Introduction
Deborah's Song of Victory - Judges 5
This highly poetical song is so direct and lively an utterance of the mighty force of the enthusiasm awakened by the exaltation of Israel, and its victory over Sisera, that its genuineness if generally admitted now. After a general summons to praise the Lord for the courage with which the people rose up to fight against their foes (Jdg 5:2), Deborah the singer dilates in the first section (Jdg 5:3-11) upon the significance of the victory, picturing in lively colours (1) the glorious times when Israel was exalted to be the nation of the Lord (Jdg 5:3-5); (2) the disgraceful decline of the nation in the more recent times (Jdg 5:6-8); and (3) the joyful turn of affairs which followed her appearance (Jdg 5:9-11). After a fresh summons to rejoice in their victory (Jdg 5:12), there follows in the second section (Jdg 5:13-21) a lively picture of the conflict and victory, in which there is a vivid description (a) of the mighty gathering of the brave to battle (Jdg 5:13-15); (b) of the cowardice of those who stayed away from the battle, and of the bravery with which the braver warriors risked their lives in the battle (Jdg 5:15-18); and (c) of the successful result of the conflict (Jdg 5:19-21). To this there is appended in the third section (Jdg 5:22-31) an account of the glorious issue of the battle and the victory: first of all, a brief notice of the flight and pursuit of the foe (Jdg 5:22-24); secondly, a commemoration of the slaying of Sisera by Jael (Jdg 5:24-27); and thirdly, a scornful description of the disappointment of Sisera's mother, who was counting upon a large arrival of booty (Jdg 5:28-30). The song then closes with the hope, founded upon this victory, that all the enemies of the Lord might perish, and Israel increase in strength (Jdg 5:31). The whole song, therefore, is divided into three leading sections, each of which again is arranged in three somewhat unequal strophes, the first and second sections being introduced by a summons to the praise of God (Jdg 5:2, Jdg 5:12), whilst the third closes with an expression of hope, drawn from the contents of the whole, with regard to the future prospects of the kingdom of God (Jdg 5:31).
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Jdg 5:8 describes the cause of the misery into which Israel had fallen. חדשׁים אלהים is the object to יבחר, and the subject is to be found in the previous term Israel. Israel forsook its God and creator, and chose new gods, i.e., gods not worshipped by its fathers (vid., Deu 32:17). Then there was war (לחם, the construct state of לחם, a verbal noun formed from the Piel, and signifying conflict or war) at the gates; i.e., the enemy pressed up to the very gates of the Israelitish towns, and besieged them, and there was not seen a shield or spear among forty thousand in Israel, i.e., there were no warriors found in Israel who ventured to defend the land against the foe. אם indicates a question with a negative reply assumed, as in Kg1 1:27, etc. Shield and spear (or lance) are mentioned particularly as arms of offence and defence, to signify arms of all kinds. The words are not to be explained from Sa1 13:22, as signifying that there were no longer any weapons to be found among the Israelites, because the enemy had taken them away ("not seen" is not equivalent to "not found" in Sa1 13:22); they simply affirm that there were no longer any weapons to be seen, because not one of the 40,000 men in Israel took a weapon in his hand. The number 40,000 is not the number of the men who offered themselves willingly for battle, according to Jdg 5:2 (Bertheau); for apart from the fact that they did not go unarmed into the battle, it is at variance with the statement in Jdg 4:6, Jdg 4:10, that Barak went into the war and smote the enemy with only 10,000 men. It is a round number, i.e., an approximative statement of the number of the warriors who might have smitten the enemy and delivered Israel from bondage, and was probably chosen with a reference to the 40,000 fighting men of the tribes on the east of the Jordan, who went with Joshua to Canaan and helped their brethren to conquer the land (Jos 4:13). Most of the more recent expositors have given a different rendering of Jdg 5:8. Many of them render the first clause according to the Peshito and Vulgate, "God chose something new," taking Elohim as the subject, and chadashim (new) as the object. But to this it has very properly been objected, that, according to the terms of the song, it was not Elohim but Jehovah who effected the deliverance of Israel, and that the Hebrew for new things is not חדשׁים, but חדשׁות (Isa 42:9; Isa 48:6), or חדשׁה (Isa 43:19; Jer 31:22). On these grounds Ewald and Bertheau render Elohim "judges" (they chose new judges), and appeal to Exo 21:6; Exo 22:7-8, where the authorities who administered justice in the name of God are called Elohim. But these passages are not sufficient by themselves to establish the meaning "judges," and still less to establish the rendering "new judges" for Elohim chadashim. Moreover, according to both these explanations, the next clause must be understood as relating to the specially courageous conflict which the Israelites in their enthusiasm carried on with Sisera; whereas the further statement, that among 40,000 warriors who offered themselves willingly for battle there was not a shield or a lance to be seen, is irreconcilably at variance with this. For the explanation suggested, namely, that these warriors did not possess the ordinary weapons for a well-conducted engagement, but had nothing but bows and swords, or instead of weapons of any kind had only the staffs and tools of shepherds and husbandmen, is proved to be untenable by the simple fact that there is nothing at all to indicate any contrast between ordinary and extraordinary weapons, and that such a contrast is altogether foreign to the context. Moreover, the fact appealed to, that אז points to a victorious conflict in Jdg 5:13, Jdg 5:19, Jdg 5:22, as well as in Jdg 5:11, is not strong enough to support the view in question, as אז is employed in Jdg 5:19 in connection with the battle of the kings of Canaan, which was not a successful one, but terminated in a defeat.
The singer now turns from the contemplation of the deep degradation of Israel to the glorious change which took place as soon as she appeared: -
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