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Psalm 147:7 Komentář

6 historických hlasů

Jak Církev četla Psalms 147:7 napříč dvěma tisíciletími — Matthew Henry, Jan Kalvín, Augustin z Hipony, Jan Zlatoústý a další, shromážděno verš po verši z veřejné domény.

KJV (1611) · en
Sing unto the LORD with thanksgiving; sing praise upon the harp unto our God:
BLIVRE (2018) · pt-br
Cantai ao SENHOR em agradecimento; cantai louvores ao nosso Deus com harpa.
ARC (1995) · pt-br
Cantai ao Senhor em ação de graças; com a harpa cantai louvores ao nosso Deus.

Hlasy napříč staletími

Puritáni 3

Matthew Henry · 1662 Complete Commentary on the Whole Bible
Introduction
This is another psalm of praise. Some think it was penned after the return of the Jews from their captivity; but it is so much of a piece with Ps. 145 that I rather think it was penned by David, and what is said (Psa 147:2, Psa 147:13) may well enough be applied to the first building and fortifying of Jerusalem in his time, and the gathering in of those that had been out-casts in Saul's time. The Septuagint divides it into two; and we may divide it into the first and second part, but both of the same import. I. We are called upon to praise God (Psa 147:1, Psa 147:7, Psa 147:12). II. We are furnished with matter for praise, for God is to be glorified, 1. As the God of nature, and so he is very great (Psa 147:4, Psa 147:5, Psa 147:8, Psa 147:9, Psa 147:15-18). 2. As the God of grace, comforting his people (Psa 147:3, Psa 147:6, Psa 147:10, Psa 147:11). 3. As the God of Israel, Jerusalem, and Zion, settling their civil state (Psa 147:2, Psa 147:13, Psa 147:14), and especially settling religion among them (Psa 147:19, Psa 147:20). It is easy, in singing this psalm, to apply it to ourselves, both as to personal and national mercies, were it but as easy to do so with suitable affections.
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John Gill · 1697 Exposition of the Entire Bible
Introduction
INTRODUCTION TO PSALM 147 This psalm is thought to be written by David, and according to Theodoret predicts the return of the Jews from Babylon, and the rebuilding of Jerusalem by Zerubbabel, which seems to be grounded on Psa 147:2; though the words there agree well enough with the times of David; hence the title in the Septuagint, Ethiopic, Arabic, and Syriac versions, and Apollinarius, is as the preceding; the Syriac adds, "concerning Zerubbabel and Joshua the priest, and Ezra, who were solicitous and diligent in building Jerusalem.'' Aben Ezra and other Jewish writers think it foretells the future rebuilding of Jerusalem, and the restoration of the Jews from their present captivity, and refer it to the times of the Messiah; and so far it may be right, that it respects Christ and the praise of him, on account of his nature and works; and may take in the conversion of the Jews. It seems to be written by the same person, and on the same account, as the preceding psalm.
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John Gill · 1697 Exposition of the Entire Bible
Sing unto the Lord with thanksgiving,.... These are the words of the psalmist unto the Israelites, according to Aben Ezra and Kimchi; but may be an exhortation to all men, especially good men; who are capable of observing the following things concerning providential goodness and special grace, on account of which they are called upon to "sing unto the Lord": or to "answer" (q); to sing alternately, or by responses; the word is used for singing, Hos 2:15; see Exo 15:21; and intends vocal singing, as the next clause instrumental singing, as Kimchi observes. However, the Lord is the object of it, to whom praise is to be sung for all the great and good things done by him, and that "with thanksgiving" to God for them; which, though a distinct thing from singing, and may be done without it, as in prayer; yet singing ought never to be without that; see Eph 5:19; sing praise upon the harp unto our God; an instrument of music used in the times of the Old Testament; an emblem of the heart, and of making melody in it to the Lord: the hearts of believers are the harps of God, on and with which they sing unto him, when they sing aright, and these are in proper tune. (q) "respondete", Montanus, Cocceius; "alternis canite", Tigurine version, Piscator, Michaelis.
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Církevní otcové 1

Augustine of Hippo · 354 Excerpts (Historical Christian Faith …
Exposition on Psalm 147
"Begin to the Lord in confession" [Psalm 147:7]. Begin with this, if you would arrive at a clear understanding of the truth. If you will be brought from the road of faith to the profession of the reality, "begin in confession." First accuse yourself: accuse yourself, praise God. What after confession? Let good works follow. "Sing unto our God upon the harp." What is, "Upon the harp"? As I have already explained, just like the Psalm upon the psaltery, so also is the "harp:" not with voice only, but with works.
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Moderní 2

Jamieson, Fausset & Brown · 1802 Critical and Explanatory Commentary o…
His providence supplies bountifully the wild animals in their mountain homes. Sing . . . Lord--literally, "Answer the Lord," that is, in grateful praise to His goodness, thus declared in His acts.
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Keil & Delitzsch · 1807 Biblical Commentary on the Old Testam…
With Psa 147:7 the song takes a new flight. ענה ל signifies to strike up or sing in honour of any one, Num 21:27; Isa 27:2. The object of the action is conceived of in בּתּודה as the medium of it (cf. e.g., Job 16:4). The participles in Psa 147:8. are attributive clauses that are attached in a free manner to לאלהינוּ. הכין signifies to prepare, procure, as e.g., in Job 38:41 - a passage which the psalmist has had in his mind in connection with Psa 147:9. מצמיח, as being the causative of a verb. crescendi, is construed with a double accusative: "making mountains (whither human agriculture does not reach) to bring forth grass;" and the advance to the thought that God gives to the cattle the bread that they need is occasioned by the "He causeth grass to grow for the cattle" of the model passage Psa 104:14, just as the only hinting אשׁר יקראוּ, which is said of the young of the raven (which are forsaken and cast off by their mothers very early), is explained from ילדיו אל־אל ישׁוּעוּ in Job loc. cit. The verb קרא brev ehT .tic .col boJ ni , κράζειν (cf. κρώζειν), is still more expressive for the cry of the raven, κόραξ, Sanscrit kârava, than that שׁוּע; κοράττειν and κορακεύεσθαι signify directly to implore incessantly, without taking any refusal. Towards Him, the gracious Sustainer of all beings, are the ravens croaking for their food pointed (cf. Luk 12:24, "Consider the ravens"), just like the earth that thirsts for rain. He is the all-conditioning One. Man, who is able to know that which the irrational creature unconsciously acknowledges, is in the feeling of his dependence to trust in Him and not in himself. In all those things to which the God-estranged self-confidence of man so readily clings, God has no delight (יחפּץ, pausal form like יחבּשׁ) and no pleasure, neither in the strength of the horse, whose rider imagines himself invincible, and, if he is obliged to flee, that he cannot be overtaken, nor in the legs of a man, upon which he imagines himself so firm that he cannot be thrown down, and which, when he is pursued, will presumptively carry him far enough away into safety. שׁוק, Arab. sâq, is the leg from the knee to the foot, from Arab. sâqa, root sq, to drive, urge forward, more particularly to urge on to a gallop (like curs, according to Pott, from the root car, to go). What is meant here is, not that the strength of the horse and muscular power are of no avail when God wills to destroy a man (Psa 33:16., Amo 2:14.), but only that God has no pleasure in the warrior's horse and in athletic strength. Those who fear Him, i.e., with a knowledge of the impotency of all power possessed by the creature in itself, and in humble trust feel themselves dependent upon His omnipotence - these are they in whom He takes pleasure (רצה with the accusative), those who, renouncing all carnal defiance and self-confident self-working, hope in His mercy.
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