Judges 5:21 মন্তব্য

This chapter contains the triumphal song which was composed and sung upon occasion of that glorious victory which Israel obtained over the forces of Jabin king of Canaan and the happy consequences of that victory. Probably it was usual then to publish poems upon such occasions, as now; but this only is preserved of all the poems of that age of the judges, because dictated by Deborah a prophetess, designed for a psalm of praise then, and a pattern of praise to after-ages, and it gives a great deal of light to the history of these times. I. It begins with praise to God (Jdg 5:2, Jdg 5:3). II. The substance of this song transmits the memory of this great achievement. 1. Comparing God's appearances for them on this occasion with his appearances to them on Mount Sinai (Jdg 5:4, Jdg 5:5). 2. Magnifying their deliverance from the consideration of the calamitous condition they had been in (Jdg 5:6-8). 3. Calling those to join in praise that shared in the benefits of the success (Jdg 5:9-13). 4. Reflecting honour upon those tribes that were forward and active in that war, and disgrace on those that declined the service (Jdg 5:14-19, Jdg 5:23). 5. Taking notice how God himself fought for them (Jdg 5:20-22). 6. Celebrating particularly the honour of Jael, that slew Sisera, on which head the song is very large (Jdg 5:24-30). It concludes with a prayer to God (Jdg 5:31).

INTRODUCTION TO JUDGES 5 This chapter contains a song of praise on account of the victories obtained over Jabin, and his kingdom; after an exhortation to praise is given, and kings excited to attend to it, the majestic appearance of God at Seir, on Sinai, is observed, to raise in the mind a divine veneration of him, Jdg 5:1; then the miserable state and condition Israel was in before these victories, and therefore had the more reason to be thankful, Jdg 5:6; the governors, and judges, and the people that were delivered, together with Deborah and Barak, are stirred up to rehearse the righteous acts of the Lord, and bless his name, Jdg 5:9; and those who willingly engaged in the war are praised, and such who were negligent reproved, and some even cursed, Jdg 5:14; but Jael, Heber's wife, is particularly commended for her exploit in slaying Sisera, Jdg 5:24; and the mother of Sisera, and her ladies, are represented as wondering at his long delay, and as assured of his having got the victory, Jdg 5:28; and the song is concluded with a prayer for the destruction, of the enemies of the Lord, and for the happiness and glory of them that love him, Jdg 5:31.

The river of Kishon swept them away,.... To which Sisera's army was drawn, and where it was discomfited; and very probably many of them, in their confusion, endeavoured to make their escape by fording or swimming over the river, by which they were swept away and drowned, the waters of it at this time swelling in a miraculous manner, as Ben Gersom thinks; or were increased by the large showers of rain that fell, as some note from Josephus, though I find it not in him; however it is not improbable it might be the case; for our countryman Mr. Maundrell (l) thus observed when he was at it;"in the condition we saw it, its waters were low and inconsiderable; but passing along the side of the plain, we discovered the track of many lesser torrents falling down into it from the mountains, which must needs make it swell exceedingly upon sudden rains, as doubtless it actually did at the destruction of Sisera's host, Jdg 5:21" that ancient river, the river Kishon; called ancient, either because it was from the beginning of the creation, and not cut by the art of men, as some rivers are; or because it was spoken of by poets and historians in ancient times; or because of famous exploits done here of old; so the Targum,"the river where signs and mighty works were done for Israel of old.''Some take the word Kedumim to be another name of the river, so called from its windings and turnings, and, as it were, meeting itself. So some travellers tell us (m) the river Kedumim, the same with Kishon, is so called, because it meets itself, being by its meanders formed like a sling or noose, as Kishon signifies; it rises at Mount Tabor, and discharges itself into the Mediterranean sea, at the foot of Mount Carmel; so Hillerus (n) says, Kishon signifies bending in manner of a snare, or net, or meander, and takes it to be the same with the Pagida of Pliny (o), which in the Greek tongue signifies the same: O my soul, thou hast trodden down strength; a strong and mighty army, through her prayers and supplication, advice and direction; or thou hast trodden with strength, that is, the river Kishon, as some Jewish interpreters understand it, who suppose that another miracle was wrought; that as the waters of the river swelled when the Canaanites attempted to escape over it, so it sunk and became fordable for Deborah and the Israelites; a miracle, as they suppose, somewhat similar to that at the Red sea. (l) Journey from Aleppo, &c. p. 57. (m) Egmont and Heyman's Travels, par. 2. p. 2. (n) Onomastic. Sacr. p. 186, 405, 865. (o) Nat. Hist. l. 5. c. 19.

