription on the inside of his left thigh, longitudinally written, as in all other cases: - A. Poblicius. D. L. Antioc. Ti. Barbius. Q. P. L. Tiber. 7. The rabbins say, that "God gave to the Israelites a sword, on which the ineffable name יהוה Yehovah was inscribed; and as long as they held that sword the angel of death had no power over them." Shemoth Rabba, sec. 51, fol. 143, 2. Bemidbar Rabba, sec. 12, fol. 214, 2. In the latter tract, sec. 16, fol. 232, 3, and in Rab. Tanchum, fol. 66, mention is made of the guardian angels of the Israelites, who were clothed with purple vestments, on which was inscribed שם המפורש shem hammephorash, the ineffable name. See more in Schoettgen. 8. But what comes nearer to the point, in reference to the title given here to Christ, is what is related of Sesostris by Diodorus Siculus, lib. i. c. 55, p. 166, edit. Bipont, of whom he says: "Having pushed his conquests as far as Thrace, he erected pillars, on which were the following words in Egyptian hieroglyphics: Τηνδε την χωραν ὁπλοις κατεστρεψατο τοις ἑαυτου Βασιλευς Βασιλεων, και Δεσποτης Δεσποτων, Σεσοωσις·" This province, Sesoosis, (Sesostris), King of Kings and Lord of Lords, conquered by his own arms. This inscription is conceived almost in the words of St. John. Now the Greek historian did not borrow the words from the apostle, as he died in the reign of Augustus, about the time of our Lord's incarnation. This cannot be the same inscription mentioned above by Herodotus, the one being in Ionia, the other in Thrace: but as he erected several of those pillars or images, probably a nearly similar inscription was found on each. 9. This custom seems to have been common among the ancient Egyptians. Inscriptions are frequently found on the images of Isis, Osiris, Anubis, etc., at the feet, on the head, on the back, on the girdle, etc., etc. Eight of those ancient images in my own collection abound with these inscriptions. 1. Osiris, four inches and a quarter high, standing on a thrones all covered over with hieroglyphics exquisitely engraved. 2. Anubis, six inches high, with a tiara, on the back of which is cut ΛΕΓΟΡΝΥΘ , in uncial Greek characters. 3. The Cercopithecus, seven inches long, sitting on a pedestal, and at his feet, in the same characters, ΧΑΔΕΟ. 4. An Isis, about eight inches high, on her back ΔΡΥΓΟ. 5. Ditto, seven inches, beautifully cut, standing, holding a serpent in her left hand, and at her feet ΕΤΑΠΥΓΙ. 6. Ditto, five inches and a quarter, round whose girdle is ΠΙΕΥΧΥΔΙ; but part of this inscription appears to be hidden under her arms, which are extended by her side. 7. Ditto, five inches high, hooded, with a loose stola, down the back of which are seven lines of Greek uncial characters, but nearly obliterated. 8. Ditto, four inches high, with a girdle going round the back immediately under the arms, the front of which is hidden under a sort of a stomacher; on the part that appears are these characters, ΧΕΝΛΑ. These may be all intended as a kind of abrasaxas or tutelary deities; and I give this notice of them, and the inscriptions upon them, partly in illustration of the text, and partly to engage my learned and antiquarian readers in attempts to decipher them. I would have given the Etruscan characters on the other images described above, but have no method of imitating them except by an engraving. As these kinds of inscriptions on the thigh, the garments, and different parts of the body, were in use among different nations, to express character, conduct, qualities, and conquests, we may rest assured that to them St. John alludes when he represents our sovereign Lord with an inscription upon his vesture and upon his thigh; and had we not found it a custom among other nations, we should have been at a loss to account for its introduction and meaning here.

THE CHURCH'S THANKSGIVING IN HEAVEN FOR THE JUDGMENT ON THE HARLOT. THE MARRIAGE OF THE LAMB: THE SUPPER: THE BRIDE'S PREPARATION: JOHN IS FORBIDDEN TO WORSHIP THE ANGEL: THE LORD AND HIS HOSTS COME FORTH FOR WAR: THE BEAST AND THE FALSE PROPHET CAST INTO THE LAKE OF FIRE: THE KINGS AND THEIR FOLLOWERS SLAIN BY THE SWORD OUT OF CHRIST'S MOUTH. (Rev. 19:1-21) As in the case of the opening of the prophecy, Rev 4:8; Rev 5:9, &c.; so now, at one of the great closing events seen in vision, the judgment on the harlot (described in Rev. 18:1-24), there is a song of praise in heaven to God: compare Rev 7:10, &c., toward the close of the seals, and Rev 11:15-18, at the close of the trumpets: Rev 15:3, at the saints' victory over the beast. And--so ANDREAS. But A, B, C, Vulgate, Syriac, and Coptic omit. a great voice--A, B, C, Vulgate, Coptic, and ANDREAS read, "as it were a great voice." What a contrast to the lamentations Rev. 18:1-24! Compare Jer 51:48. The great manifestation of God's power in destroying Babylon calls forth a great voice of praise in heaven. people--Greek, "multitude." Alleluia--Hebrew, "Praise ye JAH," or JEHOVAH: here first used in Revelation, whence ELLICOTT infers the Jews bear a prominent part in this thanksgiving. JAH is not a contraction of "JEHOVAH," as it sometimes occurs jointly with the latter. It means "He who Is": whereas Jehovah is "He who will be, is, and was." It implies God experienced as a PRESENT help; so that "Hallelujah," says KIMCHI in BENGEL, is found first in the Psalms on the destruction of the ungodly. "Hallelu-Jah" occurs four times in this passage. Compare Psa 149:4-9, which is plainly parallel, and indeed identical in many of the phrases, as well as the general idea. Israel, especially, will join in the Hallelujah, when "her warfare is accomplished" and her foe destroyed. Salvation, &c.--Greek, "The salvation . . . the glory . . . the power." and honour--so Coptic. But A, B, C, and Syriac omit. unto the Lord our God--so ANDREAS. But A, B, C, and Coptic read, "(Is) of our God," that is, belongs to Him.

"His name written on His vesture and on His thigh," was written partly on the vesture, partly on the thigh itself, at the part where in an equestrian figure the robe drops from the thigh. The thigh symbolizes Christ's humanity as having come, after the flesh, from the loins of David, and now appearing as the glorified "Son of man." On the other hand, His incommunicable divine name, "which no man knew," is on His head (Rev 19:12), [MENOCHIUS]. KING OF KINGS--Compare Rev 17:14, in contrast with Rev 19:17, the beast being in attempted usurpation a king of kings, the ten kings delivering their kingdom to him.