(Judges 5:21) The River Kishon swept away their corpses. For there is the place of their downfall; and it is as if one were to ask, where? and the answer is: In the River Kishon, that is, in the Red Sea. Hence it follows: The river Kishon, the river of Kishon. It calls the River Kishon the Red Sea. For Kishon means of old, because ancient miracles were performed there, when the children of Israel passed over and the Egyptians perished. And because the Red Sea vomited forth the dead Egyptians, so that the Israelites saw their dead bodies on the shore of the sea, and the same bodies were carried away by the fish and sea creatures: therefore the River Kishon swept away their corpses, so that the fish and sea creatures of the Red Sea might eat the bodies of the Canaanites, in place of the bodies of the Egyptians taken from them. Trample, my soul, the mighty ones. This is what Deborah, representing all of Israel, says, that they may crush the necks of their strongest enemies with one mind, that is, the strongest ones: as it is also written in the book of Joshua about the five kings of the Canaanites (Josh. 10:24).

DEBORAH AND BARAK'S SONG OF THANKSGIVING. (Jdg. 5:1-31) Then sang Deborah and Barak . . . on that day--This noble triumphal ode was evidently the composition of Deborah herself.

the river of Kishon swept them away--The enemy was defeated near "the waters of Megiddo"--the sources and side streams of the Kishon: they that fled had to cross the deep and marshy bed of the torrent, but the Lord had sent a heavy rain--the waters suddenly rose--the warriors fell into the quicksands, and sinking deep into them, were drowned or washed into the sea [VAN DE VELDE].

Deborah's Song of Victory - Judges 5 This highly poetical song is so direct and lively an utterance of the mighty force of the enthusiasm awakened by the exaltation of Israel, and its victory over Sisera, that its genuineness if generally admitted now. After a general summons to praise the Lord for the courage with which the people rose up to fight against their foes (Jdg 5:2), Deborah the singer dilates in the first section (Jdg 5:3-11) upon the significance of the victory, picturing in lively colours (1) the glorious times when Israel was exalted to be the nation of the Lord (Jdg 5:3-5); (2) the disgraceful decline of the nation in the more recent times (Jdg 5:6-8); and (3) the joyful turn of affairs which followed her appearance (Jdg 5:9-11). After a fresh summons to rejoice in their victory (Jdg 5:12), there follows in the second section (Jdg 5:13-21) a lively picture of the conflict and victory, in which there is a vivid description (a) of the mighty gathering of the brave to battle (Jdg 5:13-15); (b) of the cowardice of those who stayed away from the battle, and of the bravery with which the braver warriors risked their lives in the battle (Jdg 5:15-18); and (c) of the successful result of the conflict (Jdg 5:19-21). To this there is appended in the third section (Jdg 5:22-31) an account of the glorious issue of the battle and the victory: first of all, a brief notice of the flight and pursuit of the foe (Jdg 5:22-24); secondly, a commemoration of the slaying of Sisera by Jael (Jdg 5:24-27); and thirdly, a scornful description of the disappointment of Sisera's mother, who was counting upon a large arrival of booty (Jdg 5:28-30). The song then closes with the hope, founded upon this victory, that all the enemies of the Lord might perish, and Israel increase in strength (Jdg 5:31). The whole song, therefore, is divided into three leading sections, each of which again is arranged in three somewhat unequal strophes, the first and second sections being introduced by a summons to the praise of God (Jdg 5:2, Jdg 5:12), whilst the third closes with an expression of hope, drawn from the contents of the whole, with regard to the future prospects of the kingdom of God (Jdg 5:31).

The kings of Canaan could do nothing against these powers. They were smitten; the brook Kishon washed them (i.e., their corpses) away. The meaning "to wash away" is well established by the dialects and the context, though the verb itself only occurs here. As the battle was fought between Taanach and Megiddo, i.e., to the south of the brook Kishon, and the smitten foe fled towards the north, many of them met with their death in the waves of the brook, which was flowing over its banks at the time. The brook is called קדוּמים נחל, i.e., the brook of the old world or the olden time (according to the lxx Cod. Vat. χειμάῤῥους ἀρχαίων), as the stream that had been flowing from time immemorial, and not, as the Chaldee interprets it, the stream that had been celebrated from olden time on account of the mighty acts that had been performed there. The meaning suggested by Ewald and others, "brook of attacks, or slaughters," is not well sustained, although קדּם is sometimes used to denote a hostile encounter. The last clause interrupts the description of the slaughter and the victory. Borne away by the might of the acts to be commemorated, Deborah stimulates her soul, i.e., herself, to a vigorous continuation of her song. תּדרכי is jussive, and עז an accusative governed by the verb, in strength, vigorously; for she had still to celebrate the glorious results of the victory. This is done in the third part of the song (Jdg 5:22-31), the first strophe of which (Jdg 5:22-24) describes in brief drastic traits the flight of the foe, and the treatment of the fugitives by the people of the land.